Racism and Stereo Types in Walt Disney Movies. An Analysis of "Pocahontas" (1995)

Racism and Stereo Types in Walt Disney Movies. An Analysis of

Author: Anonym

Publisher:

Published: 2016-08-09

Total Pages: 36

ISBN-13: 9783668262843

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Seminar paper from the year 2015 in the subject Film Science, grade: 1,0, University of Kassel (Geistes- und Kulturwissenschaften), course: Sociolinguistic Studies: Structures of Othering, language: English, abstract: Even in today's globalized world, racist elements can be found in films, not only for adults but also for children. In 1995 Ron Disney published the movie "Pocahontas," which deals with the first English settlements in the New World North America. Describing the first meeting of white English settlers and Native American tribe members, it tells the love story of Princess Pocahontas, the daughter of Chief Powhatan, who falls in love with the Captain John Smith, a white English settler. The aim of this paper is to analyze whether there can be found racist or stereotypical elements in Disney's movie "Pocahontas." To start with, basic theoretical concepts will be introduced. The subchapter 2.1. focuses on the definition of race. Since the goal of this work is to find out whether there are racist elements in "Pocahontas," it is necessary to define race. It will become clear that race is a constructed characterization of people and that it is not a biologically inherent, but created in the people's minds. This will form the basis for the next subchapter 2.2. which deals with the concept of racism. It will be emphasized that the concept of racism is severe complex and can have different definitions due to personal appraisals. Furthermore, it will be pointed out that racism as well is a constructed phenomenon which does not arise because of characteristic features but because of social and cultural structures.


Racism and stereo types in Walt Disney movies. An analysis of "Pocahontas" (1995)

Racism and stereo types in Walt Disney movies. An analysis of

Author:

Publisher: GRIN Verlag

Published: 2016-07-19

Total Pages: 34

ISBN-13: 3668262837

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Seminar paper from the year 2015 in the subject Film Science, grade: 1,0, University of Kassel (Geistes- und Kulturwissenschaften), course: Sociolinguistic Studies: Structures of Othering, language: English, abstract: Even in today's globalized world, racist elements can be found in films, not only for adults but also for children. In 1995 Ron Disney published the movie "Pocahontas", which deals with the first English settlements in the New World North America. Describing the first meeting of white English settlers and Native American tribe members, it tells the love story of Princess Pocahontas, the daughter of Chief Powhatan, who falls in love with the Captain John Smith, a white English settler. The aim of this paper is to analyze whether there can be found racist or stereotypical elements in Disney’s movie "Pocahontas". To start with, basic theoretical concepts will be introduced. The subchapter 2.1. focuses on the definition of race. Since the goal of this work is to find out whether there are racist elements in "Pocahontas", it is necessary to define race. It will become clear that race is a constructed characterization of people and that it is not a biologically inherent, but created in the people’s minds. This will form the basis for the next subchapter 2.2. which deals with the concept of racism. It will be emphasized that the concept of racism is severe complex and can have different definitions due to personal appraisals. Furthermore, it will be pointed out that racism as well is a constructed phenomenon which does not arise because of characteristic features but because of social and cultural structures.


The True Story of Pocahontas

The True Story of Pocahontas

Author:

Publisher: Fulcrum Publishing

Published: 2016-11-30

Total Pages: 155

ISBN-13: 1555918670

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The True Story of Pocahontas is the first public publication of the Powhatan perspective that has been maintained and passed down from generation to generation within the Mattaponi Tribe, and the first written history of Pocahontas by her own people.


Diversity in Disney Films

Diversity in Disney Films

Author: Johnson Cheu

Publisher: McFarland

Published: 2013-01-24

Total Pages: 317

ISBN-13: 0786446013

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Although its early films featured racial caricatures and exclusively Caucasian heroines, Disney has, in recent years, become more multicultural in its filmic fare and its image. From Aladdin and Pocahontas to the Asian American boy Russell in Up, from the first African American princess in The Princess and the Frog to "Spanish-mode" Buzz Lightyear in Toy Story 3, Disney films have come to both mirror and influence our increasingly diverse society. This essay collection gathers recent scholarship on representations of diversity in Disney and Disney/Pixar films, not only exploring race and gender, but also drawing on perspectives from newer areas of study, particularly sexuality/queer studies, critical whiteness studies, masculinity studies and disability studies. Covering a wide array of films, from Disney's early days and "Golden Age" to the Eisner era and current fare, these essays highlight the social impact and cultural significance of the entertainment giant. Instructors considering this book for use in a course may request an examination copy here.


The Psychosocial Implications of Disney Movies

The Psychosocial Implications of Disney Movies

Author: Lauren Dundes

Publisher: MDPI

Published: 2019-07-11

Total Pages: 246

ISBN-13: 3038978485

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In this volume of 15 articles, contributors from a wide range of disciplines present their analyses of Disney movies and Disney music, which are mainstays of popular culture. The power of the Disney brand has heightened the need for academics to question whether Disney’s films and music function as a tool of the Western elite that shapes the views of those less empowered. Given its global reach, how the Walt Disney Company handles the role of race, gender, and sexuality in social structural inequality merits serious reflection according to a number of the articles in the volume. On the other hand, other authors argue that Disney productions can help individuals cope with difficult situations or embrace progressive thinking. The different approaches to the assessment of Disney films as cultural artifacts also vary according to the theoretical perspectives guiding the interpretation of both overt and latent symbolic meaning in the movies. The authors of the 15 articles encourage readers to engage with the material, showcasing a variety of views about the good, the bad, and the best way forward.


