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Author: Wendy Swartz
Publisher: Harvard University Press
Published: 2008
Total Pages: 336
ISBN-13:
DOWNLOAD EBOOKPreliminary Material -- Introduction -- Reclusion -- "Personality" -- Literary Reception, Part I: -- Literary Reception, Part II -- Conclusion -- Selected Bibliography -- Index -- Harvard East Asian Monographs.
Author: Wendy Swartz
Publisher: BRILL
Published: 2020-03-17
Total Pages: 325
ISBN-13: 1684174791
DOWNLOAD EBOOKTao Yuanming (365?–427), although dismissed as a poet following his death, is now considered one of China’s greatest writers. Over the centuries, portrayals of his life—some focusing on his eccentricity, others on his exemplary virtue—have elevated him to iconic status. This study of the posthumous reputation of a central figure in Chinese literary history, the mechanisms at work in the reception of his works, and the canonization of Tao himself and of particular readings of his works sheds light on the transformation of literature and culture in premodern China. It focuses on readers’ interpretive negotiations with Tao’s works and on changes in hermeneutical practices, critical vocabulary, and cultural demands, as well as the intervention of interested and influential readers, in order to trace the construction of Tao Yuanming. Driven by a dialogue on categories at the very heart of literati culture—reclusion, personality, and poetry—this cumulative process spanning fifteen centuries, the author argues, helps explain the very different pictures of Tao Yuanming and the divergent ways of reading his works across time and illuminates central issues animating premodern Chinese culture.
Author: Xiaofei Tian
Publisher: University of Washington Press
Published: 2013
Total Pages: 0
ISBN-13: 9780295991344
DOWNLOAD EBOOKAs medieval Chinese manuscripts were copied and recopied through the centuries, both mistakes and deliberate editorial changes were introduced. Xiaofei Tian shows how readers not only experience authors but "produce" them by shaping texts to their interpretation, focusing on the evolution over the centuries of the reclusive poet Tao Yuanming into a figure of epic stature.
Author: Xiaofei Tian
Publisher: University of Washington Press
Published: 2011-07-01
Total Pages: 328
ISBN-13: 029580193X
DOWNLOAD EBOOKWinner of a 2006 Choice Magazine Outstanding Academic Title Award As medieval Chinese manuscripts were copied and recopied through the centuries, both mistakes and deliberate editorial changes were introduced, thereby affecting readers' impressions of the author's intent. In Tao Yuanming and Manuscript Culture, Xiaofei Tian shows how readers not only experience authors but produce them by shaping texts to their interpretation. Tian examines the mechanics and history of textual transmission in China by focusing on the evolution over the centuries of the reclusive poet Tao Yuanming into a figure of epic stature. Considered emblematic of the national character, Tao Yuanming (also known as Tao Qian, 365?-427 c.e.) is admired for having turned his back on active government service and city life to live a simple rural life of voluntary poverty. The artlessness of his poetic style is held as the highest literary and moral ideal, and literary critics have taken great pains to demonstrate perfect consistency between Tao Yuanming's life and poetry. Earlier work on Tao Yuanming has tended to accept this image, interpreting the poems to confirm the image. Tao Yuanming and Manuscript Culture is a study of how this cultural icon was produced and of the elusive traces of another, historical Tao Yuanming behind the icon. By comparing four early biographies of the poet, Tian shows how these are in large measure constructed out of Tao Yuanming's self-image as projected in his poetry and prose. Drawing on work in European medieval literature, she demonstrates the fluidity of the Chinese medieval textual world and how its materials were historically reconfigured for later purposes. Tian finds in Tao's poetic corpus not one essentialized Tao Yuanming, but multiple texts continuously produced long after the author's physical demise. Her provocative look at the influence of manuscript culture on literary perceptions transcends its immediate subject and has special resonance today, when the transition from print to electronic media is shaking the literary world in a way not unlike the transition from handwritten to print media in medieval China.
