Corona Virus has arrived on Planet Hyman, and only Beryl and Legless can help, a couple at war with their past. Will they rise to the occasion or fall out for good? Planet Hy Man is under the leadership of H2, who has as much experience as a toddler. With a dwindling budget, she is still learning the ropes when a portal to Earth opens. H2 summons the experts to close the portal, unaware of the coronavirus until a plague of rats staggers onto the planet as infectious as the bubonic plague. Blocking the portal becomes second to the spread of a virus, and with a shopping list a mile long, it is left to Legless and Beryl to save the planet. Will they put their grievances aside to save planet Hy Man or are they too old to change? Rebel Without A Mask is the quirky fourth book in the Planet Hy Man science fiction comedy series. If you love fast-paced satire, and meticulously crafted universes then buy Rebel Without A Mask today!
Planet H Man has toppled under the coup of the century and Mex must choose. Will she settle for her retirement fund or politicians too young to take seriously? Planet Hyman is at a lost as their new and callous leader takes a sabbatical, she has found her "pleasure dome" and while she learns there is more to life than a new manifesto, a coup rises to the occasion. With Mex hungover in Scotland, there is little to stand in their way apart from a hippy colony too chilled to care, a reporter with no scruples, and a missing set of batteries. The coup has plans to runs things the "proletarian way" they are young, idealistic, and haven't tasted luxury yet. They almost make it, grab the operations room, when their new and callous leader arises from her pleasure dome and grabs back her throne. Will Mex pick up her leathers and defend the coupe, or return to her planet to recuperate from a Scottish "good night out"? Rebel Without A Crew is the quirky third book in the Planet Hy Man science fiction comedy series. If you like high-mileage heroines, fast-paced satire, and meticulously crafted universes, then you'll love Kerrie Noor's otherworldly farce.
A woman striving for justiceFianna Cameron has devoted her life to avenging the death of her father, hung as a traitor during the Irish Rebellion of 1798. Now, on the eve of her thirtieth birthday, only one last miscreant remains: Major Christopher Pennington, the English army officer who not only oversaw her father's execution, but who falsely maligned his honor. Fianna risks everything to travel to London and confront the man who has haunted her every nightmare. Only after her pistol misfires does she realize her sickening mistake: the Pennington she wounded is far too young to be the man who killed her father.A man who will protect his family at all costsRumors of being shot by a spurned mistress might burnish the reputation of a rake, but for Kit Pennington, determined to add to his family's honor by winning at seat in Parliament, such salacious gossip is nothing but a nightmare. To regain his good name, Kit will have to track down his mysterious attacker and force her to reveal the true motivation behind her unprovoked assault. Accepting the mistress of a former schoolmate as an ally in his search is risky enough, but when Kit begins to developing feelings for the icy, ethereal Miss Cameron, more than his political career is in danger. For Kit's beginning to suspect that Fianna Cameron knows far more about the shooting--and the reasons behind it--than she's willing to reveal.As their search begins to unearth long-held secrets, Kit and Fianna find themselves caught between duty to family and their belief in what's right. How can you balance the competing demands of loyalty and justice--especially when you add love to the mix?
