The Aesir are dead, and the Vanir, now uncontested in their divinity, come to claim what is left of the Nine Realms. The war clans must oppose, or align with, these new foes. Ragnarok: The Vanir features new Godsparks that war clans may harness to combat the marauding Vanir, as well as new scenarios, monsters, and options to further develop players' campaigns.
The end of the Aesir has come, but not as the prophecies foretold. The dread dragon Niddhoggr has devoured the roots of the World Ash, Yggdrasil, and the great tree has toppled onto its side, crashing the realms of mortal and supernatural together. With the gods dead and the fires of ruin consuming the world, your war clan of Viking warriors know what they must do to survive the destruction of the Nine Realms and restore order: they must become the new gods! Ragnarok is a campaign-driven skirmish game in which players form a Viking war clan seeking to prove itself worthy of becoming the new pantheon. The use of a mechanic called Godspark means that battles are no longer determined by merely striking an opponent and dealing damage. Instead, warriors will be pushing, throwing, and crashing their opponents around the battlefield, making their very environment a weapon. As the war clans develop, they may gain glorious new powers that will bring them closer to godhood, or win the respect of the denizens of the realms, allowing them to bring dire wolves, dwarves, and even the dreaded giants into their war clans. With strategic gameplay and epic storytelling, players must write their own sagas and tell of how their war clans have, through blood and steel, clawed their way up from ruin to stand before the halls of Valhalla.
*Includes pictures *Includes Norse accounts *Includes online resources and a bibliography for further reading "Nj�rdr in N�at�n begot afterward two children: the son was called Freyr, and the daughter Freyja; they were fair of face and mighty. Freyr is the most renowned of the �sir; he rules over the rain and the shining of the sun, and therewithal the fruit of the earth; and it is good to call on him for fruitful seasons and peace." Much of what is known of the Norse myths comes from the 10th century onwards. Until this time and, indeed, for centuries afterwards, Norse culture (particularly that of Iceland, where the myths were eventually transcribed) was an oral culture. In fact, in all Scandinavian countries well into the thirteenth century laws were memorized by officials known as "Lawspeakers" who recited them at the "Thing." The Thing was the legislative assembly in Scandinavia "held for judicial purposes." The Prose Edda is a collection of Norse Myths split into three sections, the Gylfaginning (the Deluding of Gylfi), the Sk�ldskaparm�l (the Language of Poetry) and the H�ttatal (the Enumeration of Meters). The first has a frame story that entails a Swedish King, Gylfi, disguising himself as an old man, Gangleri, when he journeys to Asgard to meet the gods. When he arrives, he meets three men - "High One, Just-As-High, and Third" - who reveal to him stories of the world and the gods. The second section contains a warning for Christians not to believe in the Norse gods, specifically the two families, the �sir and the Vanir, but also refutes the notion that they were demons, which was a common supposition among some Christians at the time. The Prose Edda begins in this line of thought with a euhemeristic prologue, which traces the history of the Norse Gods as human heroes of Troy, making Thor one of King Priam's sons. The Norse Myths also appear to follow a chronological narrative, which the historian John Lindow describes as having a "Mythical Past, Present and Future." Loki features in each of these literary "epochs" and it helps to understand the complexity of his character, as well as the belief system, to view the myths in this way. Freyr was son to sea-god Nj�rdr and twin brother to love goddess Freyja, all of whom were part of the Vanir, a less warlike, divine family. As part of a hostage exchange between warring families, Nj�rdr and Freyr were sent to live with the �sir. As a member of the Vanir, his integration into the warlike family gave Freyr relatively little to do in surviving mythology. Many of the surviving stories involve Thor exercising his physical strength while Loki and Odin exercise their cunning. Freyr was not noted for either of these attributes, nor did he have a love of besting the Giants, the gods' eternal enemies. Freyr's role as a fertility god-a recurring theme in the Vanir-meant that his relatively rare appearences in the myths weighed heavily on the dominant, cult role he performed across Scandinavia from a surprisingly early time. That being said, there are few superfluous characters in Norse myth, and Freyr is present at two major moments of the gods' history: the union of the two families (although there are very few surviving texts describing this exact moment) and Ragnar�k, the apocalyptic end. Freyr: The Origins and History of the Norse God of Love and Fertility looks at the stories about the legendary Norse deity. Along with pictures depicting important people, places, and events, you will learn about Freyr like never before.