Author: Dennis Maloney
Publisher:
Published: 2015-10-13
Total Pages: 98
ISBN-13: 9781941783092
DOWNLOAD EBOOK"Dennis Maloney's exquisite new collection of poetry, Listening to Tao Yuan Ming, offers his superb versions (or 'visions' as he calls them) of Tao Yuan Ming's seminal Twenty Poems After Drinking Wine as well as a sequence of delicate "harmonizing" poems-before the book concludes with its title section, a lyric album of powerful personal reflections. Listening to Tao Yuan Ming is nothing less than a deeply moving conversation across history and culture, as if we were fortunate enough to overhear these two marvelous poets sharing their wine, their times, and their poetry." --David St. John
Author: Wendy Swartz
Publisher: BRILL
Published: 2020-10-26
Total Pages: 320
ISBN-13: 1684170958
DOWNLOAD EBOOK"In a formative period of Chinese culture, early medieval writers made extensive use of a diverse set of resources, in which such major philosophical classics as Laozi, Zhuangzi, and Classic of Changes featured prominently. Reading Philosophy, Writing Poetry examines how these writers understood and manipulated a shared intellectual lexicon to produce meaning. Focusing on works by some of the most important and innovative poets of the period, this book explores intertextuality—the transference, adaptation, or rewriting of signs—as a mode of reading and a condition of writing. It illuminates how a text can be seen in its full range of signifying potential within the early medieval constellation of textual connections and cultural signs.If culture is that which connects its members past, present, and future, then the past becomes an inherited and continually replenished repository of cultural patterns and signs with which the literati maintains an organic and constantly negotiated relationship of give and take. Wendy Swartz explores how early medieval writers in China developed a distinctive mosaic of ways to participate in their cultural heritage by weaving textual strands from a shared and expanding store of literary resources into new patterns and configurations."
Author: Robert Ashmore
Publisher: Harvard University Press
Published: 2010
Total Pages: 0
ISBN-13: 9780674053212
DOWNLOAD EBOOK"This book uses questions concerning address and understanding in Tao Qian's poetry as a lens through which to explore both the poet and the cultures of reading and interpretation of the Six Dynasties classicist tradition"--Provided by publisher.
Author: Tao Chien
Publisher: Copper Canyon Press
Published: 2016-08-01
Total Pages: 96
ISBN-13: 1619321440
DOWNLOAD EBOOKT'ao Ch'ien, (365 - 427, C.E.), one of the most revered poets in classical Chinese literature, is presented in a lucid translation with an introduction. "David Hinton is one of the most impressive of the younger translators of classical Chinese poetry.... His renderings are varied and imaginative while remaining faithful to the spirit of the original."--Burton Watson
Author: Li Ying-Chang
Publisher: Rowman Altamira
Published: 2003
Total Pages: 152
ISBN-13: 9780761989981
DOWNLOAD EBOOKTaoists and non-Taoists alike consider Lao-Tzu's Treatise on the Response of the Tao, written by the twelfth-century sage Li Ying-Chang, an essential guide to living. Presenting foundational teaching and practices of the Action and Karma school of Taoism, it is replete with stories illustrating the teachings and an introductory essay that discusses the more esoteric meanings of the passages. Told with clarity and depth, these seminal Taoist teachings offer guidance on leading a balanced, healthy life. Sponsored by the Fung Loy Kok Institute of Taoism
Author: Robert Ashmore
Publisher: BRILL
Published: 2020-03-17
Total Pages: 373
ISBN-13: 1684175003
DOWNLOAD EBOOKFor centuries, readers of Tao Qian have felt directly addressed by his poetic voice. This theme in the reception of Tao Qian, moreover, developed alongside an assumption that Tao was fundamentally misunderstood during his own age. This book revisits Tao’s approach to his readers by attempting to situate it within the particular poetics of address that characterized the Six Dynasties classicist tradition. How would Tao Qian have anticipated that his readers would understand him? No definitive answer is knowable, but this direction of inquiry suggests closer examination of the cultures of reading and understanding of his period. From this inquiry, two interrelated groups of problems emerge as particularly pressing both for Tao Qian and for his contemporaries: first, problems relating to understanding authoritative texts, centered on the relation between meanings and the outward “traces” of those meanings’ expression; second, problems relating to understanding human character, centered on the unworldly scholar—the emblematic figure for the set of values often termed “eremitic.”
