Rasta, Race and Revolution

Rasta, Race and Revolution

Author: Katrin Hansing

Publisher: LIT Verlag Münster

Published: 2006

Total Pages: 276

ISBN-13: 9783825896003

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Decades after its birth and subsequent tour du monde, Rastafari has more recently also appeared in revolutionary Cuba. How the movement has been globalized and subsequentially localized in a socialist and Spanish-speaking context are the main foci of this book. In particular it examines how Cubans have adopted and adapted the movement to their own socio-political and cultural context. Particular attention is paid to Rastafari's development in the context of Cuba's current economic crisis and re-appearance of more overt racism. Based on extensive ethnographic fieldwork in Cuba, the study shows how Rastafari's growth and presence on the island have influenced and contributed to the formation and expression of new cultural identities and discourses with regard to what it means to be young, black, and Cuban. Katrin Hansing is a social anthropologist who has worked on numerous Cuba-related issues. Her main areas of interests and expertise include: migration, race/ethnicity, and identity. She is currently the director of a German Research Council funded research project on Cuba's social collaboration ties in Africa.


Reggae, Rasta, Revolution

Reggae, Rasta, Revolution

Author: Chris Potash

Publisher: Schirmer Trade Books

Published: 1997

Total Pages: 328

ISBN-13:

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Here is the first ever anthology on Jamaican music forms that have changed the shape of Western popular music. Beginning with Bob Marley, music reviewer Chris Potash explores the roots of Jamaican pop from mento, ska, calypso, and rock steady. The book also profiles such roots pioneers as Toots and the Maytals, the Skatalites, Jimmy Cliff, and more.


Women and Resistance in the Early Rastafari Movement

Women and Resistance in the Early Rastafari Movement

Author: Daive Dunkley

Publisher: LSU Press

Published: 2021-10-13

Total Pages: 187

ISBN-13: 0807176281

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Women and Resistance in the Early Rastafari Movement is a pioneering study of women’s resistance in the emergent Rastafari movement in colonial Jamaica. As D. A. Dunkley demonstrates, Rastafari women had to contend not only with the various attempts made by the government and nonmembers to suppress the movement, but also with oppression and silencing from among their own ranks. Dunkley examines the lives and experiences of a group of Rastafari women between the movement’s inception in the 1930s and Jamaica’s independence from Britain in the 1960s, uncovering their sense of agency and resistance against both male domination and societal opposition to their Rastafari identity. Countering many years of scholarship that privilege the stories of Rastafari men, Women and Resistance in the Early Rastafari Movement reclaims the voices and narratives of early Rastafari women in the history of the Black liberation struggle.


Rastafari and the Arts

Rastafari and the Arts

Author: Darren J. N. Middleton

Publisher: Routledge

Published: 2015-02-11

Total Pages: 339

ISBN-13: 1134625030

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Drawing on literary, musical, and visual representations of and by Rastafari, Darren J. N. Middleton provides an introduction to Rasta through the arts, broadly conceived. The religious underpinnings of the Rasta movement are often overshadowed by Rasta’s association with reggae music, dub, and performance poetry. Rastafari and the Arts: An Introduction takes a fresh view of Rasta, considering the relationship between the artistic and religious dimensions of the movement in depth. Middleton’s analysis complements current introductions to Afro-Caribbean religions and offers an engaging example of the role of popular culture in illuminating the beliefs and practices of emerging religions. Recognizing that outsiders as well as insiders have shaped the Rasta movement since its modest beginnings in Jamaica, Middleton includes interviews with members of both groups, including: Ejay Khan, Barbara Makeda Blake Hannah, Geoffrey Philp, Asante Amen, Reggae Rajahs, Benjamin Zephaniah, Monica Haim, Blakk Rasta, Rocky Dawuni, and Marvin D. Sterling.


Jah Kingdom

Jah Kingdom

Author: Monique A. Bedasse

Publisher: UNC Press Books

Published: 2017-08-11

Total Pages: 271

ISBN-13: 1469633604

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From its beginnings in 1930s Jamaica, the Rastafarian movement has become a global presence. While the existing studies of the Rastafarian movement have primarily focused on its cultural expression through reggae music, art, and iconography, Monique A. Bedasse argues that repatriation to Africa represents the most important vehicle of Rastafari's international growth. Shifting the scholarship on repatriation from Ethiopia to Tanzania, Bedasse foregrounds Rastafari's enduring connection to black radical politics and establishes Tanzania as a critical site to explore gender, religion, race, citizenship, socialism, and nation. Beyond her engagement with how the Rastafarian idea of Africa translated into a lived reality, she demonstrates how Tanzanian state and nonstate actors not only validated the Rastafarian idea of diaspora but were also crucial to defining the parameters of Pan-Africanism. Based on previously undiscovered oral and written sources from Tanzania, Jamaica, England, the United States, and Trinidad, Bedasse uncovers a vast and varied transnational network--including Julius Nyerere, Michael Manley, and C. L. R James--revealing Rastafari's entrenchment in the making of Pan-Africanism in the postindependence period.


