String quartet in G major
Author: Arnold Bax
Publisher:
Published: 2006
Total Pages: 120
ISBN-13:
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Author: Arnold Bax
Publisher:
Published: 2006
Total Pages: 120
ISBN-13:
DOWNLOAD EBOOKAuthor: Wolfgang Amadeus Mozart
Publisher:
Published: 1992
Total Pages:
ISBN-13:
DOWNLOAD EBOOKAuthor: Antonín Dvořák
Publisher: Alfred Music
Published: 1999-08-26
Total Pages: 64
ISBN-13: 9781457487620
DOWNLOAD EBOOKA string quartet for two violins, viola, cello and bass composed by Antonin Dvorák.
Author:
Publisher: Michael Repoulis
Published:
Total Pages: 15
ISBN-13:
DOWNLOAD EBOOKAuthor: Joseph Haydn
Publisher:
Published: 1942
Total Pages: 28
ISBN-13:
DOWNLOAD EBOOKAuthor: Sylvia Glickman
Publisher: G K Hall
Published: 1999
Total Pages:
ISBN-13: 9780783883144
DOWNLOAD EBOOKThis is the first comprehensive historical overview of music created by women from the 9th through the 20th centuries. Each volume features 10-25 complete musical scores or complete movements from multi-movement compositions--most of which have been previously inaccessible. Expert scholars provide original essays about the composers, including biographical information, a discussion of the music in historical context, and critical analysis of each work. Entries also include bibliography, a list of works by the composer, and a discography.
Author: Haydn
Publisher:
Published: 2002
Total Pages: 4
ISBN-13:
DOWNLOAD EBOOKAuthor: Arnold Schoenberg
Publisher:
Published: 1935
Total Pages: 72
ISBN-13:
DOWNLOAD EBOOKAuthor: Haydn
Publisher:
Published: 2002
Total Pages: 4
ISBN-13:
DOWNLOAD EBOOKAuthor: Julian Horton
Publisher: Routledge
Published: 2017-07-05
Total Pages: 583
ISBN-13: 1351549960
DOWNLOAD EBOOKThe collection of essays in this volume offer an overview of Schubertian reception, interpretation and analysis. Part I surveys the issue of Schubert‘s alterity concentrating on his history and biography. Following on from the overarching dualities of Schubert explored in the first section, Part II focuses on interpretative strategies and hermeneutic positions. Part III assesses the diversity of theoretical approaches concerning Schubert‘s handling of harmony and tonality whereas the last two parts address the reception of his instrumental music and song. This volume highlights the complexity and diversity of Schubertian scholarship as well as the overarching concerns raised by discrete fields of research in this area.