It’s Christmas time at Little Tombstone, a rundown roadside tourist attraction in the tiny town of Amatista, New Mexico, and the annual visit from Santa Claus to the children of the village doesn’t quite go as planned. Edgar Martinez, who’s played Santa every Christmas for the past twenty years, fails to make an appearance. He doesn’t even call. The show must go on, so a substitute Santa takes Edgar’s place. But when Emma decides to investigate why Edgar, who is normally a rock of reliability, didn’t show up for the twenty-first year running to put on his size XXXL crimson crushed velvet Santa suit, she discovers that Edgar seems to have disappeared altogether
Take a revealing look at gay sex and gay history - and the man who helped kick-start gay activism in today's society. The Mattachine is the origin of the contemporary American gay movement. One of the major players in this movement was Hal Call, America’s first openly gay journalist and the man most responsible for the end of government censorship of frontal male nude photography through the mail. Behind the Mask of the Mattachine: The Early Movement for Homosexual Emancipation, the Hal Call Chronicles travels back to the times before Stonewall and its aftermath, to the beginnings of the modern homosexual movement and the lesser-known individuals who started it. This stunning chronicle boldly goes beyond the standard whitewashed/desexualized history usually provided by other gay historians, to give the unexpurgated - and sexually charged - history of the activists who organized homosexuals, using the biography of the controversial Hal Call as its springboard. Behind the Mask of the Mattachine provides a revealing illustration of gay life and gay sex in the past through an intergenerational history of the early gay men’s movement. Noted author James T. Sears generously weaves oral history, seldom seen historical documents, and rare photographs to provide a rich behind-the-scenes look at the first wave of Mattachine activists and the emerging gay pornography industry. This historical chronicle of a previously neglected era is packed with details of Call’s personal struggles, his celebration of the phallus, and his assertion linking homophobia and heteronormativity to our culture’s sex-negative tradition. The reader is transported to the sexual underworld of youthful hustlers, porno kingpins, spurned lovers, sex clubs, cruising grounds, secretive societies, and personal in-fighting over the direction of gay activism. This enthralling narrative is impeccably referenced. Behind the Mask of the Mattachine examines: the origins of the Mattachine Society the Mattachine Foundation of Harry Hay and others of the “Fifth Order” the Weimar Republic in Germany—the roots of the modern homosexual movement networking of homosexuals through correspondence clubs and speakeasies in Depression-era America the intense rivalries between San Francisco and New York City Mattachine groups censorship of books, magazines, and films much more! The book explores the lives of three generations of pre-Stonewall gay activists: Magnus Hirschfeld and Benedikt Friedländer Henry Gerber and Manual boyFrank Harry Hay and Hal Call Behind the Mask of the Mattachine is not only candid about gay sex and its impact on society but also puts a needed spotlight on a time in lesser-known gay history. This is important, illuminating reading for historians and gay persons interested in the undeniably sexually charged history of the early gay men’s movement. Take a look at these other James T. Sears books on LGBT issues: Growing Up Gay in the South online at http://www.haworthpress.com/store/product.asp?sku=0502 and Gay, Lesbian, and Transgender Issues in Education online at http://www.haworthpress.com/store/product.asp?sku=5180
In 1954, troubled director Nicholas Ray chatted at a dinner party about his controversial plan for a film about middle-class juvenile delinquents. He was told of a book, written by a prison psychologist and owned by Warner Bros., called Rebel Without a Cause. Though he was initially unimpressed, Ray adapted the book into his own screenplay and Warner Bros. hired him to direct what would become a classic. From the backgrounds of the many players to the pre-production, production, and post-production of the film, this complete history recounts every aspect of Rebel Without a Cause from its rudiments to the 1955 Academy Awards: the selection of cast and crew, legal fights, changing screenwriters and the many variations of the story, location scouting, auditions, script readings, difficulties with the censors, romances and fights, the editing, test screenings, and, of course, the death of its star. Dozens of intimate anecdotes, from wardrobe decisions to James Dean's pranks, add rich detail. An epilogue discusses the possible sequels, rights conflicts, documentaries, musicals, and spin-off attempts, and offers concluding words on the cast and crew.
