A school in turmoil over its senior play, a sly career as a teenage gigolo, an unpredictable girlfriend with damage of her own, and a dangerous housebreaker tied up downstairs. Any of these would make a great plot for budding filmmaker Eric?s first movie. Unfortunately, they?re his real life. When Julien, a handsome wannabe actor, transfers to Eric?s class, he?s a distraction, a rival, and one complication too many. Yet Eric can?t stop thinking about him. Helped by Eric?s girlfriend, Mary, they embark on a project that dangerously crosses the line between filmmaking and reality. As the boys become close, Eric soon wants to cross other lines entirely. Does Julien feel the same way, or is Eric being used on the gleefully twisted path to fame?
Petrushka is part of Russian folklore, but is not a folk tale. It is in the European tradition of 'Harlequin' and 'Punch', performed in a puppet theatre at travelling fairs. Petrushka is tired of being a clown in a puppet show. He wants to save pretty ballerina from Strongman and take her in his arms far, far away. His mind is made up and, encouraged by Skeleton, the next day he challenges his rival to a duel. But he's no match for Strongman and ends up in a lifeless, crumpled heap. 'That old ragdoll needs chucking out,' says the showman. But Petrushka has other ideas...
The story of Mika, a Jewish boy, who becomes a puppeteer in the Warsaw ghetto - a stunning debut for fans of The Tattooist of Auschwitz, The Boy with the Striped Pyjamas and Schindler's List I was twelve when the coat was made. Nathan, our tailor and dear friend, cut it for Grandfather in the first week of March 1938. It was the last week of freedom for Warsaw and for us... Even in the most difficult of lives, there is hope. And sometimes that hope comes in the form of a small boy, armed with a troupe of puppets - a prince, a girl, a fool, a crocodile with half-painted teeth.... When Mika's grandfather dies in the Warsaw ghetto, he inherits not only his great coat, but its treasure trove of secrets. In one remote pocket, he finds a papier mache head, a scrap of cloth...the prince. And what better way to cheer the cousin who has lost her father, the little boy who his ill, the neighbours living in one cramped room, than a puppet show? Soon the whole ghetto is talking about the puppet boy - until the day when Mika is stopped by a German officer and is forced into a secret life... This is a story about survival. It is an epic journey, spanning continents and generations, from Warsaw to the gulags of Siberia, and two lives that intertwine amid the chaos of war. Because even in wartime, there is hope...
From the creator of Little Owl Lost and Oh No, George! comes a funny, strikingly illustrated story of best-laid plans — and the secret to attracting the birdie. Four friends creep through the woods, and what do they spot? An exquisite bird high in a tree! “Hello birdie,” waves one. “Shh! We have a plan,” hush the others. They stealthily make their advance, nets in the air. Ready one, ready two, ready three, and go! But as one comically foiled plan follows another, it soon becomes clear that their quiet, observant companion, hand outstretched, has a far better idea. Award-winning author-illustrator Chris Haughton is back with another simple, satisfying story whose visual humor plays out in boldly graphic, vibrantly colorful illustrations.
You won't regret buying this book. Greenwolfguy is lonely and has no friends. Nobody likes him. He has no family and nothing to live for. He was kicked out of his orphanage because he was too old. All he wants is a friend someone that he could trust, someone who won't leave him. Someone that would be there at his side 24/7. Greenwolfguy thinks of a plan and builds a robot named puppet guy. The two of them become best friends. Greenwolfguy finally has something to live for. But what he and puppet guy don't realize is that friendship can't last forever. Search up puppet guy and greenwolfguy on Amazon. If you are really looking for something different to read then I recommend this book. You can also purchase the book on Amazon and see the other Puppet guy and Greenwolfguy books!
A single mother must struggle to defend her young daughter against the sexual abuse from her ex-husband, and subsequently finds herself losing the legal battle.
