Of the ten Victorian Prime Ministers, there were some, like the maverick Palmerston, who never ceased to exasperate Queen Victoria, while others, like the charming Disraeli, could do no wrong in her eyes. From the dour and dull to the eccentric and flamboyant, they came and went through her palaces, and their extensive communications show that, far from being the perpetually mourning and self-absorbed 'widow of Windsor', she continued to play an active role in the political life of the country and the Empire from the earliest days of her sixty-two reign to the final weeks of her life.
A riveting portrait of Queen Victoria and the ten prime ministers who headed British government during her sixty-three-year reign It is generally accepted that Queen Victoria reigned but did not rule. This couldn’t be more wrong. A passionate and opinionated leader, Victoria was born to govern with no room for doubt about her historic destiny or the might of the empire that was built in her name. When it came to her involvement in state affairs, Victoria herself acknowledged that she had held strong “likes and dislikes” for the various prime ministers who served throughout her political evolution from headstrong teenager to seasoned leader. Anne Somerset’s Queen Victoria and Her Prime Ministers charts the feuds and affectionate interactions Victoria had with her ten premiers in often hilarious detail, from her adoration of Benjamin Disraeli, her favorite prime minister who filled her life with “poetry, romance, and chivalry,” to her detestation for William Gladstone, a man she deemed a “dangerous old fanatic.” Drawing extensively on unpublished sources such as material from the Royal Archives and never-before-seen prime ministerial papers, Somerset casts a fresh and highly illuminating perspective not just on Victoria, but on the exceptional politicians who served her in a time of massive global change.
Lord Melbourne was Prime Minister of England from 1834-1841. As mentor and father-figure to the young Queen Victoria, he exerted considerable influence over the first few years of her reign. In this, the first biography in twenty years, Leslie Mitchell uses the Melbourne family papers to explore the man behind the politician at the heart of early Victorian politics.
The race to the crown -- The birth of "pocket Hercules"--The lonely, naughty princess -- An impossible, strange madness -- "Awful scenes in the house"--Becoming queen: "I shall not fail" -- The coronation: "a dream out of the Arabian nights" -- Learning to rule -- A scandal in the palace -- Virago in love -- The bride: "I never, never spent such an evening" -- Only the husband, not the master -- The palace intruders -- King to all intents: "like a vulture into his prey" -- Perfect, awful, spotless prosperity -- Annus Mirabilis: the revolutionary year -- What Albert did: the Great Exhibition of 1851 -- The Crimea: 'This unsatisfactory war' -- London boils over -- Royal parents: "everything passes so quickly!" -- "Who will call me Victoria now?" -- "The whole house seems like Pompeii." -- Resuscitating the widow at Windsor -- The queen's stallion -- The faery queen awakes -- Enough to kill any man -- Two ironclads colliding: the queen and Mr. Gladstone -- The monarch in a bonnet -- The "poor munshi" -- The diamond empire -- The end of the Victorian Age - "The streets were indeed a strange sight
'Writing about Queen Victoria has been one of the most joyous experiences of my life. I have read thousands (literally) of letters never before published, and grown used to her as to a friend. Maddening? Egomaniac? Hysterical? A bad mother? Some have said so. What emerged for me was a brave, original woman who was at the very epicentre of Britain's changing place in the world: a solitary woman in an all-male world who understood politics and foreign policy much better than some of her ministers; a person possessed by demons, but demons which she was brave enough to conquer. Above all, I became aware, when considering her eccentric friendships and deep passions, of what a loveable person she was.' A. N. Wilson
The official companion to the second season of the PBS/Masterpiece drama Victoria by award-winning creator and screenwriter Daisy Goodwin. Airing in the Downton Abbey slot on PBS/Masterpiece last January, Victoria captivated millions of viewers, eclipsing Downton's first-season viewership and leaving its audience eager for the series's next season, which will focus on Victoria and Albert's passionate and tempestuous marriage. This official tie-in to the show, by creator and screenwriter Daisy Goodwin, gives a behind-the-scenes look at the making of the show, featuring never-before-seen interviews, photos, diary entries, profiles on all major characters, and sumptuous detail on the costumes and props that bring Victoria and Albert's world to vivid life. Victoria and Albert follows this extraordinary relationship between two very different people—she impulsive, emotional, capricious; he cautious, self-controlled, and logical—whose devotion to each other was unparalleled in royal history. Taking fans deeper into the world of Victoria than ever before, Victoria and Albert: A Royal Love Affair is the ultimate gift for devotees of the show.