This book serves as a comprehensive guide to Norse Mythology.Norse Mythology and its stories continue to influence modern day movies, books, TV shows, and video games.Inside, you will learn about the history of Norse Mythology, the Gods and Goddesses, the monsters, the heroes, and some of the most famous stories from Norse Mythology!From the creation of the world, to the Aesir-Vanir war, to the world tree, to Ragnarok, this book will explain to you all of the key concepts and beliefs associated with Norse Mythology.
These stories are old, old as the Behmer Wold and seldom in life has there been such a brewing... Cycles of Norse Mythology captures the passion, cruelty, and heroism of an ancient world. Encompassing Odin's relentless pursuit of wisdom across the nine worlds, Gullveig's malicious death at the hands of the Æsir that sparks a brutal war with the Vanir, Thor’s battles against the giants of Jotunheim, the tragedy of Volund, the many devious machinations of Loki, and the inescapable events of Ragnarök, this lyrical re-imagining of the Norse myths presents the gripping adventures of the Norse gods and their foes in a style to delight modern readers of all ages. A detailed glossary provides a quick reference to the meaning behind names and terms used in the book. A Source Reference is included for persons who want to delve deeper into the study of Norse mythology.
The Viking Spirit is an introduction to Norse mythology like no other. As you'd expect from Daniel McCoy, the creator of the enduringly popular website Norse Mythology for Smart People (Norse-Mythology.org), it's written to scholarly standards, but in a simple, clear, and entertaining style that's easy to understand and a pleasure to read. It includes gripping retellings of no less than 34 epic Norse myths - more than any other book in the field - while also providing an equally comprehensive overview of the fascinating Viking religion of which Norse mythology was a part. You'll learn about the Vikings' gods and goddesses, their concept of fate, their views on the afterlife, their moral code, how they thought the universe was structured, how they practiced their religion, the role that magic played in their lives, and much more. With its inclusion of the latest groundbreaking research in the field, The Viking Spirit is the ultimate introduction to the timeless splendor of Norse mythology and religion for the 21st Century.
In AD 793 Norse warriors struck the English isle of Lindisfarne and laid waste to it. Wave after wave of Norse ‘sea-wolves’ followed in search of plunder, land, or a glorious death in battle. Much of the British Isles fell before their swords, and the continental capitals of Paris and Aachen were sacked in turn. Turning east, they swept down the uncharted rivers of central Europe, captured Kiev and clashed with mighty Constantinople, the capital of the Byzantine Empire. But there is more to the Viking story than brute force. They were makers of law - the term itself comes from an Old Norse word - and they introduced a novel form of trial by jury to England. They were also sophisticated merchants and explorers who settled Iceland, founded Dublin, and established a trading network that stretched from Baghdad to the coast of North America. In The Sea Wolves, Lars Brownworth brings to life this extraordinary Norse world of epic poets, heroes, and travellers through the stories of the great Viking figures. Among others, Leif the Lucky who discovered a new world, Ragnar Lodbrok the scourge of France, Eric Bloodaxe who ruled in York, and the crafty Harald Hardrada illuminate the saga of the Viking age - a time which “has passed away, and grown dark under the cover of night”.
The first group of essays in this volume explores the links between early Norse literature, from the 9th to the 13th century, and the learned world of medieval Europe. In the second group the focus is upon the range of theme and style in Norse mythological poetry. Some of the key texts are considered in relation to Anglo-Saxon poetry as well as to the wider and more archaic Indo-European cultural inheritance. The third group offers detailed analyses of early Norse heroic poetry, of the formatic role of verse in the Icelandic sagas and of the final perfecting of prose as the ultimate saga medium. The 16 essays, taken together, are essential reading for all scholars, critics and historians who seek to understand the development of one of the world's most unusual and sophisticated literatures.
