This book offers a series of in-depth studies of the beliefs, attitudes, and rituals surrounding death in ancient Greece, from the Minoan and Mycenean period to the end of the classical age. Drawing on a wide range of evidence--from literary texts, to inscriptions, to images in art--Sourvinou-Inwood sheds light on many key, still problematic, aspects of Greek life, myth, and literature. She also looks at the problem of "reading" this material within the context of our own culturally-determined beliefs.
Examines ancient Greek conceptions of death and the afterlife In our contemporary Western society, death has become taboo. Despite its inevitability, we focus on maintaining youthfulness and well-being, while fearing death's intrusion in our daily activities. In contrast, observes Maria Serena Mirto, the ancient Greeks embraced death more openly and effectively, developing a variety of rituals to help them grieve the dead and, in the process, alleviate anxiety and suffering. In this fascinating book, Mirto examines conceptions of death and the afterlife in the ancient Greek world, revealing few similarities-and many differences-between ancient and modern ways of approaching death. Exploring the cultural and religious foundations underlying Greek burial rites and customs, Mirto traces the evolution of these practices during the archaic and classical periods. She explains the relationship between the living and the dead as reflected in grave markers, epitaphs, and burial offerings and discusses the social and political dimensions of burial and lamentation. She also describes shifting beliefs about life after death, showing how concepts of immortality, depicted so memorably in Homer's epics, began to change during the classical period. Death in the Greek World straddles the boundary between literary and religious imagination and synthesizes observations from archaeology, visual art, philosophy, politics, and law. The author places particular emphasis on Homer's epics, the first literary testimony of an understanding of death in ancient Greece. And because these stories are still so central to Western culture, her discussion casts new light on elements we thought we had already understood. Originally written and published in Italian, this English-language translation of Death in the Greek World includes the most recent scholarship on newly discovered texts and objects, and engages the latest theoretical perspectives on the gendered roles of men and women as agents of mourning. The volume also features a new section dealing with hero cults and a new appendix outlining fundamental developments in modern studies of death in the ancient Greek world. Volume 44 in the Oklahoma Series in Classical Culture Maria Serena Mirto is Associate Professor of Classical Philology, Department of Classics, University of Pisa, Italy. A. M. Osborne holds an MA in Modern and Medieval Languages from the University of Cambridge, and an MA with distinction in Literary Translation from the University of East Anglia. A resident of the United Kingdom, she currently translates both academic and literary texts.
Lucian's On the Death of Peregrinus is an excellent text for students who have completed the first year of college-level Ancient Greek or its equivalent. Its length is relatively short, its syntax is generally straightforward, and its narrative is inherently interesting, for it recounts the life of a man who was so determined to establish a new religious cult to himself that he committed suicide at the Olympic Games in 165 CE by self-immolation. Lucian, an eyewitness to this event, depicts Peregrinus as a glory-obsessed impostor who began his career as an adulterer, pederast, and parricide before becoming a leader of the Christian Church, a Cynic philosopher, and an aspiring “divine guardian of the night.” Also of interest to readers today is that Lucian's text contains some of the earliest and most interesting comments made by a member of the Greco-Roman educated elite concerning Jesus and the Christians of the 2nd century CE.This edition includes detailed grammatical, syntactical, literary, historical, and cultural notes. Complete vocabulary is provided for each section of the text, with a glossary of all words at the end.
This compelling text and dramatic photographic essay convey the emotional power of the death rituals of a small Greek village--the funeral, the singing of laments, the distribution of food, the daily visits to the graves, and especially the rite of exhumation. These rituals help Greek villagers face the universal paradox of mourning: how can the living sustain relationships with the dead and at the same time bring them to an end, in order to continue to live meaningfully as members of a community? That is the villagers' dilemma, and our own. Thirty-one moving photographs (reproduced in duotone to do justice to their great beauty) combine with vivid descriptions of the bereaved women of "Potamia" and with the words of the funeral laments to allow the reader an unusual emotional identification with the people of rural Greece as they struggle to integrate the experience of death into their daily lives. Loring M. Danforth's sensitive use of symbolic and structural analysis complements his discussion of the social context in which these rituals occur. He explores important themes in rural Greek life, such as the position of women, patterns of reciprocity and obligation, and the nature of social relations within the family.
With advice and informative readings of the great Greek texts, this title shows how we might save classics and the Greeks. It is suitable for those who agree that knowledge of classics acquaints us with the beauty and perils of our own culture.
The concept of the afterlife has always been prominent in both Greek literature and modern scholarship alike. The fate of man after his/her allotted time has come to an end has a central position in poetry, philosophy and religion, often leading to questions and answers as to how one can best live one’s life, and how can one deal with the burden of mortality that is inherent in every human being. The Greeks devoted a considerable amount of their literary production in an attempt to answer these questions through a variety of different media, whereas similar concerns appear to have been at the core of the ancient world in general. This volume represents the first to examine the influences, intersections, and developments of understandings of death and the afterlife between poetic, religious, and philosophical traditions in ancient Greece in one resource. Greek thinking on death and the afterlife was neither uniform, simple, nor static, and by offering an examination of these matters in a properly interdisciplinary context this collection of papers aims to demonstrate the full richness, complexity, and flexibility of these ideas in the ancient Greek world, and illuminate how freely writers from various genres drew inspiration from each other’s thinking concerning eschatological matters. Contributors: Alberto Benarbé; Rick Benitez; Nicolo Benzi; Chiara Blanco; Radcliffe Edmonds; George Alexander Gazis; Anthony Hooper; Vaios Liapis; Alex Long; Ioannis Ziogas.
"Death for the Greeks was not an instantaneous event, rather a process or passage which required strenuous efforts on the part of the living to ensure that the dead achieved full and final transfer to the next world. The central questions which this book attempts to answer are: the extent to which death was a preoccupying concern among the Greeks; the feelings with which the individual may have anticipated his death; the nature of the bonds between the living and the dead; and the light shed by burial practices upon characteristic elements of Greek society. While the beliefs of ordinary Greeks about their ordinary dead form the book's central focus, there is also a chapter on 'special dead' - the unburied, murderers and their victims, children, and suicides."--BOOK JACKET.
Most classical authors and modern historians depict the ancient Greek world as essentially stable and even static, once the so-called colonization movement came to an end. But Robert Garland argues that the Greeks were highly mobile, that their movement was essential to the survival, success, and sheer sustainability of their society, and that this wandering became a defining characteristic of their culture. Addressing a neglected but essential subject, Wandering Greeks focuses on the diaspora of tens of thousands of people between about 700 and 325 BCE, demonstrating the degree to which Greeks were liable to be forced to leave their homes due to political upheaval, oppression, poverty, warfare, or simply a desire to better themselves. Attempting to enter into the mind-set of these wanderers, the book provides an insightful and sympathetic account of what it meant for ancient Greeks to part from everyone and everything they held dear, to start a new life elsewhere—or even to become homeless, living on the open road or on the high seas with no end to their journey in sight. Each chapter identifies a specific kind of "wanderer," including the overseas settler, the deportee, the evacuee, the asylum-seeker, the fugitive, the economic migrant, and the itinerant, and the book also addresses repatriation and the idea of the "portable polis." The result is a vivid and unique portrait of ancient Greece as a culture of displaced persons.
