"RAW" is a collection of poetry written to, for the most part, relate to a general audience. A realistic audience. Has not every person been broken or hurt in one way or another? I feel your pain and I want you to know you are not alone. Just like there are happy poems and sad poems in this book, life is full of happy moments and sad moments. We will all smile and we will all cry before our time on earth is over. My desire for you is that you will cherish every moment. Life is for living. Live in the joyful moments. Smile, laugh, and love with all you have. Live in the despairing moments. Weep, shake, and survive to see the happy times again. Just like there will always be sadness in life, there will also always be happiness. They are unavoidable and one cannot exist without the other.
A showcase of poetry from some of the darkest and most lyrical voices of women in horror. Under Her Skin features the best in never-before-published dark verse and lyrical prose from the voices of Women in Horror. Centered on the innate relationship between body horror and the female experience, this collection features work from Bram-Stoker Award&® winning and nominated authors, as well as dozens of poems from women (cis and trans) and non-binary femmes. Edited by Lindy Ryan and Toni Miller, Under Her Skin celebrates women in horror from cover to cover. In addition to poems contributed by seventy poets, the collection also features a foreword penned by Science Fiction Poetry Association (SFPA) Grand Master and recipient of the Horror Writers Association Lifetime Achievement Award, Linda D. Addison; interior illustrations by Science Fiction & Fantasy Poetry Association Grand Master and recipient of the Horror Writers Association Lifetime Achievement Award Marge Simon; and cover art by noted horror artist Lynne Hansen. "Not for the faint of heart...Each word and phrase has been structured in such a way that the reader will experience an intense depth of emotion and feelings." —EGuide Magazine "...varied themes, approaches, and poetic structures create a diverse series of horror inspections. Under Her Skin is unparalleled in scope, creativity, and literary strength." —Midwest Book Review
2020 Next Generation Indie Book Award Finalist in Poetry A stark, visceral collection of free verse and prose poetry, Skin Memory scours a wild landscape haunted by personal tragedy and the cruel consequences of human acts in search of tenderness and regeneration. In this book of daring and introspection, John Sibley Williams considers the capriciousness of youth, the terrifying loss of cultural identity and self-identity, and what it means to live in an imperfect world. He reveals each body as made up of all bodies, histories, and shared dreams of the future. In these poems absence can be held, the body’s dust is just dust, and though childhood is but a poorly edited memory and even our well-intentioned gestures tend toward ruin, Williams nonetheless says, “I’m pretty sure, everything within us says something beautiful.”
“if you wish to read the story of my people look no further than my body.” Pangaea is a collection of poetry about working through the trauma inflicted on a body, whether the trauma comes from a person, a country, or from within. It is the act of learning to be whole in a broken body, a broken world. It is a collection of tales told through generations of stories hidden beneath the skin.
Influenced by poetry such as Testimony by Charles Reznikoff andPaterson by William Carlos Williams, The Sunshine Special by Donovan Hufnagle uses nonliterary documents such as journals, letters, and newspaper articles to interrupt and "negotiate" with his original verse. The poetic narrative follows a traveling eighteen-year-old in the summer of 1920 from Fort Worth to Los Angeles. Francis's exploration of new frontiers is also his exploration into his own internal struggles with family and manhood. In his journal entries, he comments on landscapes, vegetation, and relationships as well as discovers his one and only true love. As Francis explores new areas, eventually exploring Los Angeles, and falling in love, he finds himself wanting and willing to permanently move away from the family. However, interrupting the verse are letters from his sister that juxtapose his pleasure and encourage him to return home.
No one can tell that Daphne Urban is a vampire. But the government knows-and she's been recruited to spy for them. To get over a recent break-up, Daphne must throw herself into her work, joining her colleagues to chase down a ruthless enemy. Mysterious, cruel, and unstoppable, this assassin is dead-set on killing a certain presidential candidate. Now Team Darkwing has to find him before it's too late. But soon, Daphne finds herself drawn back into the life she once rejected: a secret vampire underworld, where all pleasures-like human blood-can be found.
Winner of the 2016 Whiting Award One of Publishers Weekly's "Most Anticipated Books of Spring 2016" One of Lit Hub's "10 must-read poetry collections for April" “Reading Vuong is like watching a fish move: he manages the varied currents of English with muscled intuition. His poems are by turns graceful and wonderstruck. His lines are both long and short, his pose narrative and lyric, his diction formal and insouciant. From the outside, Vuong has fashioned a poetry of inclusion.”—The New Yorker "Night Sky with Exit Wounds establishes Vuong as a fierce new talent to be reckoned with...This book is a masterpiece that captures, with elegance, the raw sorrows and joys of human existence."—Buzzfeed's "Most Exciting New Books of 2016" "This original, sprightly wordsmith of tumbling pulsing phrases pushes poetry to a new level...A stunning introduction to a young poet who writes with both assurance and vulnerability. Visceral, tender and lyrical, fleet and agile, these poems unflinchingly face the legacies of violence and cultural displacement but they also assume a position of wonder before the world.”—2016 Whiting Award citation "Night Sky with Exit Wounds is the kind of book that soon becomes worn with love. You will want to crease every page to come back to it, to underline every other line because each word resonates with power."—LitHub "Vuong’s powerful voice explores passion, violence, history, identity—all with a tremendous humanity."—Slate “In his impressive debut collection, Vuong, a 2014 Ruth Lilly fellow, writes beauty into—and culls from—individual, familial, and historical traumas. Vuong exists as both observer and observed throughout the book as he explores deeply personal themes such as poverty, depression, queer sexuality, domestic abuse, and the various forms of violence inflicted on his family during the Vietnam War. Poems float and strike in equal measure as the poet strives to transform pain into clarity. Managing this balance becomes the crux of the collection, as when he writes, ‘Your father is only your father/ until one of you forgets. Like how the spine/ won’t remember its wings/ no matter how many times our knees/ kiss the pavement.’”—Publishers Weekly "What a treasure [Ocean Vuong] is to us. What a perfume he's crushed and rendered of his heart and soul. What a gift this book is."—Li-Young Lee Torso of Air Suppose you do change your life. & the body is more than a portion of night—sealed with bruises. Suppose you woke & found your shadow replaced by a black wolf. The boy, beautiful & gone. So you take the knife to the wall instead. You carve & carve until a coin of light appears & you get to look in, at last, on happiness. The eye staring back from the other side— waiting. Born in Saigon, Vietnam, Ocean Vuong attended Brooklyn College. He is the author of two chapbooks as well as a full-length collection, Night Sky with Exit Wounds. A 2014 Ruth Lilly Fellow and winner of the 2016 Whiting Award, Ocean Vuong lives in New York City, New York.
A National Poetry Series winner, chosen by Edward Sanders. “What power. Smith’s poetry is all poetry. And visceral. Her poems get under the skin of their subjects. Their passion and empathy, their real worldliness, are blockbuster.”—Marvin Bell “I was weeping for the beauty of poetry when I reached the end of the final poem.”—Edward Sanders, National Poetry Series judge From Lollapalooza to Carnegie Hall, Patricia Smith has taken the stage as this nation’s premier performance poet. Featured in the film Slamnation and on the HBO series Def Poetry Jam, Smith is back with her first book in over a decade—a National Poetry Series winner weaving passionate, bluesy narratives into an empowering, finely tuned cele-bration of poetry’s liberating power.