I can do everything through him who gives me strength. (Philippians 4:13) Think it takes a professional actor to have a puppet ministry? Think again. This book gives you a step-by-step plan and tons of tips on using puppets to tell children all about Jesus while entertaining them at the same time! Puppets are a wonderful teaching tool. They can be whatever you want them to be. Puppets can take on different personalities, exhibit various character traits, teach different lessons. Kids are drawn to puppets, opening doors and establishing instant trust. Tell a conventional story to kids and watch as their eyes glaze over. Their short attention spans cause them to squirm and by the end they've missed out on the whole point of the story. Use puppets to tell the story and suddenly every eye is on the stage. Your audience stays with you all the way through and weeks later you're still be hearing about the memorable things the puppets said and did--just like kids act when they're talking about their favorite videos or TV shows. Everything you need to start a new puppet ministry or breath new life into an existing one is in this book. The author, Susan Parsons, relates many firsthand experiences she has had during her substantial career as a playwright and puppeteer. Learn about creative ways of making puppets from all sorts of unconventional things. Find out how to build a nifty, professional-looking stage out of PVC pipe--lightweight, easy to work with and affordable. Get pointers on writing and presenting skits, on staging and lighting them, on recruiting people to help you! Also, the book contains puppet patterns and ready-to-present skits which you can use for practice or incorporate right into your ministry! After reading this book you won't just surviveas a puppeteer--you'll thrive! Product Update It has come to our attention that page 59 of The Official Puppet Ministry Survival Guide contains an error in the instructions for constructing the PVC stage. This error will be corrected when the book is next reprinted. Our apologies for the mistake. The correct numbers and dimensions of pieces appear below. 2.5 ft (8 pieces) 2 ft. 9 in. (8 pieces) 3.5 ft. (2 pieces) 4.5 ft. (6 pieces) 6 ft. (2 pieces) Also, page 60 incorrectly lists a 7 ft., 3 in. piece of pipe.
Johannes Chrysostomus Wolfgang Gottlieb Mozart was only three years old—not much bigger than his name—on the day his life changed forever. So begins this vivid biography about one of the most legendary prodigies in history. Award-winning author and illustrator Diane Stanley engagingly tells the story of a brilliant boy who grew up to be a complex and often troubled young man—a man who composed some of the most beautiful music of all time. With stunning and expressive illustrations, she portrays Mozart's turbulent life as a marionette show, inspired by the famous Salzburg Marionette Theatre, using an innovative artistic approach to present the life of a renowned musical genius. In concise and lyrical prose, Stanley presents an honest and sympathetic portrait of the boyhood and tragically short adulthood of a composer whose music has lived on for more than two hundred years.
This study assesses the significance of Pinocchio in the twentieth and twenty-first centuries in addition to his status as the creature of a nineteenth century traversed by a cultural enthusiasm for dummies, puppets, and marionettes. This collection identifies him as a figure characterized by a 'fluid identity,' informed with transition, difference, joie de vivre, otherness, displacement, and metamorphosis, making Pinocchio a truly modern, indeed postmodern and posthuman, cultural icon. Pinocchio, Puppets and Modernity explores this crucial and as yet little visited field, reassessing Pinocchio's genealogy and progeny, as well as illuminating both the wider context and more specific cultural manifestations of the mechanical-human interface in the domains of theatre, the fine arts, literature, radio, and even virtual reality coherently with the digital metamorphosis of our times. The wide-ranging scope of this exploration encompasses Italian, French, and English literature, dummies and marionettes in modernist and contemporary theatre, the fairytale tradition, and traditional and contemporary painting, as well as the older and newer media of radio, television, cinema, and the Internet. The diverse, comparative, and multimedia focus of this original discussion testifies to the enduring transcultural legacy of Pinocchio. Eminently sellable as a traditional cultural icon, Pinocchio is equally impactful and relevant for a globalized, multicultural, and virtual society, from Collodi to Disney and beyond. Katia Pizzi is Senior Lecturer in Italian at the Institute of Germanic & Romance Studies, School of Advanced Study, University of London. She has published volumes on cultural identities, including A City in Search of an Author (2001) and The Cultural Identities of European Cities (2010), and on children's literature and illustration.
