Cinema's Conversion to Sound

Cinema's Conversion to Sound

Author: Charles O’Brien

Publisher: Indiana University Press

Published: 2005-01-18

Total Pages: 222

ISBN-13: 9780253217202

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A groundbreaking look at the transition to sound in the French Cinema.


French National Cinema

French National Cinema

Author: Susan Hayward

Publisher: Psychology Press

Published: 2005

Total Pages: 417

ISBN-13: 0415307821

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This revised and updated edition of a successful and established text provides a much-needed historical overview of French cinema from its roots through to the political and social developments in the 1990s and beyond.


Satie the Bohemian

Satie the Bohemian

Author: Steven Moore Whiting

Publisher: Clarendon Press

Published: 1999-02-18

Total Pages: 610

ISBN-13: 0191584525

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Erik Satie (1866-1925) came of age in the bohemian subculture of Montmartre, with its artists' cabarets and cafés-concerts. Yet apologists have all too often downplayed this background as potentially harmful to the reputation of a composer whom they regarded as the progenitor of modern French music. Whiting argues, on the contrary, that Satie's two decades in and around Montmartre decisively shaped his aesthetic priorities and compositional strategies. He gives the fullest account to date of Satie's professional activities as a popular musician, and of how he transferred the parodic techniques and musical idioms of cabaret entertainment to works for concert hall. From the esoteric Gymnopédies to the bizarre suites of the 1910s and avant-garde ballets of the 1920s (not to mention music journalism and playwriting), Satie's output may be daunting in its sheer diversity and heterodoxy; but his radical transvaluation of received artistic values makes far better sense once placed in the fascinating context of bohemian Montmartre.


The Classic French Cinema, 1930-1960

The Classic French Cinema, 1930-1960

Author: C. G. Crisp

Publisher: Indiana University Press

Published: 1993

Total Pages: 522

ISBN-13: 9780253315502

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Colin Crisp re-evaluates the stylistic evolution of the classic French cinema, and represents the New Wave film-makers as its natural heirs rather than the mould-breakers they perceived themselves to be.


Grand Design

Grand Design

Author: Tino Balio

Publisher: Univ of California Press

Published: 1995

Total Pages: 500

ISBN-13: 9780520203341

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The advent of color, big musicals, the studio system, and the beginning of institutionalized censorship made the thirties the defining decade for Hollywood. The year 1939, celebrated as "Hollywood's greatest year," saw the release of such memorable films as Gone with the Wind, The Wizard of Oz, and Stagecoach. It was a time when the studios exercised nearly absolute control over their product as well as over such stars as Bette Davis, Clark Gable, and Humphrey Bogart. In this fifth volume of the award-winning series History of the American Cinema, Tino Balio examines every aspect of the filmmaking and film exhibition system as it matured during the Depression era.


Immersion in the Visual Arts and Media

Immersion in the Visual Arts and Media

Author:

Publisher: BRILL

Published: 2015-10-27

Total Pages: 401

ISBN-13: 9004308237

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Taking an interdisciplinary approach, this volume brings together contributions by distinguished experts from different disciplinary fields for a multidimensional view on immersion in the visual arts and media. In the current media debate, immersion has frequently been linked to the advent of digital technology and its capacity to provide vivid sensations of being placed in or surrounded by an artificial space. The idea of ‘liquidity’ contained in this promise to plunge into another world informs wide areas of contemporary cultural imagination, referring to a myriad of phenomena that relate to experiences of uncertainty and instability, of complexity and change. Considering the fact, however, that the idea of ‘liquid’ spaces appeared long before the digital creation of augmented or virtual environments, the contributors to this volume trace its reemerging throughout the history of the visual arts and media. By focusing on selected works of painting and architecture, photography and cinema, video installation and media art, they explore the variability of immersive experiences according to the different media environments and interfaces that constitute the actual sites of historically shifting relations between media and users. Contributors are: Matthias Bauer, Jörg von Brincken, Robin Curtis, Burcu Dogramaci, Thomas Elsaesser, Ole W. Fischer, Gundolf S. Freyermuth, Ursula Frohne, Henry Keazor, Matthias Krüger, Katja Kwastek, Fabienne Liptay, Karl Prümm, Martin Warnke.


Visions of the East

Visions of the East

Author: Matthew Bernstein

Publisher: Rutgers University Press

Published: 1997

Total Pages: 354

ISBN-13: 9780813522951

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Essays on orientalism in American and European cinema


To Desire Differently

To Desire Differently

Author: Sandy Flitterman-Lewis

Publisher: Columbia University Press

Published: 1996

Total Pages: 396

ISBN-13: 9780231104975

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Explores impact of 3 women filmmakers on French films


Irving Thalberg

Irving Thalberg

Author: Mark A. Vieira

Publisher: Univ of California Press

Published: 2009-11-05

Total Pages: 526

ISBN-13: 0520945115

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Hollywood in the 1920s sparkled with talent, confidence, and opportunity. Enter Irving Thalberg of Brooklyn, who survived childhood illness to run Universal Pictures at twenty; co-found Metro-Goldwyn-Mayer at twenty-four; and make stars of Lon Chaney, Norma Shearer, Greta Garbo, Joan Crawford, Clark Gable, and Jean Harlow. Known as Hollywood's "Boy Wonder," Thalberg created classics such as Ben-Hur, Tarzan the Ape Man, Grand Hotel, Freaks, Mutiny on the Bounty, and The Good Earth, but died tragically at thirty-seven. His place in the pantheon should have been assured, yet his films were not reissued for thirty years, spurring critics to question his legend and diminish his achievements. In this definitive biography, illustrated with rare photographs, Mark A. Vieira sets the record straight, using unpublished production files, financial records, and correspondence to confirm the genius of Thalberg's methods. In addition, this is the first Thalberg biography to utilize both his recorded conversations and the unpublished memoirs of his wife, Norma Shearer. Irving Thalberg is a compelling narrative of power and idealism, revealing for the first time the human being behind the legend.


Sound Technology and the American Cinema

Sound Technology and the American Cinema

Author: James Lastra

Publisher: Columbia University Press

Published: 2000-07-18

Total Pages: 289

ISBN-13: 0231505469

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Representational technologies including photography, phonography, and the cinema have helped define modernity itself. Since the nineteenth century, these technologies have challenged our trust of sensory perception, given the ephemeral unprecedented parity with the eternal, and created profound temporal and spatial displacements. But current approaches to representational and cultural history often neglect to examine these technologies. James Lastra seeks to remedy this neglect. Lastra argues that we are nowhere better able to track the relations between capital, science, and cultural practice than in photography, phonography, and the cinema. In particular, he maps the development of sound recording from its emergence to its confrontation with and integration into the Hollywood film. Reaching back into the late eighteenth century, to natural philosophy, stenography, automata, and human physiology, Lastra follows the shifting relationships between our senses, technology, and representation.