Rastafari: A Very Short Introduction

Rastafari: A Very Short Introduction

Author: Ennis B. Edmonds

Publisher: OUP Oxford

Published: 2012-12-20

Total Pages: 160

ISBN-13: 0191642479

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From its obscure beginnings in Jamaica in the early 1930s, Rastafari has grown into an international socio-religious movement. It is estimated that 700,000 to 1 million people worldwide have embraced Rastafari, and adherents of the movement can be found in most of the major population centres and many outposts of the world. Rastafari: A Very Short Introduction provides an account of this widespread but often poorly understood movement. Ennis B. Edmonds looks at the essential history of Rastafari, including its principles and practices and its internal character and configuration. He examines its global spread, and its far-reaching influence on cultural and artistic production in the Caribbean and beyond. ABOUT THE SERIES: The Very Short Introductions series from Oxford University Press contains hundreds of titles in almost every subject area. These pocket-sized books are the perfect way to get ahead in a new subject quickly. Our expert authors combine facts, analysis, perspective, new ideas, and enthusiasm to make interesting and challenging topics highly readable.


Transatlantic Caribbean

Transatlantic Caribbean

Author: Ingrid Kummels

Publisher: transcript Verlag

Published: 2014-12-31

Total Pages: 297

ISBN-13: 3839426073

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»Transatlantic Caribbean« widens the scope of research on the Caribbean by focusing on its transatlantic interrelations with North America, Latin America, Europe and Africa and by investigating long-term exchanges of people, practices and ideas. Based on innovative approaches and rich empirical research from anthropology, history and literary studies the contributions discuss border crossings, south-south relations and diasporas in the areas of popular culture, religion, historical memory as well as national and transnational social and political movements. These perspectives enrich the theoretical debates on transatlantic dialogues and the Black Atlantic and emphasize the Caribbean's central place in the world.


Time and memory in reggae music

Time and memory in reggae music

Author: Sarah Daynes

Publisher: Manchester University Press

Published: 2013-07-19

Total Pages: 380

ISBN-13: 1847796923

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On the basis of a body of reggae songs from the 1970s and late 1990s, this book offers a sociological analysis of memory, hope and redemption in reggae music. From Dennis Brown to Sizzla, the way in which reggae music constructs a musical, religious and socio-political memory in rupture with dominant models is vividly illustrated by the lyrics themselves. How is the past remembered in the present? How does remembering the past allow for imagining the future? How does collective memory participate in the historical grounding of collective identity? What is the relationship between tradition and revolution, between the recollection of the past and the imagination of the future, between passivity and action? Ultimately, this case study of ‘memory at work’ opens up a theoretical problem: the conceptualization of time and its relationship with memory.


Outside the Revolution; Everything

Outside the Revolution; Everything

Author: Tom Astley

Publisher: John Hunt Publishing

Published: 2012-08-31

Total Pages: 117

ISBN-13: 1780994095

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In the often fraught political landscape of Cuba, a constant need to define and redefine the ‘space’ of national identity has long pervaded all manner of discourse. In its assumed role as the last bastion of resistance against the hegemonic forces of ‘globalisation’ (‘Americanisation’), the Revolution of 1959 is often made an all-encompassing indicator of ‘authentic’ Cuban identity. However, political recalcitrance, economic stagnation and the ever-present lure of the States has left generations of young Cubans questioning the ability of the Revolution to represent a contemporary Cuban identity. A growing number of what may broadly be classified as ‘alternative musicians’ are utilising a re-established and redefined left-wing voice - one that recontextualises notions of what constitutes ‘el pueblo’ (‘the people’) - precisely as a critique of the anachronisms of the Revolution. This book examines briefly the work of three such artists - punk band Porno Para Ricardo, rapper Eskuadrón Patriota, and singer-songwriter Pedro Luis Ferrer - to provide examples of such reclamations of a left wing voice within Cuba. Redefinitions of ‘the people’ pan-nationally, along cultural and social, rather than exclusive nationalisitic lines; attempts to reclaim the means of cultural production from an overbearing and censoring hegemony; narratives of Cuban history and geography that seek to augment the often rigidly defined space of ‘official Cubanness’ by recognising cultural difference (often made tacit in the unifying rhetoric of the revolution), yet appealing to the notion of social equality, are all constituent parts of this ‘new’ new left in Cuba. As yet another evental tipping point – the death of Fidel Castro – comes ever closer, yet potentially less traumatic, this book outlines a less epochal, and more measured reinterpretation of established symbols of Cuban identity; one that can maintain its localness whilst engaging in global politics and cultural flows.