As a young man, Eric Blair, better known as George Orwell, traveled to Spain to fight in that countrys civil war. Although he was a British citizen, he felt the need to fight for the rights of the oppressed in that country. As the writer of the classics Animal Farm and Nineteen Eighty-Four, Orwell used his pen to comment on power and corruption in government and how they affect society. This text takes an in-depth look at Orwells novels and essays in the context of his own fascinating life and times. It analyzes his style, themes, and use of language, while also asking readers to consider how this prescient author and his works are still relevant in todays world.
DigiCat presents the George Orwell Collection -the greatest novels, poems, essays and autobiographical works of this great visionary in one volume: Novels: Burmese Days A Clergyman's Daughter Keep the Aspidistra Flying Coming Up for Air Animal Farm 1984 Poetry: Awake! Young Men of England Kitchener Our Hearts Are Married, But We Are Too Young The Pagan Poem from Burma The Lesser Evil Romance Summer-like for an Instant The Italian Soldier Shook My Hand... Reflections on War and Society: Spilling the Spanish Beans Not Counting Niggers Prophecies of Fascism Wells, Hitler and the World State Looking Back on the Spanish War Who Are the War Criminals? Future of a Ruined Germany Revenge is Sour You and the Atomic Bomb Notes on Nationalism Catastrophic Gradualism Freedom of the Park How the Poor Die In Front of Your Nose Thoughts on England: Democracy in the British Army The Lion and the Unicorn Antisemitism in Britain In Defence of English Cooking Decline of the English Murder Politics and the English Language Views on Literature, Art & Famous Men: In Defence of the Novel Notes on the Way Charles Dickens Literature and Totalitarianism The Art of Donald Mcgill Rudyard Kipling W. B. Yeats Mark Twain—the Licensed Jester Lear, Tolstoy and the Fool Writers and Leviathan Reflections on Gandhi... Book Reviews: Mein Kampf The Totalitarian Enemy... Miscellaneous Writings: A Farthing Newspaper The Spike Boys' Weeklies and Frank Richards's Reply Poetry and the Microphone The Sporting Spirit... Autobiographical Works: A Hanging Down and Out in Paris and London Bookshop Memories Shooting an Elephant The Road to Wigan Pier Homage to Catalonia Marrakech Why I Write...
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Author Christopher Hollis knew George Orwell personally during his schooldays at Eton, afterwards in Burma, and at the end of his life. His study of Orwell’s books is therefore illuminated by some anecdotes of reminiscence. However, it is important to note that this book is primarily a study rather than a biography. Hollis examines Orwell’s books in order and traces through them the development of this unmatched literary giant’s thought process. From the experiences described in Down and Out in Paris and London to the points in his life that began driving him toward socialism, A Study of George Orwell is a comprehensive overview of Orwell’s work as it related to his personal life. Hollis guides the reader all the way through Orwell’s oeuvre, including his two most famous books—Animal Farm and 1984—which are, arguably, the greatest literary protests of political power and tyranny ever penned. Portraying Orwell as a fearless champion of the common man and a follower in the footsteps of Jonathan Swift, Hollis offers a compelling review and analysis of Orwell’s work as well as a perspective not found by the average, distant biographer
"Rich and compelling. . .Lynskey’s account of the reach of 1984 is revelatory.” --George Packer, The Atlantic An authoritative, wide-ranging, and incredibly timely history of 1984--its literary sources, its composition by Orwell, its deep and lasting effect on the Cold War, and its vast influence throughout world culture at every level, from high to pop. 1984 isn't just a novel; it's a key to understanding the modern world. George Orwell's final work is a treasure chest of ideas and memes--Big Brother, the Thought Police, Doublethink, Newspeak, 2+2=5--that gain potency with every year. Particularly in 2016, when the election of Donald Trump made it a bestseller ("Ministry of Alternative Facts," anyone?). Its influence has morphed endlessly into novels (The Handmaid's Tale), films (Brazil), television shows (V for Vendetta), rock albums (Diamond Dogs), commercials (Apple), even reality TV (Big Brother). The Ministry of Truth is the first book that fully examines the epochal and cultural event that is 1984 in all its aspects: its roots in the utopian and dystopian literature that preceded it; the personal experiences in wartime Great Britain that Orwell drew on as he struggled to finish his masterpiece in his dying days; and the political and cultural phenomena that the novel ignited at once upon publication and that far from subsiding, have only grown over the decades. It explains how fiction history informs fiction and how fiction explains history.