Arguing that pop music turns on moments rather than movements, the essays in Listen Again pinpoint magic moments from a century of pop eclecticism, looking at artists who fall between genre lines, songs that sponge up influences from everywhere, and studio accidents with unforeseen consequences. Listen Again collects some of the finest presentations from the celebrated Experience Music Project Pop Conference, where journalists, musicians, academics, and other culturemongers come together once each year to stretch the boundaries of pop music culture, criticism, and scholarship. Building a history of pop music out of unexpected instances, critics and musicians delve into topics from the early-twentieth-century black performer Bert Williams’s use of blackface, to the invention of the Delta blues category by a forgotten record collector named James McKune, to an ER cast member’s performance as the Germs’ front man Darby Crash at a Germs reunion show. Cuban music historian Ned Sublette zeroes in on the signature riff of the garage-band staple “Louie, Louie.” David Thomas of the pioneering punk band Pere Ubu honors one of his forebears: Ghoulardi, a late-night monster-movie host on Cleveland-area TV in the 1960s. Benjamin Melendez discusses playing in a band, the Ghetto Brothers, that Latinized the Beatles, while leading a South Bronx gang, also called the Ghetto Brothers. Michaelangelo Matos traces the lineage of the hip-hop sample “Apache” to a Burt Lancaster film. Whether reflecting on the ringing freedom of an E chord or the significance of Bill Tate, who performed once in 1981 as Buddy Holocaust and was never heard from again, the essays reveal why Robert Christgau, a founder of rock criticism, has called the EMP Pop Conference “the best thing that’s ever happened to serious consideration of pop music.” Contributors. David Brackett, Franklin Bruno, Daphne Carr, Henry Chalfant, Jeff Chang, Drew Daniel, Robert Fink, Holly George-Warren, Lavinia Greenlaw, Marybeth Hamilton, Jason King, Josh Kun, W. T. Lhamon, Jr., Greil Marcus, Michaelangelo Matos, Benjamin Melendez, Mark Anthony Neal, Ned Sublette, David Thomas, Steve Waksman, Eric Weisbard
The complete story behind the groundbreaking film Rebel Without a Cause is vividly revealed in this fascinating book as provocative as the film itself. The revolutionary film Rebel Without a Cause has had a profound impact on both moviemaking and youth culture since its 1955 release, virtually giving birth to our concept of the American teenager. And the making of the movie was just as explosive for those involved. Against a backdrop of the Atomic Age and an old Hollywood studio system on the verge of collapse, four of Hollywood's most passionate artists had a cataclysmic and immensely influential meeting. James Dean, Natalie Wood, Sal Mineo, and director Nicholas Ray were each at a crucial point in their careers. The young actors were grappling with their fame, burgeoning sexuality, and increasingly reckless behavior, and their on- and off-set relationships ignited as they engaged in Ray’s vision of physical melees and psychosexual seductions of startling intensity. Through interviews with the surviving members of the cast and crew and firsthand access to both personal and studio archives, the authors reveal Rebel's true drama: the director’s affair with sixteen-year-old Wood, his tempestuous “spiritual marriage” with Dean, and his role in awakening the latent sexuality of Mineo, who would become the first gay teenager to appear on film. This searing account of the upheaval the four artists experienced in the wake of Rebel is complete with thirty photographs, including ten never-before-seen photos by famed Dean photographer Dennis Stock.
Don Owen, perhaps best known as the director of the seminal 1964 feature Nobody Waved Goodbye, is one of the central figures in the development of English-Canadian cinema. Owen spent much of his career at the National Film Board of Canada, working on both short documentary films, including Runner; Cowboy and Indian; and You Don’t Back Down, and feature-length works such as The Ernie Game (which sparked a scandal in Parliament); the innovative, Godard-influenced short features Notes for a Film about Donna and Gail; and Ladies and Gentlemen—Mr. Leonard Cohen, a portrait of the poet co-directed with Donald Brittain. In Don Owen: Notes on a Filmmaker and His Culture, the first book-length treatment of themes and motifs in Owen’s work, Steve Gravestock situates Owen within a cultural context while focusing on the development of the English-Canadian film industry in the 1960s and beyond. The book also features interviews with Owen and many of his principal collaborators. Published by the Toronto International Film Festival and distributed in Canada by Wilfrid Laurier University Press. Distributed outside Canada by Indiana University Press.
