Key Features: Foreword written by writer-director Rakeysh Omprakash MehraShooting script with storyboardsRare production stills24-page color section with on-screen and behind-the-scenes shots14-page black-and-white section juxtaposing India in 2005 with India of the 1920sAamir Khan, A.R. Rahman, Prasoon Joshi, Rakeysh Omprakash Mehra and Kamlesh Pandey on Rang De Basanti
I’ll Do It My Way: The Incredible Journey Of Aamir Khan is the story of Aamir Khan’s journey as an actor, producer, director, and one of the true mavericks of Indian cinema. Beginning with Qayamat Se Qayamat Tak, his debut film as an actor, the book traces his rise to stardom and his evolution as an actor, who is very often talked about as a cut above the rest. All through a career spanning several years, Aamir has been known to be very discerning in his choice of films. He has admirably balanced offbeat movies with box-office hits, neither compromising on innovation nor commercial success. He has re-invented himself at every turn, constantly bringing a fresh perspective to film-making. His entrance into film production and direction was every bit as groundbreaking as it was expected to be. The book covers 20 years of Aamir’s journey in Bollywood and highlights several of his landmark movies such as1947 Earth, Lagaan, Dil Chahta Hai, and Dil. The information contained in the book is backed by research into 20 years worth of press coverage. The author also interviewed numerous people who collaborated with Aamir on various projects over the years, including Rakeysh Omprakash Mehra, Mahesh Bhatt, Ronnie Screwvala, Aditya Bhattacharya, Indra Kumar, Mansoor Khan, Vidhu Vinod Chopra, Asin, A.R. Murugadoss, Nandita Das, and Rajkumar Hirani. The author has worked on the book for 3 years to give the readers interesting insight into the growth and success of Aamir Khan - a unique, versatile Indian actor in a league of his own. I’ll Do It My Way: The Incredible Journey Of Aamir Khan was published in 2012 by Om Books International.
A studio that became a school. A city that made Bihar cool. A mansion. A single-screen theatre. An icy mountain, a theatre of war. A distant island, a mega-villain's lair. The Bollywood Pocketbook of Iconic Places drops the pin on 50 memorable places that mark milestones in Hindi cinema. Places that started off as shooting locations but became landmarks. Fictional places that have become an indelible part of our childhoods. And a place inspired by a radio frequency! Whether you're a trivia buff or a die hard Bollywood fan, or on your way to converting detractors into becoming one, this must-have book will have you singing 'Yeh kahaan aa gaye hum!'
`Is kahani mein drama hai, emotion hai, tragedy hai?? A non-linear, light-hearted rollercoaster ride of a book, Bioscope presents a quirky history of Hindi cinema through unconventional, curated `lists? that will delight die-hard fans and novices alike. Highlighting 10 aspects that give Hindi films their distinctive flavour, the selections ? of villainous types and hit pairs, genius compositions and unforgettable lyrics, memorable scripts and filmy fashion from the pre-Independence days right down to the present ? pack in trivia, gossip, recommendations and deep insight. By turns opinionated and emotional ? and always superbly entertaining ? Bioscope will inspire its readers to immerse themselves in the fascinating world of Hindi cinema.
This book is a blend of many relevant issues related to the film fraternity. More than 100 years ago, Indian cinema has come a long way. Yellow journalism now has transformed into a serious and respectable profession. The book offers on various aspects ranging from mythology, theatre, television, superstition to literatur, scandals, controversies and more.
Hindi cinema was trapped in formulaic cliches for decades: lost-and-found themes, sacrificing mothers, brothers on opposite sides of the law, villains lording over their dens, colourful molls, six songs, the use of rape as a plot pivot, and cops who always arrived too late. It hit an all-time low in the 1980s. Then, in 1991, came liberalization, and a wave of openness and aspiration swept across urban India. Dilwale Dulhania Le Jayenge was released in 1995 - and Hindi cinema became Bollywood. A new crop of film-makers began to challenge and break away from established rules. Over the next twenty years, a number of Hindi films consistently pushed the envelope in terms of content and technique to create a new kind of cinema. Among other innovations, film-makers came up with ways of crowd funding a film (Ankhon Dekhi), did away with songs if the narrative did not need them (Gangaajal), addressed different sexual preferences (My Brother ... Nikhil) and people with special needs (Black) like no one had ever done before. As film critic with the Indian Express, Shubhra Gupta has stayed the course these twenty years and more and experienced the transition first-hand. In 50 Films That Changed Bollywood, 1995-2015, she looks at the modern classics that have redefined Hindi cinema - from DDLJ and Rangeela to Satya and Dev D to Queen and Bajrangi Bhaijaan. Gupta offers a fascinating glimpse into how these films spoke to their viewers and how the viewers reacted to them - and, ultimately, how they changed us and how we changed them.
"Lights, Camera, Masala is a celebration of contemporary Hindi cinema - popularly known as Bollywood. The book documents the process of making a typical commercial Hindi film through the adventures of a pair of fictitious characters called Vijay and Ravi as they endeavor to make a Bollywood film of their own. Photographs capture the grandeur, grit and madness that is Bollywood."--BOOK JACKET.
Since its release on September 1, 2006, Lage Raho Munna Bhai has been watched by millions, broken box-office records, won unprecedented praise from the masses and critics alike, and most importantly, forced a nation of one billion people and the world’s largest democracy to revisit their much misunderstood icon, Mahatma Gandhi.Following the release of the film, there has been a four hundred percent increase in the sale of literature about Gandhi. Schools and universities have introduced courses on Gandhigiri - a phrase from the film that has become a part of India’s collective consciousness. Websites, fan clubs, discussion forums, and citizen groups have sprung across the nation to discuss the film’s unique ideas. The Washington Post called the film, “A phenomenon that made Gandhi a pop icon.” Amazingly, the movie that has inspired such an astonishing response is an unassuming comedy. A gangster has hallucinations that he can see Gandhi! With this simple premise, the movie explores the relevance of Gandhian ideals in the contemporary world beleaguered by violence and hate, while never forgetting to be, as The Guardian points out, “A magnificent entertainment.”
