Conjuring Science

Conjuring Science

Author: Sofie Lachapelle

Publisher: Springer

Published: 2015-10-07

Total Pages: 318

ISBN-13: 113749297X

DOWNLOAD EBOOK

Conjuring Science explores the history of magic shows and scientific entertainment. It follows the frictions and connections of magic and science as they occurred in the world of popular entertainment in France from the mid-eighteenth to the early twentieth century. It situates conjurers within the broader culture of science and argues that stage magic formed an important popular conduit for science and scientific enthusiasm during this period. From the scientific recreations of the fairs to the grand illusions of the theatre stage and the development of early cinema, conjurers used and were inspired by scientific and technological innovations to create illusions, provoke a sense of wonder, and often even instruct their audience. In their hands, science took on many meanings and served different purposes: it was a set of pleasant facts and recreational demonstrations upon which to draw; it was the knowledge presented in various scientific lectures accompanied by optical projections at magic shows; it was the techniques necessary to create illusions and effects on stage and later on at the cinema; and it was a way to separate conjuring from the deceit of mediums, mystical showmen and quacks in order to gain a better standing within an increasingly scientifically-minded society.


La Horda

La Horda

Author: Vicente Blasco Ibez

Publisher: Createspace Independent Publishing Platform

Published: 2016-10-09

Total Pages: 304

ISBN-13: 9781539417385

DOWNLOAD EBOOK

La Horda


The French Press in the Age of Enlightenment

The French Press in the Age of Enlightenment

Author: Jack Censer

Publisher: Routledge

Published: 2002-11-01

Total Pages: 321

ISBN-13: 1134861591

DOWNLOAD EBOOK

First Published in 2004. The ideas of the Enlightenment and belligerent royal officials critically influenced the French Revolution, but how did an entire generation learn about such ideas prior to the Revolution? Jack R. Censer’s achievement in this volume is to marshal a vast literature in order to provide a coherent and original interpretation of the role of the French Press in the dissemination of social and political ideas in the years leading up to the Revolution. Censer also explores the relationship between journalists and government officials and unearths a range of sophisticated censorship techniques employed by the government to keep Bad News off the front pages. In a field dominated by specialized studies but few generalizations, The French Press in the Age of Enlightenment provides a bold synthesis regarding the periodical press from mid-century to the Revolution.


French Opera at the Fin de Siècle

French Opera at the Fin de Siècle

Author: Steven Huebner

Publisher: Oxford University Press

Published: 2006-02-02

Total Pages: 552

ISBN-13: 9780199719921

DOWNLOAD EBOOK

This is the first book-length study of the rich operatic repertory written and performed in France during the last two decades of the nineteenth century. Steven Huebner gives an accessible and colorful account of such operatic favorites as Manon and Werther by Massenet, Louise by Charpentier, and lesser-known gems such as Chabrier's Le Roi malgré lui and Chausson's Le Roi Arthus.


The Prima Donna and Opera, 1815-1930

The Prima Donna and Opera, 1815-1930

Author: Susan Rutherford

Publisher: Cambridge University Press

Published: 2006-08-10

Total Pages: 26

ISBN-13: 052185167X

DOWNLOAD EBOOK

An examination of the female opera singer during the nineteenth and twentieth centuries.


Opera Acts

Opera Acts

Author: Karen Henson

Publisher: Cambridge University Press

Published: 2015-01-15

Total Pages: 281

ISBN-13: 1107004268

DOWNLOAD EBOOK

Opera Acts explores a wealth of new historical material about singers in the late nineteenth century and challenges the idea that this was a period of decline for the opera singer. In detailed case studies of four figures - the late Verdi baritone Victor Maurel; Bizet's first Carmen, Célestine Galli-Marié; Massenet's muse of the 1880s and 1890s, Sibyl Sanderson; and the early Wagner star Jean de Reszke - Karen Henson argues that singers in the late nineteenth century continued to be important, but in ways that were not conventionally 'vocal'. Instead they enjoyed a freedom and creativity based on their ability to express text, act and communicate physically, and exploit the era's media. By these and other means, singers played a crucial role in the creation of opera up to the end of the nineteenth century.


Commentary on the Book of Causes

Commentary on the Book of Causes

Author: Saint Thomas (Aquinas)

Publisher: CUA Press

Published: 1996

Total Pages: 240

ISBN-13: 9780813208442

DOWNLOAD EBOOK

Thomas's Commentary on the Book of Causes, composed during the first half of 1272, offers an extended view of his approach to Neoplatonic thought and functions as a guide to his metaphysics. Though long neglected and, until now, never translated into English, it deserves an equal place alongside his commentaries on Aristotle and Boethius. In addition to the extensive annotation, bibliography, and thorough introduction, this translation is accompanied by two valuable appendices. The first provides a translation of another version of proposition 29 of the Book of Causes, which was not known to St. Thomas. The second lists citations of the Book of Causes found in the works of St. Thomas and cross-references these to a list showing the works, and the exact location within them, where the citations can be found.


Musical Encounters at the 1889 Paris World's Fair

Musical Encounters at the 1889 Paris World's Fair

Author: Annegret Fauser

Publisher: Boydell & Brewer

Published: 2005

Total Pages: 417

ISBN-13: 1580461859

DOWNLOAD EBOOK

The 1889 Exposition universelle in Paris is famous as a turning point in the history of French music, and modern music generally. This book explores the ways in which music was used, exhibited, listened to, and written about during the Exposition universelle. It also reveals the sociopolitical uses of music in France during the 19th century.


Composing the Citizen

Composing the Citizen

Author: Jann Pasler

Publisher: Univ of California Press

Published: 2009

Total Pages: 812

ISBN-13: 0520257405

DOWNLOAD EBOOK

"Jann Pasler's remarkable Composing the Citizen reaches well beyond what any book concerned with music in society has ever attempted. Concentrating on France of the Third Republic, from the 1870s through the early 1900s, she demonstrates convincingly how music--whether new, old, popular, or élite, whether performed at institutions of state (such as the Opéra), the Folies Bergère, concert halls, or the zoo--helped to redefine what it meant to be French under evolving political circumstances. Equally adept in the languages of history, sociology, political science, reception history, and music analysis, Pasler establishes music's cultural significance and implicitly illuminates the role it can still play in countries like the United States."--Philip Gossett, The University of Chicago and University of Rome, La Sapienza "Composing the Citizen offers nothing less than a new paradigm for the study of musical cultures. Rather than forcing French music into the moulds developed for the Austro-German canon, Pasler simply studies the social uses of music in fin-de-siècle France. Her painstaking archival research allows her to present an astonishingly detailed account of musical practices, tastes, and activities; new names and genres come to the fore to engage in a variety of dynamic artistic scenes most of us never knew--or only thought we did by virtue of having read Proust. A masterwork of a scholar at the very peak of her career."--Susan McClary, MacArthur Fellow 1995 and author of Georges Bizet: Carmen and Modal Subjectivities: Self-Fashioning in the Italian Madgrigal "Utilité publique: a common-sense republican notion of sweeping consequence. In this greatly anticipated volume Jann Pasler uses it as touchstone, showing how and why musical life so mattered in Third-Republic France: layer after layer of it, in a journey that takes us past the Opéra and Conservatoire to the pops concerts, department stores, the zoo, the world's fairs, the overseas colonies. Companionable as a well-worn Baedeker, seductive as Roger Shattuck's The Banquet Years, this exquisitely styled and paced achievement is also a compelling read."--D. Kern Holoman, author of Berlioz and The Société des Concerts du Conservatoire, 1828-1967