This comprehensive study deals with the major critical problems of one of the most difficult authors of Latin literature. It examines in a systematic fashion the two major factors which have been assumed to be responsible for the state of the transmitted text of Propertius: dislocation and interpolation. It also covers a large number of notorious cases of verbal corruption and discusses problems of the manuscript tradition on the basis of the most recent research. Beyond questions of textual criticism and history in the narrow sense the book provides also important exegetical remarks on many Propertian passages and deals in a separate chapter with problems of book and poem structure.
Vol. 1 includes reprints of the "Memoranda" issued by the Society 1872-79; also "Officers of the ... Society from the commencement to the year 1879" and "Earliest list of members, 1872".
A lucid new commentary on the Latin poet Propertius, consisting of a commentary on the whole corpus and a prose translation which includes alternative versions of ambiguous phrasing. In its clear exposition of technical problems, Cynthia will serve as an introduction to Latin textual criticism in the modern age, and to elegiac poetic style.
A Companion to Roman Love Elegy is the first comprehensive work dedicated solely to the study of love elegy. The genre is explored through 33 original essays thatoffer new and innovative approaches to specific elegists and the discipline as a whole. Contributors represent a range of established names and younger scholars, all of whom are respected experts in their fields Contains original, never before published essays, which are both accessible to a wide audience and offer a new approach to the love elegists and their work Includes 33 essays on the Roman elegists Catullus, Tibullus, Propertius, Sulpicia, and Ovid, as well as their Greek and Roman predecessors and later writers who were influenced by their work Recent years have seen an explosion of interest in Roman elegy from scholars who have used a variety of critical approaches to open up new avenues of understanding
Surveying a large body of Greek (and occasionally Roman) literature, as well as material remains, this volume offers the first systematic study of a central motif in the praise of humans in antiquity, and explores when, how, why, and to what effect humans are compared to gods in the poetry of archaic and classical Greece.
This book performs for the "Academici Libri" what P.L. Schmidt achieved for the "De legibus" - it studies the entire tradition of the work, including its original publication, its influence in Antiquity, the Middle Ages and Renaissance, manuscripts and printed editions.
The establishment of the Augustan regime presents itself as the assertion of order and rationality in the political, ideological, and artistic spheres, after the disorder and madness of the civil wars of the late Republic. But the classical, Apollonian poetry of the Augustan period is fascinated by the irrational in both the public and private spheres. There is a vivid memory of the political and military furor that destroyed the Republic, and also an anxiety that furor may resurface, that the repressed may return. Epic and elegy are both obsessed with erotic madness: Dido experiences in her very public role the disabling effects of love that are both lamented and celebrated by the love elegists. Didactic (especially the Georgics) and the related Horatian exercises in satire and epistle, offer programmes for constructing rational order in the natural, political, and psychological worlds, but at best contain uneasily an ever-present threat of confusion and backsliding, and for the most part fall short of the austere standards of rational exposition set by Lucretius. Dionysus and the Dionysiac enjoy a prominence in Augustan poetry and art that goes well beyond the merely ornamental. The person of the emperor Augustus himself tests the limits of rational categorization. Augustan Poetry and the Irrational contains contributions by some of the leading experts of the Augustan period as well as a number of younger scholars. An introduction which surveys the field as a whole is followed by chapters that examine the manifestations of the irrational in a range of Augustan poets, including Virgil, Horace, Ovid, and the love elegists, and also explore elements of post-classical reception.
