This remarkable work is the final result of 50 years of I Ching research and over 10 years of roundtables and seminars. Based on a revolutionary translation method, and inspired by Carl Jung’s insights into the psyche, The Original I Ching Oracle offers Western readers the closest possible approach to the true content of the ancient Chinese oracle. By cutting through layers of philosophical analysis and recovering the original images of the I Ching, it puts readers in contact with a deep universal dimension of the human psyche, as important today as it was for the shamans in China over 3,000 years ago.
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Often referred to as the Eranos edition, this revised and updated translation offers the most substantial advance in I Ching since Richard Wilhelm introduced the oracle to the West in the 1920s. The I Ching is one of the oldest Chinese texts and the world’s oldest oracle. Accumulated from over 2,500 years of diviners, sages and shamans and born out of the oral tradition, the I Ching as we know it today is a collection of texts, imagery and advice, philosophy and poetry, divided into 64 chapters. There are 64 hexagrams, created from a collection of six lines, either broken or solid. In order to “read” from the book, you must cast a hexagram. The traditional method required yarrow sticks but nowadays is based on tossing three coins six times. The Original I Ching Oracle or Book of Changes was inspired by Carl Gustav Jung's insights into the psyche and researched for more than 60 years through the Eranos Foundation of Switzerland. It presents the oracular core of the I Ching as a psychological tool: the symbols interact with our minds in the same way dream images do.
Ava is having a rough time. Getting rid of Venus didn't set her free—she's still Coterie. Her new boss seems like an improvement, but who knows if he'll stay that way? The Coterie life changes people. And since Ava's currently avoiding her friends after (disastrously) turning down a date with Lock, well, everything kind of sucks. And that's not even taking into account the feelings she might have for him. But when a mysterious illness starts to affect magical beings, it's up to Ava and her team to stop its spread . . . or else one of them might be next.
Ava is a firebug—she can start fires with her mind. Which would all be well and good if she weren't caught in a deadly contract with the Coterie, a magical mafia. She's one of their main hitmen . . . and she doesn't like it one bit. Not least because her boss, Venus, killed Ava's mother. When Venus asks Ava to kill a family friend, Ava rebels. She knows very well that you can't say no to the Coterie and expect to get away with it, though, so she and her friends hit the road, trying desperately to think of a way out of the mess they find themselves in. Preferably keeping the murder to a minimum, in Lish McBride's Firebug.
This book examines the organization of specialized salt production at Zhongba, one of the most important prehistoric sites in the Three Gorges of China's Yangzi River valley. Rowan K. Flad demonstrates that salt production emerged in the second millennium BCE and developed into a large-scale, intense activity. As the intensity of this activity increased during the early Bronze Age, production became more coordinated, perhaps by an emergent elite who appear to have supported their position of authority by means of divination and the control of ritual knowledge. This study explores evidence of these changes in ceramics, the layout of space at the site and animal remains. It synthesizes the data retrieved from years of excavation, showing not only the evolution of production methods, but also the emergence of social hierarchy in the Three Gorges region over two millennia.
This collection of 12 essays outlines what is now known about the origins and development of writing. The topics discussed include such precursors to writing as the tokens used for record-keeping in the Middle East, as well as cuneiform and Egyptian hieroglyphics.The alphabet is treated from its invention to its use in Arabic, Greek and Latin. Also presented are the writing systems of China and Middle America and two European systems, runes and ogham, that have been superseded by the Latin alphabet. An introduction surveys the subject and explores myths and theories on the invention of writing.
Percival Everett (b. 1956) writes novels, short stories, poetry, and essays and is one of the most prolific, acclaimed, yet underexamined African American authors working today. Although to date Everett has published eighteen novels, three collections of short fiction, three poetry collections, and one children's book, his work has not garnered the critical attention that it deserves. Perhaps one of the most vexing problems scholars have had in trying to situate Everett's work is that they have found it difficult to place him and his work within a prescribed African American literary tradition. Because he happens to be African American, critics have expectations of so-called authentic African American fiction; however, his work often thwarts these expectations. In Perspectives on Percival Everett, scholars engage all of his creative production. On the one hand, Everett is an African American novelist. On the other hand, he pursues subject matters that seemingly have little to do with African American culture. The operative word here is “seemingly;” for as these essays demonstrate, Everett's works falls well within as well as outside of what most critics would deem the African American literary tradition. These essays examine issues of identity, authenticity, and semiotics, in addition to postmodernism and African American and American literary traditions—issues essential to understanding his aesthetic and political concerns.
