Reconstructing Ashkenaz shows that, contrary to traditional accounts, the Jews of Western Europe in the High Middle Ages were not a society of saints and martyrs. David Malkiel offers provocative revisions of commonly held interpretations of Jewish martyrdom in the First Crusade massacres, the level of obedience to rabbinic authority, and relations with apostates and with Christians. In the process, he also reexamines and radically revises the view that Ashkenazic Jewry was more pious than its Sephardic counterpart.
In the urban communities of medieval Germany and northern France, the beliefs, observances, and practices of Jews allowed them to create and define their communities on their own terms as well as in relation to the surrounding Christian society. Although medieval Jewish texts were written by a learned elite, the laity also observed many religious rituals as part of their everyday life. In Practicing Piety in Medieval Ashkenaz, Elisheva Baumgarten asks how Jews, especially those who were not learned, expressed their belonging to a minority community and how their convictions and deeds were made apparent to both their Jewish peers and the Christian majority. Practicing Piety in Medieval Ashkenaz provides a social history of religious practice in context, particularly with regard to the ways Jews and Christians, separately and jointly, treated their male and female members. Medieval Jews often shared practices and beliefs with their Christian neighbors, and numerous notions and norms were appropriated by one community from the other. By depicting a dynamic interfaith landscape and a diverse representation of believers, Baumgarten offers a fresh assessment of Jewish practice and the shared elements that composed the piety of Jews in relation to their Christian neighbors.
In The Fabric of Religious Life in Medieval Ashkenaz, Jeffrey R. Woolf presents the first integrated presentation of the ideals and beliefs that comprised the self-image and worldview of Ashkenazic Jews in the Central and High Middle Ages (900-1300). Through careful examination of a wide range of sources (legal, customal, liturgical, artistic), Woolf shows how religious practice played a dual role in creating and sustaining Jewish life in a hostile environment. They instilled these values, and recast religious traditions to reflect them. The author demonstrates how hitherto underappreciated ideals such as Purity, Sanctity, and a palpable sense of Divine In-Dwelling played a central role in Ashkenazic religiousity and merged to form the texture, or the "Sacred Canopy," of their lives.
In the urban communities of medieval Germany and northern France, the beliefs, observances, and practices of Jews allowed them to create and define their communities on their own terms as well as in relation to the surrounding Christian society. Although medieval Jewish texts were written by a learned elite, the laity also observed many religious rituals as part of their everyday life. In Practicing Piety in Medieval Ashkenaz, Elisheva Baumgarten asks how Jews, especially those who were not learned, expressed their belonging to a minority community and how their convictions and deeds were made apparent to both their Jewish peers and the Christian majority. Practicing Piety in Medieval Ashkenaz provides a social history of religious practice in context, particularly with regard to the ways Jews and Christians, separately and jointly, treated their male and female members. Medieval Jews often shared practices and beliefs with their Christian neighbors, and numerous notions and norms were appropriated by one community from the other. By depicting a dynamic interfaith landscape and a diverse representation of believers, Baumgarten offers a fresh assessment of Jewish practice and the shared elements that composed the piety of Jews in relation to their Christian neighbors.
The twelfth and thirteenth centuries witnessed an explosion of Christian interest in the meaning and workings of the natural world—a "discovery of nature" that profoundly reshaped the intellectual currents and spiritual contours of European society—yet to all appearances, the Jews of medieval northern Europe (Ashkenaz) were oblivious to the shifts reshaping their surrounding culture. Scholars have long assumed that rather than exploring or contemplating the natural world, the Jews of medieval Ashkenaz were preoccupied solely with the supernatural and otherworldly: magic and mysticism, demonology and divination, as well as the zombies, werewolves, dragons, flying camels, and other monstrous and wondrous creatures that destabilized any pretense of a consistent and encompassing natural order. In A Remembrance of His Wonders, David I. Shyovitz disputes this long-standing and far-reaching consensus. Analyzing a wide array of neglected Ashkenazic writings on the natural world in general, and the human body in particular, Shyovitz shows how Jews in Ashkenaz integrated regnant scientific, magical, and mystical currents into a sophisticated exploration of the boundaries between nature and the supernatural. Ashkenazic beliefs and practices that have often been seen as signs of credulity and superstition in fact mirrored—and drew upon—contemporaneous Christian debates over the relationship between God and the natural world. In charting these parallels between Jewish and Christian thought, Shyovitz focuses especially upon the mediating role of polemical texts and encounters that served as mechanisms for the transmission of religious doctrines, scientific facts, and cultural mores. Medieval Jews' preoccupation with the apparently "supernatural" reflected neither ignorance nor intellectual isolation but rather a determined effort to understand nature's inner workings and outer limits and to integrate and interrogate the theologies and ideologies of the broader European Christian society.
