This book realistic image's in photography, ideas of photographic realism. Is about the interpretation of reality through photography by photographer's. As an artistic realism by photography.It cover's some of the connotative and annotative ideas in the photographer's work and photography.The idea's of reality in photography and how it can change from differing point's of view, by photographer's.In search of a realism with the philosophical realism which guides' photography as well with art aestheticism.
This book realistic image's in photography, ideas of photographic realism. Is about the interpretation of reality through photography by photographers'.As an artistic realism by photography, It cover's some of the connotative and annotative ideas in the photographer's work and photography.The ideas of reality in photography and how it can change from differing point's of view,by photographer's.In search of a realism with the philosophical realism which guides photography as well with art aestheticism.
This book realistic image's in writing, ideas of photographic realism. Is about the interpretation of reality through photography by photographers'. As an artistic realism by photography, It cover's some of the connotative and annotative ideas in the photographer's work and photography. The ideas of reality in photography and how it can change from differing point's of view, by photographer's. In search of a realism with the philosophical realism which guides' photography as well with art aestheticism.
Winner of the Writers of the Future International Gold Award for "Best Story of the Year!"In a world of ever-worsening crisis, Angelo Osic is an anomaly: a man who cares about others. One day he aids a stranger. . .and calls down disaster, for the woman called Tamara is also a woman on the run, the only human with the knowledge that will save Earth from the artificial intelligences plotting to overthrow it.
What makes a story a story? What is style? What’s the connection between realism and real life? These are some of the questions James Wood answers in How Fiction Works, the first book-length essay by the preeminent critic of his generation. Ranging widely—from Homer to David Foster Wallace, from What Maisie Knew to Make Way for Ducklings—Wood takes the reader through the basic elements of the art, step by step. The result is nothing less than a philosophy of the novel—plainspoken, funny, blunt—in the traditions of E. M. Forster’s Aspects of the Novel and Strunk and White’s The Elements of Style. It sums up two decades of insight with wit and concision. It will change the way you read.
I Am Perfectly Designed is an exuberant celebration of loving who you are, exactly as you are, from Karamo Brown, the Culture Expert of Netflix's hit series Queer Eye, and Jason Brown—featuring illustrations by Anoosha Syed. In this empowering ode to modern families, a boy and his father take a joyful walk through the city, discovering all the ways in which they are perfectly designed for each other. "With tenderness and wit, this story captures the magic of building strong childhood memories. The Browns and Syed celebrate the special bond between parent and child with joy and flair...Syed's bright, cartoon illustrations enrich the tale with a meaningful message of kindness and inclusion."—Kirkus
"A highly original and gripping account of the works of Eakins and Crane. That remarkable combination of close reading and close viewing which Fried uniquely commands is brought to bear on the problematic nature of the making of images, of texts, and of the self in nineteenth-century America."—Svetlana Alpers, University of California, Berkeley "An extraordinary achievement of scholarship and critical analysis. It is a book distinguished not only for its brilliance but for its courage, its grace and wit, its readiness to test its arguments in tough-minded ways, and its capacity to meet the challenge superbly. . . . This is a landmark in American cultural and intellectual studies."—Sacvan Bercovitch, Harvard University
Using an approach deeply informed by philosophy of art, art history and perceptual psychology, this book places seeing at the centre of an original theory of pictorial representation and explores the ramifications such a theory has for the visual arts.
The classic book that has taught generations how to read Western literature More than half a century after its translation into English, Erich Auerbach’s Mimesis remains a masterpiece of literary criticism. A brilliant display of erudition, wit, and wisdom, his exploration of how great European writers from Homer to Virginia Woolf depict reality has taught generations how to read Western literature. A German Jew who was forced out of his professorship at the University of Marburg in 1935, Auerbach left for Turkey, where he taught in Istanbul. There he wrote Mimesis, publishing it in German after the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how, from antiquity to modernity, literature progresses toward ever more naturalistic and democratic forms of representation. Ranging over works in Greek, Latin, Spanish, French, Italian, German, and English, Auerbach uses his remarkable skills in philology and comparative literature to present an optimistic view of Western history and culture and to refute any narrow form of nationalism or chauvinism. This expanded Princeton Classics edition of Mimesis includes a substantial introduction by Edward Said as well as an essay in which Auerbach responds to his critics.
