Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Quicksand first appeared in 1928.
Harlem Renaissance author Nella Larsen (1891 –1964) published just two novels and three short stories in her lifetime, but achieved lasting literary acclaim. Her classic novel Passing first appeared in 1926.
The Nella Larsen Collection is comprised of five Nella Larsen fiction including; Quicksand, Passing, Freedom, The Wrong Man, and Sanctuary. Quicksand, Larsen's first novel, tells the story of Helga Crane who is the lovely and refined daughter of a Danish mother and a West Indian black father who abandons Helga and her mother soon after Helga is born. Unable to feel comfortable with any of her white-skinned relatives, Helga travels America, visits Denmark searching for people she feels at home with. In Passing Clare and Irene are childhood friends who lose touch when Clare's father dies and she moves in with two white aunts. By hiding that Clare was part-black, they allowed her to 'pass' as a white woman and marry a white racist. Irene lives in Harlem, commits herself to racial uplift, and marries a black doctor. Passing centers on the meeting of these childhood friends later in life, and the unfolding of events as each woman is fascinated and seduced by the other's daring lifestyle. Freedom, The Wrong Man, and Sanctuary are three stories about love, loss, mistaken identity, and death. Nellallitea 'Nella' Larsen was an American novelist of the Harlem Renaissance. Though her literary output was scant, what she wrote earned her recognition by her contemporaries and by present-day critics.
Nella Larsen was an important writer associated with the Harlem Renaissance. While she was not prolific her work was powerful and critically acclaimed. Collected here are all three of her published short stories; "Freedom," "The Wrong Man," and "Sanctuary." These stories are about love, loss, mistaken identity, and death.
Born to a Danish seamstress and a black West Indian cook in one of the Western Hemisphere's most infamous vice districts, Nella Larsen (1891-1964) lived her life in the shadows of America's racial divide. She wrote about that life, was briefly celebrated in her time, then was lost to later generations--only to be rediscovered and hailed by many as the best black novelist of her generation. In his search for Nella Larsen, the "mystery woman of the Harlem Renaissance," George Hutchinson exposes the truths and half-truths surrounding this central figure of modern literary studies, as well as the complex reality they mask and mirror. His book is a cultural biography of the color line as it was lived by one person who truly embodied all of its ambiguities and complexities. Author of a landmark study of the Harlem Renaissance, Hutchinson here produces the definitive account of a life long obscured by misinterpretations, fabrications, and omissions. He brings Larsen to life as an often tormented modernist, from the trauma of her childhood to her emergence as a star of the Harlem Renaissance. Showing the links between her experiences and her writings, Hutchinson illuminates the singularity of her achievement and shatters previous notions of her position in the modernist landscape. Revealing the suppressions and misunderstandings that accompany the effort to separate black from white, his book addresses the vast consequences for all Americans of color-line culture's fundamental rule: race trumps family.
An unprecedented history of our involvement in the Middle East that traces our current quandaries there-in Iraq, Israel, Iran, Afghanistan, and elsewhere-back to their roots almost a century ago. Geoffrey Wawro approaches America's role in the Middle East in a fundamentally new way-by encompassing the last century of the entire region, rather than focusing narrowly on a particular country or era. The result is a definitive and revelatory history whose drama, tragedy, and rich irony he relates with unprecedented verve. Wawro combed archives in the United States and Europe and traveled the Middle East to unearth new insights into the hidden motivations, backroom dealing, and outright espionage that shaped some of the most tumultuous events of the last one hundred years. Wawro offers piercing analysis of iconic events from the birth of Israel to the death of Sadat, from the Suez crisis to the energy crisis, from the Six-Day War to Desert One, from Iran-contra to the wars in Iraq and Afghanistan and the rise of al- Qaeda. Throughout, he draws telling parallels between America's past mistakes and its current quandaries, proving that we're in today's muddle not just because of our old errors, but because we keep repeating those errors. America has juggled multiple commitments and conflicting priorities in the Middle East for nearly a century. Strands of idealism and ruthless practicality have alternated- and sometimes run together-in our policy. Quicksand untangles these strands as no history has done before by showing how our strategies unfolded over the entire century and across the entire region. We've persistently misread the intentions and motivations of every major player in the region because we've insisted on viewing them through the lens of our own culture, hopes, and fears. Most administrations since Eisenhower's have adopted their own "doctrine" for the Middle East, and almost every doctrine has failed precisely because it's a doctrine-a template into which events on the ground refuse to fit. Geoffrey Wawro's peerless and remarkably lively history is key to understanding our errors and the Middle East-at last- on its own terms.
