A new Shakespeare quarto
A new Shakespeare quarto

Author: У. Шекспир

Publisher: Рипол Классик

Published:

Total Pages: 175

ISBN-13: 587316505X

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The tragedy of King Richard II. Printed for the third time by Valentine Simmes in 1598. Reproduced in facsimile from the unique copy in the library of William Augustus White. With an introduction by Alfred W. Pollard

A Synoptic Hamlet: a Critical-Synoptic Edition of the Second Quarto and First Folio Texts of Hamlet
A Synoptic Hamlet: a Critical-Synoptic Edition of the Second Quarto and First Folio Texts of Hamlet

Author: Jesús Tronch-Pérez

Publisher: Universitat de València

Published: 2002

Total Pages: 416

ISBN-13: 9788437053813

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A Synoptic Hamlet is an alternative response to the editorial problems of this multiple-text play. Like most critical editions, it presents the early texts in a manner helpful to the general reader by modernizing spelling and punctuation, and emending non-sensical readings. However, it does not hide the text’s diversity by exclusively selecting readings from either the Second Quarto or the First Folio in order to reconstruct a single-reading version corresponding to the authentic Hamlet. Rather, it makes their significant variants immediately available in the line itself (offering alternative editorial interpretations of identical or similar readings at certain points). Thus the reader can have a direct appreciation of the divergence and similarity between these early texts from which the Hamlet of today is known.

The First Quarto of Hamlet
The First Quarto of Hamlet

Author: William Shakespeare

Publisher: Cambridge University Press

Published: 1998

Total Pages: 148

ISBN-13: 9780521653909

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The first quarto of Hamlet is radically different from the second quarto and Folio versions of the play, and about half their length. But despite its uneven verbal texture and simpler characterisation, the first quarto presents its own workable alternatives to the longer texts, reordering and combining key plot elements, and even including a unique scene between Horatio and the Queen. This new critical edition is designed for students, scholars and actors who are intrigued by the first printed text of Shakespeare's Hamlet. Although the first quarto has been reprinted many times, there is no other modernised edition in print. Irace's introduction outlines views of its origins, its special features, and its surprisingly rich performance history; her textual notes point out differences between the first quarto and the longer second quarto and Folio versions and offer alternatives which actors or directors might choose for specific productions.

The First Two Quartos of Hamlet
The First Two Quartos of Hamlet

Author: Margrethe Jolly

Publisher: McFarland

Published: 2014-07-15

Total Pages: 257

ISBN-13: 147661556X

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It is nearly two centuries since the first quarto of Hamlet was rediscovered, yet there is still no consensus about its relationship to the second quarto. Indeed, the first quarto, the least frequently read Hamlet, has been dismissed as "corrupt," "inferior" or like "a mutilated corpse," even though in performance it has been described as "the absolute dynamo behind the play." Currently one hypothesis dominates explanations about the quartos' interrelationship, supposing that the first quarto (published 1603) was reconstructed from memory by one or more actors who had performed minor roles in a version of the second quarto (published 1604-5). The present study reports on a detailed linguistic reassessment of the principal arguments for memorial reconstruction. The evidence--including a three way comparison between the underlying French source in Les Histoires Tragiques and the two quartos, and the informal features and specific grammatical aspects, and a documented memorial reconstruction in 1779--does not support the dominant hypothesis. The cumulative evidence suggests that the earliest scholars to examine the first quarto were right: the 1603 Hamlet came first, and the second quarto is a substantial, later revision.

The First Quarto of ‘The Merry Wives of Windsor'
The First Quarto of ‘The Merry Wives of Windsor'

Author: David Lindley

Publisher: Cambridge University Press

Published: 2020-09-17

Total Pages: 96

ISBN-13: 1316997103

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The First Quarto of The Merry Wives of Windsor is the most fascinatingly problematic of all the early Shakespearean texts. Was it an authorial first draft? Or a cut-down version of the better-known Folio text designed for acting? Or a text put together from faulty actors' memories? Or a reported text assembled by notetakers from attendance at the theatre? None of these theories, though advanced and interrogated for the last 250 years, is totally convincing. The Introduction to this edition explores the various attempts to make sense of the short version of the play, demonstrating the ways in which preferences for one theory or another reflect the changes in editorial theory and fashion over the centuries. The modernised text and its commentary enable the reader to enter into this ongoing and endlessly intriguing debate.

The First Quarto of King Henry V
The First Quarto of King Henry V

Author: William Shakespeare

Publisher: Cambridge University Press

Published: 2000-06

Total Pages: 142

ISBN-13: 9780521623360

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The Quarto text of Henry V is of unique importance. It is the first and probably the only text of a Shakespeare play which provides the playscript corresponding to the version that was actually performed by Shakespeare's own company. It has the authority of being transcribed by actors in the company as a record of their original staging at the Globe in 1599. The quarto version differs radically from the First Folio text which is used as the source for all other editions. Half as long as the Folio, it represents a practical staging text that streamlined the script supplied by Shakespeare. This edition of the Henry V quarto provides a modernized text alongside the extensive commentary. Andrew Gurr examines each variant from the Folio text in detail, shedding new light on what happened to scripts that the Shakespeare company bought from their resident playwright.

The Oxford Shakespeare: The History of King Lear: The 1608 Quarto
The Oxford Shakespeare: The History of King Lear: The 1608 Quarto

Author: William Shakespeare

Publisher: OUP Oxford

Published: 2000-10-26

Total Pages: 332

ISBN-13: 0191606766

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King Lear, widely considered Shakespeare's most deeply moving, passionately expressed, and intellectually ambitious play, has almost always been edited from the revised version printed in the First Folio of 1623, with additions from the quarto of 1608. Acting on recent discoveries, this volume presents the first full, scholarly edition to be based firmly on the quarto, now recognized as the base text from which all others derive. A thorough, attractively written introduction suggests how the work grew slowly in Shakespeare's imagination, fed by years of reading, thinking, and experience as a practical dramatist. Analysis of the great range of literary and other sources from which he shaped the tragedy, and of its critical and theatrical history, indicates that the play felt as shocking and original to early audiences as it does now. Its challenges have often been evaded, notably in Nahum Tate's notorious adaptation. During the twentieth century, however, deeper understanding of the conventions of Shakespeare's theatre restored confidence in the theatrical viability of his original text, while the play has also generated a remarkable range of offshoots in film, television, the visual arts, music, and literature. The commentary to this edition offers detailed help in understanding the language and dramaturgy in relation to the theatres in which King Lear was first performed. Additional sections reprint the early ballad, ignored by all modern editors, which was among its earliest derivatives, and provide additional guides to understanding and appreciating one of the greatest masterworks of Western civilization.