Dvo_‡k

Dvo_‡k

Author: David Hurwitz

Publisher: Hal Leonard Corporation

Published: 2005

Total Pages: 202

ISBN-13: 9781574671070

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(Unlocking the Masters). The music of Antonin Dvorak defies fashion. He is one of the very few composers whose works entered the international mainstream during his own lifetime, and some of them have remained there ever since. The pieces that historically define his international reputation, however, represent only a small fraction of what he actually composed. They comprise just one facet of his complex and remarkably rich artistic personality. This book/2-CD pack invites readers to celebrate his extraordinary achievement and experience the pleasure of getting to know more than 90 of his most important works. The two full-length CDs from Suprahon Records include 22 works.


The Beethoven Quartet Companion

The Beethoven Quartet Companion

Author: Robert Winter

Publisher: Univ of California Press

Published: 2023-09-01

Total Pages: 314

ISBN-13: 0520917502

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While the Beethoven string quartets are to chamber music what the plays of Shakespeare are to drama, even seasoned concertgoers will welcome guidance with these personal and sometimes enigmatic works. This collection offers Beethoven lovers both detailed notes on the listening experience of each quartet and a stimulating range of more general perspectives: Who has the quartets' audience been? How were the quartets performed before the era of sound recordings? What is the relationship between "classical" and "romantic" in the quartets? How was their reception affected by social and economic history? What sorts of interpretive decisions are made by performers today? The Companion brings together a matchless group of Beethoven experts. Joseph Kerman is perhaps the world's most renowned Beethoven scholar. Robert Winter, an authority on sketches for the late quartets, has created interactive programs regarded as milestones in multimedia publishing. Maynard Solomon has written an acclaimed biography of Beethoven. Leon Botstein is the conductor of the American Symphony Orchestra as well as a distinguished social historian and college president. Robert Martin writes from his experience as cellist of the Sequoia Quartet. And the book is anchored by the program notes of Michael Steinberg, who has served as Artistic Advisor of the San Francisco Symphony and the Minnesota Orchestra.


Bending the Rules of Music Theory

Bending the Rules of Music Theory

Author: Timothy Cutler

Publisher: Routledge

Published: 2019-02-04

Total Pages: 314

ISBN-13: 1351069152

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For students learning the principles of music theory, it can often seem as though the tradition of tonal harmony is governed by immutable rules that define which chords, tones, and intervals can be used where. Yet even within the classical canon, there are innumerable examples of composers diverging from these foundational "rules." Drawing on examples from composers including J.S. Bach, Mozart, Beethoven, Schubert, Mendelssohn, Chopin, Brahms, and more, Bending the Rules of Music Theory seeks to take readers beyond the basics of music theory and help them to understand the inherent flexibility in the system of tonal music. Chapters explore the use of different rule-breaking elements in practice and why they work, introducing students to a more nuanced understanding of music theory.


Graphic Music Analysis

Graphic Music Analysis

Author: Eric Wen

Publisher: Rowman & Littlefield

Published: 2019-02-14

Total Pages: 390

ISBN-13: 1538104679

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This book approaches Schenkerian analysis in a practical and accessible manner fit for the classroom, guiding readers through a step-by-step process. It is suitable for advanced undergraduates and graduate students of musicology, music theory, composition, and performance, and it is replete with a wide variety of musical examples.


The Best of Johann Strauss, Jr. Waltzes

The Best of Johann Strauss, Jr. Waltzes

Author: Paul Paradise

Publisher: Alfred Music

Published:

Total Pages: 32

ISBN-13: 9781457458316

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Paul Paradise has selected and edited 26 beautiful Strauss waltzes specifically for string quartet or string orchestra. The pieces were chosen to provide each player with a meaningful part, and have been assembled according to level of difficulty and edited with contemporary fingerings and bowings. Contents are: * Tales from the Vienna Woods, Op. 325 -- Waltz No. 1, 2, 3, 4, 5 * Artist's Life, Op. 316 -- Waltz No. 1, 2, 3, 4, 5 * Wine, Woman, and Song, Op. 333 -- Waltz No. 1, 2, 3, 4 * Viennese Blood, Op. 354 -- Waltz No. 1, 2, 3, 4, Coda * Emperor Waltz, Op. 437 -- Waltz No. 1, 2, 3, 4.


