The story of David and Goliath existed in antiquity in two variant literary editions, a short version found in the Greek tradition of Codex Vaticanus (LXXB) and a longer version found in the Hebrew tradition of the MT. Benjamin J. M. Johnson proposes that each version is worthy of study in its own right and offers a close literary reading of the narrative of David and Goliath in the Greek text of 1 Reigns 16-18. The author explores a method for reading the Septuagint that recognizes it is both a document in its own right and a translation of a Hebrew original. In offering a reading of the septuagintal version of the David and Goliath narrative, the literary difference between the two versions of the story and the literary significance of the Greek translation are highlighted.
This book shifts the focus of biblical stories about David from historicity to popular culture, suggesting their origins in popular heroic literature of the later monarchy and Persian period and comparing them with Homeric and Arthurian heroic literature. Paperback edition is available from the Society of Biblical Literature (www.sbl-site.org)
The NIV is the world's best-selling modern translation, with over 150 million copies in print since its first full publication in 1978. This highly accurate and smooth-reading version of the Bible in modern English has the largest library of printed and electronic support material of any modern translation.
Since the nineteenth-century rediscovery of the Gilgamesh epic, we have known that the Bible imports narratives from outside of Israelite culture, refiguring them for its own audience. Only more recently, however, has come the realization that Greek culture is also a prominent source of biblical narratives. Greek Myth and the Bible argues that classical mythological literature and the biblical texts were composed in a dialogic relationship. Louden examines a variety of Greek myths from a range of sources, analyzing parallels between biblical episodes and Hesiod, Euripides, Argonautic myth, selections from Ovid’s Metamorphoses, and Homeric epic. This fascinating volume offers a starting point for debate and discussion of these cultural and literary exchanges and adaptations in the wider Mediterranean world and will be an invaluable resource to students of the Hebrew Bible and the influence of Greek myth.
"A masterpiece of contemporary Bible translation and commentary."—Los Angeles Times Book Review, Best Books of 1999 Acclaimed for its masterful new translation and insightful commentary, The David Story is a fresh, vivid rendition of one of the great works in Western literature. Robert Alter's brilliant translation gives us David, the beautiful, musical hero who slays Goliath and, through his struggles with Saul, advances to the kingship of Israel. But this David is also fully human: an ambitious, calculating man who navigates his life's course with a flawed moral vision. The consequences for him, his family, and his nation are tragic and bloody. Historical personage and full-blooded imagining, David is the creation of a literary artist comparable to the Shakespeare of the history plays.
This is a print on demand book and is therefore non- returnable. The Bible portrays King David as an exceptional man and a paragon of godly devotion. But was he? Some scholars deny that he existed at all. Did he? This challenging book examines the written and archaeological evidence critically in an effort to paint an accurate picture of one of the Bible's central figures. Neither defending nor rejecting the traditions about David, Baruch Halpern, a leading scholar of biblical history and the ancient Near East, traces the origins of development of David's persona. Because the biblical text clearly responds to concerns that can only be contemporary with David himself, we can believe that David was both real and a central actor in the historical drama of ancient Israel. Yet at the same time, the written record also shows that contemporaries understood David's character to be much more unsavory trhan the tradition has hitherto allowed. Halpern digs beneath the layers of tradition to understand David as an individual, as a person. The man he uncovers turns out to have been complex, ambiguous, and -- above all -- surprising. According to Halpern, the image of David grew over time. He was the founder of the dynasty that perpetuated the texts about him, and they progressively exaggerated his accomplishments. But in the earliest writings David remains a modest figure, as this book shows for the first time. To understand David as a human being, one must keep in mind that he was primarily a politicians who operated in a rough-and-tumble environment in which competitors were ready literally to slit throats. Halpern's work raises many provocative questions: Was David an Israelite or a Philistine? Was Solomon really David's son? Did David take the throne of Israel by the consent or against the will of the people? How many murders did he commit on his way to the crown? Indeed, was David someone it would have been wise to even invite to dinner? The challenging arguments in David's Secret Demons are sure to provoke all kinds of discussion among biblical scholars and general readers alike. In addition -- a big bonus -- Halpern's accessible, at times humorous prose will itself draw readers everywhere into the compelling story of David found between these covers.
The volume consists of 21 essays from an international group of scholars. The volume is broken into two parts: Reading Samuel with the Hebrew Bible, and beyond the Hebrew Bible. Each section will offer readings of portions of the Book of Samuel that engage with other texts. The chapters are arranged in the order of the narrative sequence of Samuel to highlight the way reading with other texts can inform a reading of the Book of Samuel.
The ancient Israelites believed things that the writers of the Bible wanted them to forget: myths and legends from a pre-biblical world that the new monotheist order needed to bury, hide, or reinterpret. Ancient Israel was rich in such literary traditions before the Bible reached the final form that we have today. These traditions were not lost but continued, passed down through the ages. Many managed to reach us in post-biblical sources: rabbinic literature, Jewish Hellenistic writings, the writings of the Dead Sea sect, the Aramaic, Greek, Latin, and other ancient translations of the Bible, and even outside the ancient Jewish world in Christian and Islamic texts. The Bible itself sometimes alludes to these traditions, often in surprising contexts. Written in clear and accessible language, this volume presents thirty such traditions. It voyages behind the veil of the written Bible to reconstruct what was told and retold among the ancient Israelites, even if it is “not what the Bible tells us.”
In this study, Brian A. Verrett argues that 1–2 Samuel contains a serpent motif by practicing biblical theology and literary criticism. This motif derives from the serpent in Genesis 3, and its function within the Samuel narrative is to heighten the reader’s anticipation in the coming messiah, who is the son of David and the seed of the woman from Genesis 3:15. This messiah will defeat the serpent and inaugurate his glorious reign over a renewed world. When 1–2 Samuel is read in this way, one appreciates previously unnoticed features of the text, understands aspects of the text that were formerly confusing, and rightly sees that the whole of 1–2 Samuel is a messianic document.
"This book is a work of medieval history and the history of gender and sexuality. It looks at the biblical King David, who has multiple paradigmatic identities in the Middle Ages: king, military leader, adulterous lover, sinner. It views David primarily from the perspective of medieval European Christian society but also from the medieval European Jewish viewpoint"--
