An Introduction to Rhetorical Communication offers a true integration of rhetorical theory and social science approaches to public communication. This highly successful text guides students through message planning and presentation in an easy step-by-step process. An Introduction to Rhetorical Communication provides students with a solid grounding in the rhetorical tradition and the basis for developing effective messages.
This charming account of life in Appalachia at the turn of the century is one of the three most important books from the early twentieth century that, as Dwight Billings writes in his foreword, have "had a profound and lasting impact on how we think about Appalachia and, indeed, on the fact that we commonly believe that such a place and people can be readily identified." Originally published in 1924, it was advertised as a "racy book, full of the thrill of mountain adventure and the delicious humor of vigorously human people." James Watt Raine provides eyewitness accounts of mountain speech and folksinging, education, religion, community, politics, and farming. In a conscious effort to dispel the negative stereotype of the drunken, slothful, gun-toting hillbilly prone to violence, Raine presents positive examples from his own experiences among the region's native inhabitants.
Delmore Schwartz: The Life of an American Poet is based on interviews, letters, and an extraordinary collection of unpublished papers that had never before been examined. Delmore Schwartz was only twenty-four in 1938 when his first book, In Dreams Begin Responsibilities, was published. He received praise from T. S. Eliot, Ezra Pound, Allen Tate, John Crowe Ransom, Wallace Stevens, and William Carlos Williams. For Tate, it was “the only genuine innovation we’ve had since Eliot and Pound.” A decade later, the short-story collection The World Is a Wedding was published; many critics characterized it as the definitive portrait of their generation. In this biography, the first about the man whom John Berryman called “the most underrated poet of the twentieth century,” James Atlas traces Schwartz’s history, from the arrival of his Romanian ancestors in New York, to his youth in Washington Heights, to his career at Harvard as a graduate student in philosophy, and onward to the flowering of his generation in the '40s, when he and the critics, poets, and novelists who were his friends made their reputations. Schwartz’s brilliant satires of his friends and acquaintances, his autobiographical stories, and his letters to his illustrious peers contribute to this vivid portrait of an era—and of that era’s most trenchant chronicler.
