Rabbi Eliezer of Beaugency represents the pinnacle of twelfth-century rabbinic exegesis of the Bible. A proponent of the literal school, Eliezer completely abandoned traditional rabbinic midrash in his explication of biblical texts, and innovated a literary approach that anticipated the fruits of modern scholarship in virtually every paragraph. This volume presents, for the first time in English translation, an extended window into the oeuvre of this master interpreter.
In the new Hermeneia volume, the Jonah translation and commentary, renowned biblical scholar Susan Niditch encourages the reader to investigate challenging questions about ancient conceptions of personal religious identity. Jonah's story is treated as a complex reflection upon the heavy matters of life and death, good and evil, and human and divine relations. The narrative probes an individual's relationship with a demanding deity, considers vexing cultural issues of "us versus them," and examines the role of Israel's god in a universal and international context. The author examines the ways in which Jonah prods readers to contemplate these fundamental issues concerning group- and self-definition. In her technical study of Jonah's language, style, structure, content, and context, Niditch examines the text through the comparative lens of international folklore. The thread of appropriations of Jonah by post-biblical writers and artists is explored, and special attention is paid to rabbinic midrash, medieval Jewish manuscript illuminations, and Christian art of late antiquity. And in the tradition of Hermeneia volumes, the commentary evaluates and incorporates the insights of a long legacy of scholars who have explored this venerable text from varied perspectives.
The dominant reading of the book of Jonah—that the hapless prophet Jonah is a lesson in not trying to run away from God—oversimplifies a profoundly literary biblical text, argues Amy Erickson. Likewise, the more recent understanding of Jonah as satire is problematic in its own right, laden as it is with anti-Jewish undertones and the superimposition of a Christian worldview onto a Jewish text. How can we move away from these stale interpretations to recover the richness of meaning that belongs to this short but noteworthy book of the Bible? This Illuminations commentary delves into Jonah’s reception history in Christian, Jewish, and Islamic contexts while also exploring its representations in visual arts, music, literature, and pop culture. After this thorough contextualization, Erickson provides a fresh translation and exegesis, paving the way for pastors and scholars to read and utilize the book of Jonah as the provocative, richly allusive, and theologically robust text that it is.
Geller is Irma Cameron Milstein Professor of Bible at Jewish Theological Seminary. Geller's attention to language and interest in applying the methods of literary analysis to the Hebrew Bible are reflected in his work throughout his career. He has addressed such topics as "The Dynamics of Parallel Verse" in Deuteronomy 32, the "Language of Imagery in Psalm 114," and the literary uses of "Cleft Sentences with Pleonastic Pronoun." Combining a historical orientation with deep exegeses of individual texts, he has focused on the contribution that the literary approach might make to the study of biblical religion. He has developed what he terms a "literary theology," in which, by examining the literary devices in the passage under consideration, he has been able to formulate emerging religious ideas that the ancient writers did not express in systematic treatises. His method is illustrated in his studies of texts that represent the major religious traditions of the Hebrew Bible; these studies have been collected in Sacred Enigmas, published in 1997. The essays in this volume were contributed by colleagues, friends, and students of Stephen A. Geller to mark the occasion of his 65th birthday. Contributors include: Tzvi Abusch, Marc Z. Brettler, Alan Cooper, Frank Moore Cross, Stephen Garfinkel, Edward L. Greenstein, Robert A. Harris, S. Tamar Kamionkowski, Kathryn F. Kravitz, Anne Lapidus Lerner, David Marcus, Yochanan Muffs, Benjamin Ravid, Michael Rosenbaum, Raymond P. Scheindlin, William M. Schniedewind, Diane M. Sharon, Benjamin D. Sommer.
This book is the first critical edition of two fascinating but overlooked devotional texts. Each shines its own light on medieval faith. The Holkham Prayers and Meditations (ca.1410) is a rare example of female authorship, written by an unnamed woman to guide a "religious sustir." Simon Appulby's Fruyte of Redempcyon (1514) is more popular in aim, composed by one of England's last anchorites to serve his urban community. Both texts are accompanied by extensive notes and introductory essays to aid students and specialists alike.
This long overdue new edition of Guillaume de Machaut's twenty-three motets, the largest surviving collection of such works by a single composer in this period, is based on the most authoritative of the surviving manuscripts and is designed to meet the needs both of advanced scholars and musicians as well as students and performers. This user-friendly format indicates variants on the scores and has a layout that makes each work's structure clearly visible; the lyrics, with full English translation, are presented at the end of each work.
These six poems explore some of the courtly and chivalric themes that preoccupied late medieval Scottish society. The volume includes Sir David Lyndsay's Historie and Testament of Squyer Meldrum, as well as his Answer to the Kingis Flyting; and three anonymous fifteenth-century poems: Balletis of the Nine Nobles, Complaint for the Death of Margaret, Princess of Scotland, and Talis of the Fyve Bestes.
This edition contains four Middle English Charlemagne romances from the Otuel cycle: Roland and Vernagu, Otuel a Knight, Otuel and Roland, and Duke Roland and Sir Otuel of Spain. A translation of the romances' source, the Anglo-French Otinel, is also included. The romances center on conflicts between Frankish Christians and various Saracen groups, and deal with issues of racial and religious difference, conversion, and faith-based violence.
This volume joins new editions of both texts of John Lydgate's The Dance of Death, related Middle English verse, and a new translation of Lydgate's French source, the Danse macabre. Together these poems showcase the power of the danse macabre motif, offering a window into life and death in late medieval Europe. In vivid, often grotesque, and darkly humorous terms, these poems ponder life's fundamental paradox: while we know that we all must die, we cannot imagine our own death.
The abbreviated Psalms commentary by Honorius Augustodunensis (ca. 1070 - ca. 1140)-a redaction of his own, much larger commentary on the entire Psalter-participates in a long tradition of Christian interpretation of the Book of Psalms. A prolific author closely associated with Anselm of Canterbury, Rupert of Deutz, and Gilbert of Poitiers, Honorius wrote a massive commentary on the Psalms when the so-called "school of Laon" was at work on the Glossa ordinaria. Honorius's work shares the academic interest of that school, while simultaneously serving the devotion of the Benedictine Reform. His Exposition of Selected Psalms highlights a tripartite division of the Psalter, even as it discovers in the psalms an apocalypticism fitting to the Church in its last age.