An enlightening new perspective on the life of Queen Victoria focuses more on her family life than her reign as Queen, portraying her as a mother and wife, with inherent attention paid to the running of her household, emphasizing her desire for privacy rather than public reverence. Reprint.
Soon to be a Major Motion Picture starring Dame Judi Dench from director Stephen Frears, releasing September 22, 2017. History’s most unlikely friendship—this is the astonishing story of Queen Victoria and her dearestcompanion, the young Indian Munshi Abdul Karim. In the twilight years of her reign, after the devastating deaths of hertwo great loves—Prince Albert and John Brown—Queen Victoria meets tall and handsome Abdul Karim, a humble servant from Agra waiting tables at her Golden Jubilee. The two form an unlikely bond and within a year Abdul becomes a powerful figure at court, the Queen’s teacher, her counsel on Urdu and Indian affairs, and a friend close to her heart. This marked the beginning of the most scandalous decade in Queen Victoria’s long reign. As the royal household roiled with resentment, Victoria and Abdul’s devotion grew in defiance. Drawn from secrets closely guarded for more than a century, Victoria & Abdul is an extraordinary and intimate history of the last years of the nineteenth-century English court and an unforgettable view onto the passions of an aging Queen.
A historical investigation into one of the most serpentine attempts on Queen Victoria's life that reveals for the first time the true instigator at the heart of government. There were eight attempts to assassinate Queen Victoria during her long reign; four of them were of Irish origin. The most serious of all was the 'Jubilee Plot', a conspiracy apparently hatched in New York by the Fenian Brotherhood to blow up the Queen, her family and most of the British Cabinet with dynamite at the great service of thanksgiving to commemorate the 50th anniversary of her accession, held at Westminster Abbey in June 1887. The plot was 'uncovered' by Scotland Yard with just a few days to go. Several of the bombers were caught, tried and sentenced to penal servitude for life. But - warned off in time - the master bomber escaped to America... Now, using recently declassified Foreign Office Secret files (marked 'Fenian Brotherhood'), the author discloses for the first time the huge secret at the heart of the British counter-intelligence operation against militant Irish nationalists: the entire conspiracy was masterminded for its own reasons by a clandestine British agency reporting directly to the Prime Minister, Lord Salisbury.
Award-winning historian Antonia Fraser brilliantly portrays a courageous and compassionate woman who refused to be curbed by the personal and political constraints of her time. Caroline Norton dazzled nineteenth-century society with her vivacity, her intelligence, her poetry, and in her role as an artist's muse. After her marriage in 1828 to the MP George Norton, she continued to attract friends and admirers to her salon in Westminster, which included the young Disraeli. Most prominent among her admirers was the widowed Prime Minister, Lord Melbourne. Racked with jealousy, George Norton took the Prime Minister to court, suing him for damages on account of his 'Criminal Conversation' (adultery) with Caroline. A dramatic trial followed. Despite the unexpected and sensational result—acquittal—Norton was still able to legally deny Caroline access to her three children, all under seven. He also claimed her income as an author for himself, since the copyrights of a married woman belonged to her husband. Yet Caroline refused to despair. Beset by the personal cruelties perpetrated by her husband and a society whose rules were set against her, she chose to fight, not surrender. She channeled her energies in an area of much-needed reform: the rights of a married woman and specifically those of a mother. Over the next few years she campaigned tirelessly, achieving her first landmark victory with the Infant Custody Act of 1839. Provisions which are now taken for granted, such as the right of a mother to have access to her own children, owe much to Caroline, who was determined to secure justice for women at all levels of society from the privileged to the dispossessed.
