From 1910 to 1913 A. F. R. Wollaston took a part in a couple of expeditions in New Guinea, to the Snow Mountains of Netherlands New Guinea. The main aim was to climb the highest mountains there as well as to collect biological and ethnological specimens. There he succeeded in climbing to within 150 m of the summit of the Carstensz Pyramid, at 4884 m the highest peak on the island, and one not summited until 1962. He is commemorated in the names of a bat, a skink (lizard) and a frog from New Guinea. After the second expedition, Wollaston wrote a detailed account of the journey and adventures, but he was strictly careful to give only True Relations and Descriptions of Things.
This work is an exciting account of the author's thrilling adventures in New Guinea. A. F. R. Wollaston was an English medical doctor, botanist, and explorer. Wollaston decided to spend his life on exploration and natural history. He traveled broadly and wrote books about his travels and work. He includes vivid descriptions of the place, his experiences, and his interactions with the people. Wollaston took part in the BOU Expedition to the Snowy Mountains of Netherlands New Guinea in 1910–11. The primary goal was to climb the highest mountains there and collect biological and ethnological specimens. The expedition was unsuccessful in its chief aim mainly because of the muddling by the Dutch authorities. Later in 1912 and 1913, Wollaston led a second expedition popularly known as the Wollaston Expedition to New Guinea.
Between the 1870s and the 1930s competing European powers carved out and consolidated colonies in Melanesia, the most culturally diverse region of the world. As part of this process, great assemblages of ethnographic artefacts were made by a range of collectors whose diversity is captured in this volume. The contributors to this tightly-integrated volume take these collectors, and the collecting institutions, as the departure point for accounts that look back at the artefact-producing societies and their interaction with the collectors, but also forward to the fate of the collections in metropolitan museums, as the artefacts have been variously exhibited, neglected, re-conceived as indigenous heritage, or repatriated. In doing this, the contributors raise issues of current interest in anthropology, Pacific history, art history, museology, and material culture.
The text of this book very much reflects the times in which it was written, namely the colonial times. It was published in 1920 and orders humanity by racial categorisation and classification. The culture, geographical location, physiology and temperament are used to come to conclusions about the innate characteristics of the subject group. It will be of great interest to those studying the anthropology of the colonial period.
The United States at the turn of the twentieth century cultivated a passion for big. It witnessed the emergence of large-scale corporate capitalism; the beginnings of American imperialism on a global stage; record-level immigration; a rapid expansion of cities; and colossal events and structures like world's fairs, amusement parks, department stores, and skyscrapers. Size began to play a key role in American identity. During this period, bigness signaled American progress. These Days of Large Things explores the centrality of size to American culture and national identity and the preoccupation with physical stature that pervaded American thought. Clarke examines the role that body size played in racial theory and the ways in which economic changes in the nation generated conflicting attitudes toward growth and bigness. Finally, Clarke investigates the relationship between stature and gender. These Days of Large Things brings together a remarkable range of cultural material including scientific studies, photographs, novels, cartoons, architecture, and film. As a general cultural and intellectual history of the period, this work will be of interest to students and scholars in American studies, U.S. history, American literature, and gender studies. Michael Tavel Clarke is Assistant Professor of English at the University of Calgary. Cover photograph: "New York from Its Pinnacles," Alvin Langdon Coburn (1912). Courtesy of the George Eastman House. "A fascinating study of the American preoccupation with physical size, this book charts new paths in the history of science, culture, and the body. A must-read for anyone puzzling over why Americans today love hulking SUVs, Mcmansions, and outsized masculine bodies." ---Lois Banner, University of Southern California "From the Gilded Age through the Twenties, Clarke shows a nation-state obsessed with sheer size, ranging from the mammoth labor union to the 'Giant Incorporated Body' of the monopoly trust. These Days of Large Things links the towering Gibson Girl with the skyscraper, the pediatric regimen with stereotypes of the Jew. Spanning anthropology, medicine, architecture, business, and labor history, Clarke provides the full anatomy of imperial America and offers a model of cultural studies at its very best." ---Cecelia Tichi, Vanderbilt University