The Indian Princess

The Indian Princess

Author: James Nelson Barker

Publisher: DigiCat

Published: 2022-05-28

Total Pages: 71

ISBN-13:

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This work is another adaptation of the famous American story about Pocahontas, her life and love story that has become epic. It was one of the first American operatic melodramas that achieved great success in a time of its staging.


The Representation of Gender in Walt Disney's "Mulan"

The Representation of Gender in Walt Disney's

Author: Sonja Blum

Publisher: GRIN Verlag

Published: 2008

Total Pages: 29

ISBN-13: 363894638X

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Seminar paper from the year 2007 in the subject American Studies - Culture and Applied Geography, grade: 1,7, University of Osnabrück (Institut für Anglistik/Amerikanistik), course: Introduction to Gender Theory, 28 entries in the bibliography, language: English, abstract: 'How can they tell if I am male or female?' With this last line of 'The Ballad of Mulan' the (anonymous) author raises the gender question already in the 6th century. In this essay, I would like to analyse The Representation of Gender in Walt Disney's 'Mulan', using the structure of the movie to focus on The Protagonist Fa Mulan, the Treatment of Women and the Depiction of Men. Additionally, the inquiry concerning the Meaning of Song Texts in Disney's 'Mulan' appears useful as these always play an important role in conveying movie themes. In order to establish a connection to the seminar on which this paper is based, I will illustrate how the movie is a good example for Judith Butler's theory of Gender as Performance. Last but not least, I would like to show the Influence of Disney's 'Mulan' on Society because fairy tales and movies '[...] do influence the manner in which children conceive the world and their places in it [...]'. Drawing the 'Conclusion', I will try a careful approach to find out if Disney's 'Mulan' might even be considered as a feminist movie. (...)


Pocahontas

Pocahontas

Author: Paula Gunn Allen

Publisher: Speaking Volumes

Published:

Total Pages: 383

ISBN-13: 164540501X

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"A gripping account of a fascinating woman and the role she played in the shaping of America."—TONY HILLERMAN AMERICA'S FOUNDING MOTHER In striking counterpoint to the conventional account, Pocahontas is a bold biography that tells the extraordinary story of the beloved Indian maiden from a Native American perspective. Dr. Paula Gunn Allen, the acknowledged founder of Native American literary studies, draws on sources often overlooked by Western historians and offers remarkable new insights into the adventurous life and sacred role of this foremost American heroine. Gunn Allen reveals why so many have revered Pocahontas as the female counterpart to the father of our nation, George Washington. "This first-rate biography of Pocahontas, one of the most important and elusive women in American history, ought to be required reading."—N. SCOTT MOMADAY, author of the Pulitzer Prize—winning House Made of Dawn "A fascinating study of the life and times of one of the most famous and at the same time least-known American women. I urge everyone to read this great eye-opener and monumental work."—ROBERT J. CONLEY, author of Sequoyah "Nothing less than a watershed event in the historiography of the Americas—not to mention one of the wittiest and wisest biographies I have ever read."—THE NEW YORK SUN "Gunn Allen attempts to place Pocahontas firmly in her Algonquin world and tell her story honoring the oral tradition of which Pocahontas was a part."—CLEVELAND PLAIN DEALER "[In] Ms. Allen's spirited revision, [she] insists that Pocahontas cannot be understood except within an Algonquin Indian context."—WALL STREET JOURNAL "[F]ascinating and provocative . . . [Gunn Allen's] book gives powerful insight into the relationship between Native Americans, American colonists, and the British."—TIKKUN


Good Girls & Wicked Witches

Good Girls & Wicked Witches

Author: Amy M. Davis

Publisher: Indiana University Press

Published: 2007-02-20

Total Pages: 281

ISBN-13: 0861969014

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An in-depth view of the way popular female stereotypes were reflected in—and were shaped by—the portrayal of women in Disney’s animated features. In Good Girls and Wicked Witches, Amy M. Davis re-examines the notion that Disney heroines are rewarded for passivity. Davis proceeds from the assumption that, in their representations of femininity, Disney films both reflected and helped shape the attitudes of the wider society, both at the time of their first release and subsequently. Analyzing the construction of (mainly human) female characters in the animated films of the Walt Disney Studio between 1937 and 2001, she attempts to establish the extent to which these characterizations were shaped by wider popular stereotypes. Davis argues that it is within the most constructed of all moving images of the female form—the heroine of the animated film—that the most telling aspects of Woman as the subject of Hollywood iconography and cultural ideas of American womanhood are to be found. “A fascinating compilation of essays in which [Davis] examined the way Disney has treated female characters throughout its history.” —PopMatters


Hollywood's Indian

Hollywood's Indian

Author: Peter Rollins

Publisher: University Press of Kentucky

Published: 2011-01-23

Total Pages: 267

ISBN-13: 0813131650

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Offering both in-depth analyses of specific films and overviews of the industry's output, Hollywood's Indian provides insightful characterizations of the depiction of the Native Americans in film. This updated edition includes a new chapter on Smoke Signals , the groundbreaking independent film written by Sherman Alexie and directed by Chris Eyre. Taken as a whole the essays explore the many ways in which these portrayals have made an impact on our collective cultural life.