Ranch 10
Ranch 10

Author: Harry Meredith

Publisher:

Published: 2017-10-13

Total Pages: 56

ISBN-13: 9783337343187

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Ranch 10 - Annie from Massachusetts is an unchanged, high-quality reprint of the original edition of 1882. Hansebooks is editor of the literature on different topic areas such as research and science, travel and expeditions, cooking and nutrition, medicine, and other genres. As a publisher we focus on the preservation of historical literature. Many works of historical writers and scientists are available today as antiques only. Hansebooks newly publishes these books and contributes to the preservation of literature which has become rare and historical knowledge for the future.

Ranch 10, Or Annie From Massachusetts
Ranch 10, Or Annie From Massachusetts

Author: Harry Meredith

Publisher: Forgotten Books

Published: 2018-01-31

Total Pages: 56

ISBN-13: 9780267338023

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Excerpt from Ranch 10, or Annie From Massachusetts: An American Melodrama, in Three Acts and Two Tableaux Neely. [at door] SO that's you Mr. Red Bullet is it? What do you want, a rope wid a noose in the end of it. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.

Negotiating Copyright in the American Theatre: 1856–1951
Negotiating Copyright in the American Theatre: 1856–1951

Author: Brent S. Salter

Publisher: Cambridge University Press

Published: 2022-01-06

Total Pages: 279

ISBN-13: 1108620353

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Drawing on fascinating archival discoveries from the past two centuries, Brent Salter shows how copyright has been negotiated in the American theatre. Who controls the space between authors and audiences? Does copyright law actually protect playwrights and help them make a living? At the center of these negotiations are mediating businesses with extraordinary power that rapidly evolved from the mid-nineteenth to mid-twentieth centuries: agents, publishers, producers, labor associations, administrators, accountants, lawyers, government bureaucrats, and film studio executives. As these mediators asserted authority over creativity, creators organized to respond, through collective minimum contracts, informal guild expectations, and professional norms, to protect their presumed rights as authors. This institutional, relational, legal, and business history of the entertainment history in America illuminates both the historical context and the present law. An innovative new kind of intellectual property history, the book maps the relations between the different players from the ground up.