George Washington Parke Custis (1781-1857) was raised at Mount Vernon by George and Martha Washington. Young "Wash" appears in Savage's 1789 painting of the first presidential family, his small hand placed symbolically on a globe. He would later make his mark on the national landscape by building Arlington House on the Potomac. A poor student, he emerged as an agricultural reformer and sought-after Federalist orator. He championed the plights of Irish Americans and war veterans. An important memoirist, he wrote well-received theatrical works and produced paintings rich in historical detail. Inheriting much of the vast Custis fortune, he also became the enslaver of more than 200 people. The slow march toward their emancipation became the central struggle of his life, particularly after his daughter's 1831 marriage to Robert E. Lee. This first full-length biography of Custis offers a 21st century reappraisal of life that dramatically bridged the American Revolution and the Civil War.
Over the past two hundred years, Americans have reproduced George Washington’s Mount Vernon plantation house more often, and in a greater variety of media, than any of their country’s other historic buildings. In this highly original new book, Lydia Mattice Brandt chronicles America’s obsession with the first president’s iconic home through advertising, prints, paintings, popular literature, and the full-scale replication of its architecture. Even before Washington’s death in 1799, his house was an important symbol for the new nation. His countrymen used it to idealize the past as well as to evoke contemporary--and even divisive--political and social ideals. In the wake of the mid-nineteenth century’s revival craze, Mount Vernon became an obvious choice for architects and patrons looking to reference the past through buildings in residential neighborhoods, at world’s fairs, and along the commercial strip. The singularity of the building’s trademark piazza and its connection to Washington made it immediately recognizable and easy to replicate. As a myriad of Americans imitated the building’s architecture, the Mount Vernon Ladies’ Association carefully interpreted and preserved its fabric. Purchasing the house in 1859 amid intense scrutiny, the organization safeguarded Washington’s home and ensured its accessibility as the nation’s leading historic house museum. Tension between popular images of Mount Vernon and the organization’s "official" narrative for the house over the past 150 years demonstrates the close and ever-shifting relationship between historic preservation and popular architecture.In existence for roughly as long as the United States itself, Mount Vernon’s image has remained strikingly relevant to many competing conceptions of our country’s historical and architectural identity.
"This book is a companion volume to Biographical books, 1950-1980, completing a comprehensive one hundred and five year bibliography of biographical and autobiographical works published or distributed in the United States"--Preface.
"In his lucid and bracing history, [David] Bell helps us better understand how [a] charismatic grifter came to occupy the most powerful office in the world . . . Bell’s description of our predicament makes for essential reading." —Robert Zaretsky, Los Angeles Review of Books An immersive examination of why the age of democratic revolutions was also a time of hero worship and strongmen In Men on Horseback, the Princeton University historian David A. Bell offers a dramatic new interpretation of modern politics, arguing that the history of democracy is inextricable from the history of charisma, its shadow self. Bell begins with Corsica’s Pasquale Paoli, an icon of republican virtue whose exploits were once renowned throughout the Atlantic World. Paoli would become a signal influence in both George Washington’s America and Napoleon Bonaparte’s France. In turn, Bonaparte would exalt Washington even as he fashioned an entirely different form of leadership. In the same period, Toussaint Louverture sought to make French Revolutionary ideals of freedom and equality a reality for the formerly enslaved people of what would become Haiti, only to be betrayed by Napoleon himself. Simon Bolivar witnessed the coronation of Napoleon and later sought refuge in newly independent Haiti as he fought to liberate Latin America from Spanish rule. Tracing these stories and their interconnections, Bell weaves a spellbinding tale of power and its ability to mesmerize. Ultimately, Bell tells the crucial and neglected story of how political leadership was reinvented for a revolutionary world that wanted to do without kings and queens. If leaders no longer rule by divine right, what underlies their authority? Military valor? The consent of the people? Their own Godlike qualities? Bell’s subjects all struggled with this question, learning from each other’s example as they did so. They were men on horseback who sought to be men of the people—as Bell shows, modern democracy, militarism, and the cult of the strongman all emerged together. Today, with democracy’s appeal and durability under threat around the world, Bell’s account of its dark twin is timely and revelatory. For all its dangers, charisma cannot be dispensed with; in the end, Bell offers a stirring injunction to reimagine it as an animating force for good in the politics of our time.