Quentin Tarantino and Film Theory

Quentin Tarantino and Film Theory

Author: Federico Pagello

Publisher: Springer Nature

Published: 2020-10-20

Total Pages: 218

ISBN-13: 3030438198

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This book examines a set of theoretical perspectives that critically engage with the notion of postmodernism, investigating whether this concept is still useful to approach contemporary cinema. This question is explored through a discussion of the films written and directed by Quentin Tarantino, largely regarded as the epitome of postmodern cinema and considered here as theoretical contributions in their own right. Each chapter first presents key ideas proposed by a specific theorist and then puts them in conversation with Tarantino’s films. Jacques Rancière’s theory of art is used to reject postmodernism’s claims about the ‘death’ of the aesthetic image in contemporary cinema. Fredric Jameson’s and Slavoj Žižek’s dialectical thinking is mobilized to challenge simplistic, ideological readings of postmodern cinema in general, and Tarantino’s films in particular. Finally, the direct influence of Carol Clover’s psychoanalytical approach to the horror genre on Tarantino’s work is discussed to prove the director’s specific contribution to a theoretical understanding of contemporary film aesthetics.


Psychoanalytic Film Theory and The Rules of the Game

Psychoanalytic Film Theory and The Rules of the Game

Author: Todd McGowan

Publisher: Bloomsbury Publishing USA

Published: 2015-07-30

Total Pages: 193

ISBN-13: 162892084X

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"Psychoanalytic Film Theory and The Rules of the Game offers a concise introduction to psychoanalytic film theory in jargon-free language and shows how this theory can be deployed to interpret Jean Renoir's classic film"--


Pulp Fiction

Pulp Fiction

Author: Jason Bailey

Publisher: Voyageur Press

Published: 2013-11-11

Total Pages: 200

ISBN-13: 1610589173

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When Pulp Fiction was released in theaters in 1994, it was immediately hailed as a masterpiece. The New York Times called it a “triumphant, cleverly disorienting journey,” and thirty-one-year-old Quentin Tarantino, with just three feature films to his name, became a sensation: the next great American director. Nearly twenty years later, those who proclaimed Pulp Fiction an instant classic have been proven irrefutably right. In Pulp Fiction: The Complete Story of Quentin Tarantino’s Masterpiece, film expert Jason Bailey explores why Pulp Fiction is such a brilliant and influential film. He discusses how the movie was revolutionary in its use of dialogue (“You can get a steak here, daddy-o,” “Correct-amundo”), time structure, and cinematography—and how it completely transformed the industry and artistry of independent cinema. He examines Tarantino’s influences, illuminates the film’s pop culture references, and describes its phenomenal legacy. Unforgettable characters like Jules Winnfield (Samuel L. Jackson), Vincent Vega (John Travolta), Butch Coolidge (Bruce Willis), and Mia Wallace (Uma Thurman) are scrutinized from all-new angles, and memorable scenes—Christopher Walken’s gold watch monologue, Vince’s explanation of French cuisine—are analyzed and celebrated. Much like the contents of Marcellus Wallace’s briefcase, Pulp Fiction is mysterious and spectacular. This book explains why. Illustrated throughout with original art inspired by the film, with sidebars and special features on everything from casting close calls to deleted scenes, this is the most comprehensive, in-depth book on Pulp Fiction ever published.


The Off-Screen

The Off-Screen

Author: Eyal Peretz

Publisher: Stanford University Press

Published: 2017-03-21

Total Pages: 336

ISBN-13: 1503601617

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From the Renaissance on, a new concept of the frame becomes crucial to a range of artistic media, which in turn are organized around and fascinated by this frame. The frame decontextualizes, cutting everything that is within it from the continuity of the world and creating a realm we understand as the realm of fiction. The modern theatrical stage, framed paintings, the novel, the cinematic screen—all present us with such framed-off zones. Naturally, the frame creates a separation between inside and out. But, as this book argues, what is outside the frame, what is offstage, or off screen, remains particularly mysterious. It constitutes the primary enigma of the work of art in the modern age. It is to the historical and conceptual significance of this "off" that this book is dedicated. By focusing on what is outside the frame of a work of art, it offers a comprehensive theory of film, a concise history of American cinema from D.W. Griffith to Quentin Tarantino, and a reflection on the place and significance of film within the arts of modernity in general.


Quentin Tarantino

Quentin Tarantino

Author: David Roche

Publisher:

Published: 2018

Total Pages: 341

ISBN-13: 9781496819161

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The first in-depth study of metafiction in Tarantino's films


Media Studies: Content, audiences, and production

Media Studies: Content, audiences, and production

Author: Pieter Jacobus Fourie

Publisher: Juta and Company Ltd

Published: 2001

Total Pages: 620

ISBN-13: 9780702156564

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This book includes theoretical approaches as well as a production section that focuses on basic techniques and introductory applications of media studies.


Understanding Film Theory

Understanding Film Theory

Author: Ruth Doughty

Publisher: Bloomsbury Publishing

Published: 2017-08-30

Total Pages: 426

ISBN-13: 1350306460

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This essential core textbook provides an approachable and extensive introduction to film theory, written by two highly experienced senior lecturers. Bringing a fresh, contemporary and accessible approach to what is often perceived to be a challenging and old-fashioned area of film studies that requires time and effort to grasp, the text illustrates why theory is important and demonstrates how it can be applied in a meaningful way. The book's sixteen chapters are clear and comprehensive and provide an insight into the main areas of debate, using clear definitions and explaining complex ideas succinctly. The ideal entry point for any student studying film, the book is designed for use on courses on film theory on undergraduate and postgraduate degree programmes within film, cinema, media and cultural studies. New to this Edition: - An expanded introduction, plus a new chapter looking at Adaptation - Contemporary case studies exploring popular and topical films, such as The Hunger Games (2012), Blue is the Warmest Colour (2013) and The Lego Movie (2014) - An expanded introduction, plus a new chapter looking at Adaptation - Additional genre-based case study on the British Gangster film - Additional actor-basedcase study on Ryan Gosling - A greater focus throughout on the relevance of film theory to students undertaking practical film degrees and units


European Film Theory

European Film Theory

Author: Temenuga Trifonova

Publisher: Routledge

Published: 2009-09-10

Total Pages: 383

ISBN-13: 1135902534

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European Film Theory explores the ‘Europeanness’ of European film theory, its philosophical origins, the ‘culture wars’ between ‘Continental’ and ‘Analytical’ film theory and philosophy, the major discursive and epistemological shifts in the history of Continental film theory, the relationship between Continental philosophy of art and philosophy of history and European film theory. Writing from a range of disciplines and perspectives, the contributors to this new volume in the AFI FILM READERS series offer fresh interpretations of European film theorists and illuminate the political potential of European film theory.


The Tarantinian Ethics

The Tarantinian Ethics

Author: Fred Botting

Publisher: SAGE Publications Limited

Published: 2001-03-22

Total Pages: 208

ISBN-13:

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The screenplays and films of Quentin Tarantino raise profound comic and ethical dilemmas. Developing ideas from Lacanian psychoanalysis, Botting and Wilson explore ethical issues in relation to Tarantino's work, postmodernity and recent cultural theory. They argue that Tarantino's texts provide a provocative and telling contribution to theorized accounts of contemporary culture. The term `Tarantinian' has been coined to refer to a set of sampled, self-authorizing signs that are cinematically assembled in processes of `consuming-producing-expending' in the general context of a postmodern capitalism that enjoins excess. The Tarantinian ethics are elaborated, in the midst of a homogenized fast-food, movie and video culture, in