At the time of its completion in 1962, Chicagos Randhurst Shopping Center was billed as the worlds largest shopping center under one roof. Its brash and flamboyant architect, Victor Gruen, the man known as the Father of the Shopping Mall, declared Randhurst different from any established building type in the world. Gruen turned commercial architecture into an art form, in turn making himself a household name. This is the narrative of the people who walked Randhursts corridors, from Robert F. Kennedy to Mr. T; of stores and their stories; of the parties, pomp and personalities involved in the life, death and rebirth of an exceptional and atypical place. This is Randhurst.
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Mount Prospect has undergone dramatic changes since its incorporation as a village in 1917. At that time, it was a small rural community of 300 people, but after population booms in the 1920s, 1950s, and 1960s, the town blossomed into a bustling suburb of Chicago. Out of these changes came landmarks like Randhurst Shopping Center and beloved local businesses like Hotter Than Mother's Music. These new additions sprang up alongside--and in place of--older sites. The transformation continues to this day, making each generation familiar with a different version of the town. Such significant developments can sometimes make local historic sites difficult to locate; the history, however, has not disappeared. It remains in the landscape, the bits and pieces left behind, and the collective memories of its residents. Mount Prospect Historic Sites aims to connect people to the history that can still be found all around Mount Prospect.
Woodfield Mall opened on September 9, 1971. Built in the village of Schaumburg, Woodfield Mall was a major factor in the rise of that city and all of Chicago's northwest suburbs. At the time of Schaumburg's incorporation in 1956, approximately 130 people lived in the area. The mall opened with 59 stores on that fateful day in 1971, and actor Vincent Price served as master of ceremonies. By 1973, Woodfield Mall had grown to nearly 190 stores, and at 1.9 million square feet of retail, it was the largest mall in America at the time. Retailers and corporations began to flock to the area, and many top companies now call Schaumburg home, existing in the shadows of Woodfield Mall. Today Schaumburg holds a population of over 75,000 residents, and Woodfield Mall brings 27 million visitors per year to its 2.7 million square feet of shopping space, making it the number one visitor destination in Illinois. New stores continually reshape the shopping experience in this place where society and commerce collide.
The shopping mall is both the most visible and the most contentious symbol of American prosperity. Despite their convenience, malls are routinely criticized for representing much that is wrong in America—sprawl, conspicuous consumption, the loss of regional character, and the decline of Mom and Pop stores. So ubiquitous are malls that most people would be suprised to learn that they are the brainchild of a single person, architect Victor Gruen. An immigrant from Austria who fled the Nazis in 1938, Gruen based his idea for the mall on an idealized America: the dream of concentrated shops that would benefit the businessperson as well as the consumer and that would foster a sense of shared community. Modernist Philip Johnson applauded Gruen for creating a true civic art and architecture that enriched Americans' daily lives, and for decades he received praise from luminaries such as Lewis Mumford, Winthrop Rockefeller, and Lady Bird Johnson. Yet, in the end, Gruen returned to Europe, thoroughly disillusioned with his American dream. In Mall Maker, the first biography of this visionary spirit, M. Jeffrey Hardwick relates Gruen's successes and failures—his work at the 1939 World's Fair, his makeover of New York's Fifth Avenue boutiques, his rejected plans for reworking entire communities, such as Fort Worth, Texas, and his crowning achievement, the enclosed shopping mall. Throughout Hardwick illuminates the dramatic shifts in American culture during the mid-twentieth century, notably the rise of suburbia and automobiles, the death of downtown, and the effect these changes had on American life. Gruen championed the redesign of suburbs and cities through giant shopping malls, earnestly believing that he was promoting an American ideal, the ability to build a community. Yet, as malls began covering the landscape and downtowns became more depressed, Gruen became painfully aware that his dream of overcoming social problems through architecture and commerce was slipping away. By the tumultuous year of 1968, it had disappeared. Victor Gruen made America depend upon its shopping malls. While they did not provide an invigorated sense of community as he had hoped, they are enduring monuments to the lure of consumer culture.
In 1874, Ezra Eggleston bought much of the land that is now downtown Mount Prospect and began to plan a village. He named the town after its position on the highest elevation in Cook County and in anticipation of the prospects awaiting future residents. However, the Great Chicago Fire of 1871 and the Panic of 1873 combined to make sales of new land difficult. Ezra sold his interest in the town, but soon after, people began to build stores and houses. By the 1900s, the area was flourishing. In 1917, Mount Prospect was incorporated. The 20th century has continued to bring great changes and development to the area as it evolved from a modest village to a major suburban community.