Nella Larsen's novels Quicksand and Passing, published at the height of the Harlem Renaissance, fell out of print and were thus little known for many years. Now widely available and taught, Quicksand and Passing challenge conventional "tragic mulatta" and "passing" narratives. In part 1, "Materials," of Approaches to Teaching the Novels of Nella Larsen, the editor surveys the canon of Larsen's writing, evaluates editions of her works, recommends secondary readings, and compiles a list of useful multimedia resources for teaching. The essays in part 2, "Approaches," aim to help students better understand attitudes toward women and race during the Harlem Renaissance, the novels' relations to other artistic movements, and legal debates over racial identities in the early twentieth century. In so doing, contributors demonstrate how new and seasoned instructors alike might use Larsen's novels to explore a wide range of topics--including Larsen's short stories and letters, the relation between her writings and her biography, and the novels' discussion of gender and sexuality.
Invisible Darkness offers a striking interpretation of the tortured lives of the two major novelists of the Harlem Renaissance: Jean Toomer, author of Cane (1923), and Nella Larsen, author of Quicksand (1928) and Passing (1929). Charles R. Larson examines the common belief that both writers "disappeared" after the Harlem Renaissance and died in obscurity; he dispels the misconception that they vanished into the white world and lived unproductive and unrewarding lives. In clear, jargon-free language, Larson demonstrates the opposing views that both writers had about their work v.
Deep in the heart of Australia’s high country, along an ancient, hidden track, lives Molly Johnson and her four surviving children, another on the way. Husband Joe is away months at a time droving livestock up north, leaving his family in the bush to fend for itself. Molly’s children are her world, and life is hard and precarious with only their dog, Alligator, and a shotgun for protection – but it can be harder when Joe’s around. At just twelve years of age Molly’s eldest son Danny is the true man of the house, determined to see his mother and siblings safe – from raging floodwaters, hunger and intruders, man and reptile. Danny is mature beyond his years, but there are some things no child should see. He knows more than most just what it takes to be a drover’s wife. One night under the moon’s watch, Molly has a visitor of a different kind – a black ‘story keeper’, Yadaka. He’s on the run from authorities in the nearby town, and exchanges kindness for shelter. Both know that justice in this nation caught between two worlds can be as brutal as its landscape. But in their short time together, Yadaka shows Molly a secret truth, and the strength to imagine a different path. Full of fury and power, Leah Purcell’s The Drover’s Wife: The Legend of Molly Johnson is a brave reimagining of the Henry Lawson short story that has become an Australian classic. Brilliantly plotted, it is a compelling thriller of our pioneering past that confronts head-on issues of today: race, gender, violence and inheritance.
Quicksand is a silkily nuanced novel of erotic gamesmanship and obsession. Sonoko Kakiuchi, an Osaka lady of a good family, married to a dully respected lawyer, tells a story of temptation and betrayal. Sonoko is infatuated with the beautiful art student and femme fatale Mitsuko, a woman so seductive and heartless she can even turn Sonoko's husband into her own accomplice. Filled with intrigue and treacherous romance, readers will be entranced by Tanizaki’s seminal novel. At once savagely funny and timorously exact in its portrayal of sexual enthrallment, Quicksand is “beautifully and mysteriously contrived.”—Newsday