Rounds Re-sounding

Rounds Re-sounding

Author:

Publisher:

Published: 1987

Total Pages: 360

ISBN-13:

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This is a beautiful, oversize volume of more than 600 rounds designed to open flat on a piano for easy sight-reading and singing. All the old favorites are included, and hundreds of lesser-known folk rounds, historically important works, rounds by Beethoven, Haydn, Mozart, and some with contemporary beats and themes. Appendix suggests effective concerts.


Resounding Transcendence

Resounding Transcendence

Author: Jeffers Engelhardt

Publisher: Oxford University Press

Published: 2016

Total Pages: 305

ISBN-13: 0199737657

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Resounding Transcendence is a pathbreaking volume exploring how sacred music effects religious and social transitions. It covers Christian, Muslim, Jewish, and Buddhist practices in Asia, North America, Africa, and Europe. Rich in ethnographic and historical detail and theoretically ambitious, Resounding Transcendence is essential to the study of music and religion.


Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music

Sounding the Virtual: Gilles Deleuze and the Theory and Philosophy of Music

Author: Nick Nesbitt

Publisher: Routledge

Published: 2016-04-01

Total Pages: 344

ISBN-13: 1317052447

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It is the contention of the editors and contributors of this volume that the work carried out by Gilles Deleuze, where rigorously applied, has the potential to cut through much of the intellectual sedimentation that has settled in the fields of music studies. Deleuze is a vigorous critic of the Western intellectual tradition, calling for a 'philosophy of difference', and, despite its ambitions, he is convinced that Western philosophy fails to truly grasp (or think) difference as such. It is argued that longstanding methods of conceptualizing music are vulnerable to Deleuze's critique. But, as Deleuze himself stresses, more important than merely critiquing established paradigms is developing ways to overcome them, and by using Deleuze's own concepts this collection aims to explore that possibility.


Sounding the Soul

Sounding the Soul

Author: Mary Lynn Kittelson

Publisher: Daimon

Published: 1996

Total Pages: 290

ISBN-13: 3856305548

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In this delightful, phenomenological account, Kittelson writes in lively pursuit of the language of hearing, an ode to the persistent primacy of the ear. It's right here, she says, just around the corner from our noses.


Resounding the Rhetorical

Resounding the Rhetorical

Author: Byron Hawk

Publisher: University of Pittsburgh Press

Published: 2018-07-31

Total Pages: 417

ISBN-13: 0822983478

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Resounding the Rhetorical offers an original critical and theoretical examination of composition as a quasi-object. As composition flourishes in multiple media (digital, sonic, visual, etc.), Byron Hawk seeks to connect new materialism with current composition scholarship and critical theory. Using sound and music as his examples, he demonstrates how a quasi-object can and does materialize for communicative and affective expression, and becomes a useful mechanism for the study and execution of composition as a discipline. Through careful readings of Serres, Latour, Deleuze, Heidegger, and others, Hawk reconstructs key concepts in the field including composition, process, research, collaboration, publics, and rhetoric. His work delivers a cutting-edge response to the state of the field, where it is headed, and the possibilities for postprocess and postwriting composition and rhetoric.


Resounding Truth

Resounding Truth

Author: Jeremy Begbie

Publisher: Baker Academic

Published: 2007-12

Total Pages: 416

ISBN-13: 0801026954

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A world-renowned scholar and musician helps Christians respond with theological discernment to music.


Sounding Together

Sounding Together

Author: Charles Garrett

Publisher: University of Michigan Press

Published: 2021-08-16

Total Pages: 367

ISBN-13: 0472901303

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Sounding Together: Collaborative Perspectives on U.S. Music in the Twenty-21st Century is a multi-authored, collaboratively conceived book of essays that tackles key challenges facing scholars studying music of the United States in the early twenty-first century. This book encourages scholars in music circles and beyond to explore the intersections between social responsibility, community engagement, and academic practices through the simple act of working together. The book’s essays—written by a diverse and cross-generational group of scholars, performers, and practitioners—demonstrate how collaboration can harness complementary skills and nourish comparative boundary-crossing through interdisciplinary research. The chapters of the volume address issues of race, nationalism, mobility, cultural domination, and identity; as well as the crisis of the Trump era and the political power of music. Each contribution to the volume is written collaboratively by two scholars, bringing together contributors who represent a mix of career stages and positions. Through the practice of and reflection on collaboration, Sounding Together breaks out of long-established paradigms of solitude in humanities scholarship and works toward social justice in the study of music.


Sounding Places

Sounding Places

Author: Karolina Doughty

Publisher: Edward Elgar Publishing

Published: 2019

Total Pages: 264

ISBN-13: 1788118936

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This edited collection examines the more-than-representational registers of sound. It asks how sound comes to be a meaningful ingredient in the microgeographies of place-making through the workings of affect, emotion, and atmosphere, how sound contributes to shaping a variety of embodied and spatially situated experiences, and how such aspects can be harnessed methodologically. These topics contribute to broader debates on the relations between representation and the non- or more-than-representational that are taking place across the social sciences and humanities in the wake of the cultural turn. More specifically, the book contributes to the fertile theoretical intersections of sound, affect, emotion, and atmosphere.


The Routledge Companion to Sounding Art

The Routledge Companion to Sounding Art

Author: Marcel Cobussen

Publisher: Routledge

Published: 2016-07-15

Total Pages: 503

ISBN-13: 1317672771

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The Routledge Companion to Sounding Art presents an overview of the issues, methods, and approaches crucial for the study of sound in artistic practice. Thirty-six essays cover a variety of interdisciplinary approaches to studying sounding art from the fields of musicology, cultural studies, sound design, auditory culture, art history, and philosophy. The companion website hosts sound examples and links to further resources. The collection is organized around six main themes: Sounding Art: The notion of sounding art, its relation to sound studies, and its evolution and possibilities. Acoustic Knowledge and Communication: How we approach, study, and analyze sound and the challenges of writing about sound. Listening and Memory: Listening from different perspectives, from the psychology of listening to embodied and technologically mediated listening. Acoustic Spaces, Identities and Communities: How humans arrange their sonic environments, how this relates to sonic identity, how music contributes to our environment, and the ethical and political implications of sound. Sonic Histories: How studying sounding art can contribute methodologically and epistemologically to historiography. Sound Technologies and Media: The impact of sonic technologies on contemporary culture, electroacoustic innovation, and how the way we make and access music has changed. With contributions from leading scholars and cutting-edge researchers, The Routledge Companion to Sounding Art is an essential resource for anyone studying the intersection of sound and art.


Resounding the Sublime

Resounding the Sublime

Author: Miranda Eva Stanyon

Publisher: University of Pennsylvania Press

Published: 2021-05-07

Total Pages: 286

ISBN-13: 0812253086

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What does the sublime sound like? Miranda Stanyon traces competing varieties of the sublime, a crucial modern aesthetic category, as shaped by the antagonistic intimacies between music and language. In resounding the history of the sublime over the course of the long eighteenth century, she finds a phenomenon always already resonant.