String Quartet No. 2 in D Major
String Quartet No. 2 in D Major

Author: Alexander Borodin

Publisher: Alfred Music

Published: 1999-08-26

Total Pages: 56

ISBN-13: 9781457472770

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Expertly arranged String Quartet by Alexander Borodin from the Kalmus Edition series. This is from the Romantic era.

String Quartet No. 2 D major
String Quartet No. 2 D major

Author: Alexander Borodin

Publisher: Eulenburg

Published: 2018-07-25

Total Pages: 53

ISBN-13: 3795715784

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Over 200 works of the well-known Edition Eulenburg series of scores from orchestral and choral literature, chamber music and music theatre are now available in digital format. You can now enjoy the yellow study scores digitally with one click in excellent reproduction quality. Über 200 Werke der berühmten Edition Eulenburg Partiturreihe für Orchester- und Chorliteratur, Kammermusik und Musiktheater sind nun auch in einer digitalen Aufbereitung erhältlich. In optisch hervorragender Darstellung kann man die gelben Studienpartituren mit einem Klick jetzt auch digital genießen.

The Four and the One
The Four and the One

Author: David Rounds

Publisher:

Published: 1999

Total Pages: 222

ISBN-13:

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Spotlighting the four women of the Lafayette Quartet, a leading Canadian ensemble, Rounds offers both a comprehensive history of the beloved instrumental form and an inside view of the complex world of professional quartet players, revealing the exultation and heatache that are the performing artists' daily fare. A treat for every music lover, whether player, listener or composer.

The Art of the Violin
The Art of the Violin

Author: Pierre Baillot

Publisher: Northwestern University Press

Published: 1991-06-01

Total Pages: 658

ISBN-13: 0810133016

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Never before available in English, this classic work is a major contribution to the art and technique of violin playing and an important document in the history of performance practice. A contemporary of Kreutzer and Rode, Pierre Marie Francois de Sales Baillot provides in his treatise many insights into the style of nineteenth-century fingering, bowing, ornamentation, and expressiveness that are not apparent from the directions and markings found in scores of that time. Such information will be invaluable for performers interested in understanding the intentions of composers such as Viotti, Haydn, Mozart, Beethoven, and Mendelssohn. This complete, unabridged translation, which includes an extensive introduction by the translator, Louise Goldberg, and a foreword by Zvi Zeitlin, will be indispensable for musicologists, performers, and lovers of eighteenth- and nineteenth-century classical music.