Musical Anthologies for Analytical Study

Musical Anthologies for Analytical Study

Author: James E. Perone

Publisher: Bloomsbury Publishing USA

Published: 1995-09-30

Total Pages: 196

ISBN-13: 0313033390

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Presenting detailed information about 14 standard anthologies, this useful music reference tool lists all excerpts and complete compositions, provides information concerning the type of score presented, and includes an index of composers and sources as well as an index of complete compositions and movements. The book is designed primarily for researchers and teachers of music theory to make the search for analytical source material easier and faster than previously possible. The anthologies cited are all currently in print or are generally available in music libraries. The book lists all excerpts, complete compositions, and movements contained in the anthologies, providing information concerning the type of score (full, piano reduction, etc.) employed, source of the excerpt, and specific theoretical topics. This is the only book that details anthologies in a manner that makes a search quick and easy.


Structural Novelty and Tradition in the Early Romantic Piano Concerto

Structural Novelty and Tradition in the Early Romantic Piano Concerto

Author: Stephan D. Lindeman

Publisher: Pendragon Press

Published: 1999

Total Pages: 368

ISBN-13: 9781576470008

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Lindeman, a musicologist, traces and defines the historical development of the concerto form as it passed from Mozart to succeeding generations. He then assesses Beethoven's contributions, and examines the classical model of the form in the early 19th century by overviewing several early romantic composers' works. Subsequent chapters analyze and assess the responses of five precursers of Schumann, whose work offers a synthesis of radical experiments and traditional tenets. He concludes by suggesting that concertos of Lizst offer a road into further developments of the genre in the second half of the century. Illustrated with bandw portraits of composers and excerpts from musical scores. Annotation copyrighted by Book News, Inc., Portland, OR


Fanny Hensel

Fanny Hensel

Author: R. Larry Todd

Publisher: OUP USA

Published: 2010

Total Pages: 455

ISBN-13: 0195180801

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Fanny Hensel (1805-1847) was an extraordinary musician and astute observer of European culture. Previously she was known mainly as the granddaughter of philosopher Moses Mendelssohn and the sister of composer Felix Mendelssohn Bartholdy, yet Hensel is now recognized as the leading woman composer of the nineteenth century. She produced well over four hundred compositions and excelled in short, lyrical piano pieces and songs of epigrammatic intensity, but the expressive range of her art also accommodated challenging virtuoso piano and chamber works, orchestral music, and cantatas written in imitation of J.S. Bach. Her gender and position in society restricted her from opportunities afforded her brother, however, who himself quickly rose to an international career of the first rank. Hensel's own sphere of influence revolved around her Berlin residence, where she directed concerts that attracted such celebrities as Franz Liszt, Clara Schumann, Clara Novello, and her brother Felix. In this semi-public space, shared with exclusive audiences drawn from the elite of Berlin society, Hensel found her own voice as pianist, conductor and composer. For much of her life, she composed for her own pleasure, and her brother ranked her songs among the very best examples of the genre. Felix silently incorporated several of the songs into his own early publications, while a few other songs were published anonymously. Hensel began releasing her works under her own name in 1847, only to die of a stroke as the first reviews of her music began to appear. Tragically, the vast majority of her music was forgotten for a century and a half before its recent rediscovery. Renowned Mendelssohn scholar R. Larry Todd now offers a compelling, full account of Hensel's life and music, her extraordinary relationship with her brother, her position in one of Berlin's most eminent families, and her courageous struggle to define her own public voice as a composer [Publisher description].