The medieval Ashkenazi manuscripts of the Small Book of Commandments (Sefer Mitzvot Katan, or ‘SeMaK’ for short), which was written by Isaac of Corbeil, attest a scribal culture in which rabbinical knowledge and piety were combined with creative freedom in manuscript design. This study is concerned with the creation, composition and circulation of manuscripts of the SeMaK and concentrates on the book as an artefact. The focus of the author’s attention is the manuscripts’ material nature, their artistic embellishment and the personal touches that scribes added to them. With the act of writing a text and decorating a SeMaK manuscript, they ‘appropriated’ the text, so to speak, giving it a character of its very own. They drew on a visual language in the process – or rather, on visual languages, which occupy a special place between pure writing culture and pure painting culture. It was in this area ‘in between’ the two that spontaneous touches arose, ranging from changes in the physical arrangement of the text (mise-en-page) to drawings and doodles added in the margins. An examination of paratextual elements broadens the reader’s knowledge about Jewish scribal culture and grants insights into medieval book art, material culture and Judeo-Christian co-existence in the Middle Ages as well as throwing some light on Jewish values, ideals and eschatological hopes.
Through the use of several illustrations from illuminated manuscripts and other media, Resnick engages readers in a discussion of the later medieval notion of Jewish difference.
Judah ben Joseph Moscato (c.1533–1590) was one of the most distinguished rabbis, authors, and preachers of the Italian-Jewish Renaissance. This volume is a record of the proceedings of an international conference organized in Mantua and consists of contributions on Moscato and his intellectual world.
Sephardic and Ashkenazic Judaism have long been studied separately. Yet, scholars are becoming ever more aware of the need to merge them into a single field of Jewish Studies. This volume opens new perspectives and bridges traditional gaps. The authors are not simply contributing to their respective fields of Sephardic or Ashkenazic Studies. Rather, they all include both Sephardic and Ashkenazic perspectives as they reflect on different aspects of encounters and reconsider traditional narratives. Subjects range from medieval and early modern Sephardic and Ashkenazic constructions of identities, influences, and entanglements in the fields of religious art, halakhah, kabbalah, messianism, and charity to modern Ashkenazic Sephardism and Sephardic admiration for Ashkenazic culture. For reasons of coherency, the contributions all focus on European contexts between the fourteenth and the nineteenth centuries.
The Routledge History of Medieval Christianity explores the role of Christianity in European society from the middle of the eleventh-century until the dawning of the Reformation. Arranged in four thematic sections and comprising 23 originally commissioned chapters plus introductory overviews to each part by the editor, this book provides an authoritative survey of a vital element of medieval history. Comprehensive and cohesive, the volume provides a holistic view of Christianity in medieval Europe, examining not only the church itself but also its role in, influence on, and tensions with, contemporary society. Chapters therefore range from examinations of structures, theology and devotional practices within the church to topics such as gender, violence and holy warfare, the economy, morality, culture, and many more besides, demonstrating the pervasiveness and importance of the church and Christianity in the medieval world. Despite the transition into an increasingly post-Christian age, the historic role of Christianity in the development of Europe remains essential to the understanding of European history – particularly in the medieval period. This collection will be essential reading for students and scholars of medieval studies across a broad range of disciplines.