Introduction: Orwell's formalism, or A theory of socialist writing -- "Quite bare" ("A Hanging") -- "Getting to work" (The Road to Wigan Pier) -- "Semi-sociological" (Inside the Whale) -- The column as form -- Writing's outside -- First-person socialism -- Conclusion: Happy Orwell
Over the course of his career, George Orwell wrote about many things, but no matter what he wrote the goal was to get at the fundamental truths of the world. He had no place for dissemblers, liars, conmen, or frauds, and he made his feelings well-known. In Orwell on Truth, excerpts from across Orwell’s career show how his writing and worldview developed over the decades, profoundly shaped by his experiences in the Spanish Civil War, and further by World War II and the rise of totalitarian states. In a world that seems increasingly like one of Orwell’s dystopias, a willingness to speak truth to power is more important than ever. With Orwell on Truth, readers get a collection of both powerful quotes and the context for them.
Finalist for the National Book Critics Circle Award for Nonfiction Finalist for the PEN/Jacqueline Bograd Weld Award for Biography “An exhilarating romp through Orwell’s life and times and also through the life and times of roses.” —Margaret Atwood “A captivating account of Orwell as gardener, lover, parent, and endlessly curious thinker.” —Claire Messud, Harper's “Nobody who reads it will ever think of Nineteen Eighty-Four in quite the same way.” —Vogue A lush exploration of politics, roses, and pleasure, and a fresh take on George Orwell as an avid gardener whose political writing was grounded by his passion for the natural world “In the spring of 1936, a writer planted roses.” So be-gins Rebecca Solnit’s new book, a reflection on George Orwell’s passionate gardening and the way that his involvement with plants, particularly flowers, illuminates his other commitments as a writer and antifascist, and on the intertwined politics of nature and power. Sparked by her unexpected encounter with the roses he reportedly planted in 1936, Solnit’s account of this overlooked aspect of Orwell’s life journeys through his writing and his actions—from going deep into the coal mines of England, fighting in the Spanish Civil War, critiquing Stalin when much of the international left still supported him (and then critiquing that left) to his analysis of the relationship between lies and authoritarianism. Through Solnit’s celebrated ability to draw unexpected connections, readers are drawn onward from Orwell‘s own work as a writer and gardener to encounter photographer Tina Modotti’s roses and her politics, agriculture and illusion in the USSR of his time with forcing lemons to grow in impossibly cold conditions, Orwell’s slave-owning ancestors in Jamaica, Jamaica Kincaid’s examination of colonialism and imperialism in the flower garden, and the brutal rose industry in Colombia that supplies the American market. The book draws to a close with a rereading of Nineteen Eighty-Four that completes Solnit’s portrait of a more hopeful Orwell, as well as offering a meditation on pleasure, beauty, and joy as acts of resistance.
The Spanish Civil War (Spanish: Guerra Civil Española). Escalating violence between left- and right-wing political factions boils over. Military officers stage a coup against a democratically elected, Soviet-backed, government. The country is thrown into chaos as centuries-old tensions return to the forefront. Hundreds of thousands of Spaniards choose sides and engage in the most devastating combat since the First World War. For loyalists to the Republic, the fight is seen as one for equality and their idea of progress. For the rebels, the struggle is a preemptive strike by tradition against an attempted communist takeover. Thousands of foreigners, too, join the struggle. Most fight with the Soviet-sponsored International Brigades or other militias aligned with the loyalist "Republicans". Only a few side with the rebel "Nationalists". One of these rare volunteers for the Nationalists was Peter Kemp, a young British law student. Kemp, despite having little training or command of the Spanish language, was moved by the Nationalist struggle against international Communism. Using forged documents, he sneaked into Spain and joined a traditionalist militia, the Requetés, with which he saw intense fighting. Later, he volunteered to join the legendary and ruthless Spanish Foreign Legion, where he distinguished himself with heroism. Because of this bravery, he was one of the few foreign volunteers granted a private audience with Generalissimo Francisco Franco. Kemp published his story... one of the only English accounts of the war from the Nationalist perspective, after a prestigious military career with the British Special Operations Executive during the Second World War.
