This book is narrative of the author's spiritual development, told in poetry and visual art. It is a collection of visions, inner knowings, personal revelations, dream journeys and healing lessons for the mind, spirit and soul. The author explores themes like the Rastafari faith, her Taino Indigenous heritage, Buddhism, Shamanism, Voudun, Sufism, Motherhood and how they all can lead to the Warrior Path, with over 25 vividly colorful images, soul stirring poems and brief scholarly essays.
Winner of the American Academy of Religion's Borsch-Rast Prize. An Oxford Alumni Book of the Month pick While place-based pilgrimage is an embodied practice, can it be experienced in its fullness through built environments, assemblages of souvenirs, and music? Imaging Pilgrimage explores contemporary art that is created after a pilgrimage and intended to act as a catalyst for the embodied experience of others. Each chapter focuses on a contemporary artwork that links one landscape to another-from the Spanish Camino to a backyard in the Pacific Northwest, from Lourdes to South Africa, from Jerusalem to England, and from Ecuador to California. The close attention to context and experience allows for popular practices like the making of third-class or "contact" relics to augment conversations about the authenticity or perceived power of a replica or copy; it also challenges the tendency to think of the “original” in hierarchical terms. The book brings various fields into conversation by offering a number of lenses and theoretical approaches (materialist, kinesthetic, haptic, synesthetic) that engage objects as radical sites of encounter, activated through religious and ritual praxis, and negotiated with not just the eyes, but a multiplicity of senses. The first full-length study to engage contemporary art that has emerged out of the embodied experience of pilgrimage, Imaging Pilgrimage is an important and timely addition to the field of material and visual culture of religion. It is essential reading for anyone interested in pilgrimage studies, material culture, and the place of religion within contemporary art.
If you yearn to say yes to your deepest expression in your art and life, this self-help book is for you. Dr. Hillis guides you past resistance on your artist's journey so you can finally trust yourself, develop confidence and cultivate deep exploration and experimentation in your art. Bonus resource library with videos lessons and book club guide.
How did we get from Scripture to creed? Historical criticism has revealed a gap between Scripture and the mainstream doctrines that define Christianity today. Not the least of these are the Trinity and two natures of Christ—widely accepted since the fifth century, but unfounded in historical readings of Scripture. How did these dogmas become so integral to the faith in the first place? Frances M. Young tackles this monumental question in a culmination of decades of biblical and patristic research. The first of two volumes exploring the emergence of doctrine in the early church, Scripture, the Genesis of Doctrine reframes the relationship between Scripture and doctrine according to the intellectual context of the first few centuries CE. Young situates the early Christians’ biblical hermeneutic within the context of Greco-Roman learning without espousing historical relativism. Ultimately, Young argues that the scriptural canon and the Rule of Faith emerged concurrently in the early Church, and both were received as apostolic. The perceived gap between the two may in fact be the product of our modern assumptions rather than an ancient reality. Nuanced and ecumenical, Scripture, the Genesis of Doctrine explores early Christians’ biblical hermeneutic, with an eye toward how we interpret the bible today. Young’s magisterial study holds widespread implications for not only patristics but also exegesis and systematic theology.
Review: "Written to stress the crosscurrent of ideas, this cultural encyclopedia provides clearly written and authoritative articles. Thoughts, themes, people, and nations that define the Romantic Era, as well as some frequently overlooked topics, receive their first encyclopedic treatments in 850 signed articles, with bibliographies and coverage of historical antecedents and lingering influences of romanticism. Even casual browsers will discover much to enjoy here."--"The Top 20 Reference Titles of the Year," American Libraries, May 2004.
Drawing together 18 contributions from leading international scholars, this book conceptualizes the history and theory of cinema’s century-long relationship to modes of exploration in its many forms, from colonialist expeditions to decolonial radical cinemas to the perceptual voyage of the senses made possible by the cinematic apparatus. This is the first anthology dedicated to analysing cinema’s relationship to exploration from a global, decolonial, and ecological perspective. Featuring leading scholars working with pathbreaking interdisciplinary methodologies (drawing on insights from science and technology studies, postcolonial theory, indigenous ways of knowing, and film theory and history), it theorizes not only cinema’s implication in imperial conquest but also its cutting-edge role in empirical expansion and experiments in sensual and critical perception. The collected essays consider filmmaking in cross-cultural contexts and films made in or about peoples in South America, Asia, Africa, Indigenous North America, as well as polar, outer space, and underwater exploration, with famous figures such as Jacques Yves Cousteau alongside amateur and scientific filmmakers. The essays in this collection are ideal for a broad range of scholars, graduate students, and advanced undergraduate students in cinema and media studies, cultural studies, and cognate fields.
The healthy Christian life is one of continuing spiritual, emotional, and relational growth. But so many of us feel stuck or stagnated at one stage of the journey. It's not always clear to us where or why we are stuck, making it difficult to take the next step on our journey of the soul. That's where Bill and Kristi Gaultiere come in. After decades in private practice as counselors and therapists, they have developed a unique model for growing in grace. In Journey of the Soul, they draw on more than 70,000 hours of providing therapy and spiritual direction to show you how to identify your current stage of faith and the next steps to take based on your unique needs and struggles. With Scripture, self-assessments, and soul care practices to support your progress along the way, this insightful and inspiring book will be a treasured companion on your journey no matter where you are or how long you've been following Jesus.
Contributions by Anita DeRouen, Susan V. Donaldson, Julia Eichelberger, W. Ralph Eubanks, Sarah Gilbreath Ford, Bernard T. Joy, John Wharton Lowe, Anne MacMaster, Rebecca Mark, Suzanne Marrs, Donnie McMahand, Kevin Murphy, Harriet Pollack, Annette Trefzer, Jay Watson, and Ryoichi Yamane Working closely in each other’s orbit in Mississippi, William Faulkner, Eudora Welty, and Richard Wright created lasting portraits of southern culture, each from a distinctly different vantage point. Taking into consideration their personal, political, and artistic ways of responding to the histories and realities of their time and place, Faulkner, Welty, Wright: A Mississippi Confluence offers comparative scholarship that forges new connections—or, as Welty might say, traces new confluences—across texts, authors, identities, and traditions. In the collection, contributors discuss Faulkner’s Light in August; Sanctuary; Go Down, Moses; As I Lay Dying; “A Rose for Emily”; and “That Evening Sun”; Welty’s One Writer’s Beginnings; One Time, One Place; The Optimist’s Daughter; Losing Battles; “Why I Live at the P.O.”; “Livvie”; “Moon Lake”; “The Burning”; “Where Is the Voice Coming From?”; and “The Demonstrators”; and Wright’s Native Son; The Long Dream; 12 Million Black Voices; Black Boy; Lawd Today!; “The Man Who Lived Underground”; “The Ethics of Living Jim Crow”; and “Long Black Song.” Acknowledging that Mississippi ground was never level for any of the three writers, the fourteen essays in this volume turn from the familiar strategies of single-author criticism toward a mode of analysis more receptive to the fluid mergings of creative currents, placing Wright, Welty, and Faulkner in comparative relationship to each other as well as to other Mississippi writers such as Margaret Walker, Lewis Nordan, Natasha Trethewey, Jesmyn Ward, Steve Yarbrough, and Kiese Laymon. Doing so deepens and enriches our understanding of these literary giants and the Mississippi modernism they made together.
