The selection of drawings demonstrates how Raphael created a specific mode of visual invention and persuasive communication through drawing. He used drawing both as conceptual art (including brainstorming sheets) and as a practice based on attentive observation (such as drawing from the posed model). Yet Raphael's drawings also reveal how the process of drawing in itself, with its gestural rhythms and spontaneity, can be a form of thought, generating new ideas. The Oxford exhibition will present drawings that span Raphael's entire career, encompassing many of his major projects and exploring his visual language from inventive ideas to full compositions. The extraordinary range of drawings by Raphael in the Ashmolean and the Albertina, enhanced by appropriate loans, will enable this exhibition to cast new light on this familiar artist, transforming our understanding of Raphael's art.
"The works from the Bonna Collection are illustrated in color, and whenever possible, at their actual sizes. They are arranged chronologically by the artist's date of birth and are grouped according to the main artistic schools. This volume is introduced by an interview with Jean Bonna by George Goldner. Each drawing is then described in an entry, many of which have comparative illustrations that shed further light on individual works."--BOOK JACKET.
Celebrated for his clarity of form, ease of composition and the sublime beauty of his ‘Madonnas’, Raphael is the epitome of the High Renaissance genius. In spite of his untimely death, he left behind a large body of work that would have a monumental influence on the course of art in the ensuing centuries. Delphi’s Masters of Art Series presents the world’s first digital e-Art books, allowing digital readers to explore the works of great artists in comprehensive detail. This volume presents Raphael’s complete works in beautiful detail, with concise introductions, hundreds of high quality images and the usual Delphi bonus material. (Version 1) * The complete paintings of Raphael — over 120 paintings, fully indexed and arranged in chronological and alphabetical order * Includes reproductions of rare works * Features a special ‘Highlights’ section, with concise introductions to the masterpieces, giving valuable contextual information * Enlarged ‘Detail’ images, allowing you to explore Raphael’s celebrated works in detail, as featured in traditional art books * Hundreds of images in stunning colour – highly recommended for viewing on tablets and smart phones or as a valuable reference tool on more conventional eReaders * Special chronological and alphabetical contents tables for the complete paintings * Easily locate the paintings you want to view * Includes Raphael's drawings and cartoons - spend hours exploring the artist’s works * Features three bonus biographies, including Vasari’s original text - discover Raphael's artistic and personal life * Scholarly ordering of plates into chronological order Please visit www.delphiclassics.com to browse through our range of exciting e-Art books CONTENTS: The Highlights RESURRECTION OF CHRIST ST. SEBASTIAN THE MOND CRUCIFIXION THE MARRIAGE OF THE VIRGIN AN ALLEGORY (VISION OF A KNIGHT) MADONNA DEL GRANDUCA MADONNA OF THE GOLDFINCH MADONNA OF THE MEADOW PORTRAIT OF AGNOLO DONI THE CANIGIANI HOLY FAMILY THE DEPOSITION SAINT CATHERINE OF ALEXANDRIA THE SCHOOL OF ATHENS THE ALBA MADONNA THE PARNASSUS PORTRAIT OF POPE JULIUS II THE TRIUMPH OF GALATEA SISTINE MADONNA MADONNA DELLA SEGGIOLA PORTRAIT OF BALTHASAR CASTIGLIONE LA DONNA VELATA THE RAPHAEL CARTOONS THE TRANSFIGURATION The Paintings THE COMPLETE PAINTINGS ALPHABETICAL LIST OF PAINTINGS The Drawings LIST OF DRAWINGS The Biographies LIFE OF RAFFAELLO DA URBINO by Giorgio Vasari RAPHAEL SANTI: “THE PERFECT ARTIST, THE PERFECT MAN” by Jennie Ellis Keysor RAPHAEL by Estelle M. Hurll Please visit www.delphiclassics.com to browse through our range of exciting titles
The drawings of Raphael and his circle offer a unique view into the creative processes of this renowned artist. Sixty-eight of his most discussed and controversial studies of form, movement and detail from the collection at the Royal Library, Windsor Castle, are examined here by a leading scholar. Works by Raphael's masters such as Perugino, and his pupils including Giulio Romano, Perino del Vaga and Polidoro da Caravaggio are considered together -- examining the development of workshop methods, style and techniques -- and as individual works of art.
One area of Sarah Raphael's work that has so far been inadequately displayed is her drawing. Frederic Raphael draws from over 25 years of work in her notebooks and sketchbooks. She did justice to every model and had amazing sense of setting, economy of perspective, and ability to create presence.
