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Author: Jeffrey M. Elliot
Publisher: Wildside Press LLC
Published: 1983-01-01
Total Pages: 68
ISBN-13: 0893702579
DOWNLOAD EBOOKJeffrey M. Elliot interviews five writers and editors of the science fiction pulp magazine era: Jack Williamson, H. L. Gold, Stanton A. Coblentz, C. L. Moore, and Raymond Z. Gallun. With an introduction by Poul Anderson.
Author: Paul S. Hirsch
Publisher: University of Chicago Press
Published: 2024-06-05
Total Pages: 346
ISBN-13: 0226829464
DOWNLOAD EBOOKWinner of the Popular Culture Association's Ray and Pat Browne Award for Best Book in Popular or American Culture In the 1940s and ’50s, comic books were some of the most popular—and most unfiltered—entertainment in the United States. Publishers sold hundreds of millions of copies a year of violent, racist, and luridly sexual comics to Americans of all ages until a 1954 Senate investigation led to a censorship code that nearly destroyed the industry. But this was far from the first time the US government actively involved itself with comics—it was simply the most dramatic manifestation of a long, strange relationship between high-level policy makers and a medium that even artists and writers often dismissed as a creative sewer. In Pulp Empire, Paul S. Hirsch uncovers the gripping untold story of how the US government both attacked and appropriated comic books to help wage World War II and the Cold War, promote official—and clandestine—foreign policy and deflect global critiques of American racism. As Hirsch details, during World War II—and the concurrent golden age of comic books—government agencies worked directly with comic book publishers to stoke hatred for the Axis powers while simultaneously attempting to dispel racial tensions at home. Later, as the Cold War defense industry ballooned—and as comic book sales reached historic heights—the government again turned to the medium, this time trying to win hearts and minds in the decolonizing world through cartoon propaganda. Hirsch’s groundbreaking research weaves together a wealth of previously classified material, including secret wartime records, official legislative documents, and caches of personal papers. His book explores the uneasy contradiction of how comics were both vital expressions of American freedom and unsettling glimpses into the national id—scourged and repressed on the one hand and deployed as official propaganda on the other. Pulp Empire is a riveting illumination of underexplored chapters in the histories of comic books, foreign policy, and race.
Author: Jane Savidge
Publisher: Bloomsbury Publishing USA
Published: 2024-03-07
Total Pages: 133
ISBN-13:
DOWNLOAD EBOOKThis Is Hardcore is Pulp's cry for help. A giant, sprawling, flawed masterpiece of a record, the 1998 album manages to tackle some of the most inappropriate grown-up issues of the day – fame, ageing, mortality, drugs, and pornography – and still come out crying and laughing on the other side. The subject of pornography dominates the record – from its controversial artwork to the images conjured up by songs like "Seductive Barry" and the title track – after Pulp's main man, Jarvis Cocker – who'd spent most of his teenage and adult life chasing celebrity, only to be cruelly disappointed when it finally arrived in spades – hit upon the grand notion of using pornography as a metaphor for fame. The album's commercial failure as a follow-up to the band's Britpop-defining, Different Class, also symbolizes a death knell for Britpop itself. Dark, right? Except just like Pulp themselves, Jane Savidge's book is playful and sometimes very funny indeed. Kicking off with an imaginary conversation between Jarvis Cocker and the people who run the Total Fame Solutions helpline, Savidge expertly guides us through the trials and tribulations of an album that begins with the so-called Michael Jackson Incident, when Cocker got up on stage at the 1996 Brit Awards and waggled his fully-clothed bum at the King of Pop. Pulp's This Is Hardcore may be a sleazy run through porn and mental demise, and an album that chronicles Cocker's continuing disillusionment with his newfound lot in life, but Savidge's book assesses the cultural and historical context of the album with insider knowledge and a sharp modern lens, ultimately making a case for it as one of the most important albums of the 1990s.
Author: Elena Razlogova
Publisher: University of Pennsylvania Press
Published: 2012-10-15
Total Pages: 225
ISBN-13: 0812208498
DOWNLOAD EBOOKDuring the Jazz Age and Great Depression, radio broadcasters did not conjure their listening public with a throw of a switch; the public had a hand in its own making. The Listener's Voice describes how a diverse array of Americans—boxing fans, radio amateurs, down-and-out laborers, small-town housewives, black government clerks, and Mexican farmers—participated in the formation of American radio, its genres, and its operations. Before the advent of sophisticated marketing research, radio producers largely relied on listeners' phone calls, telegrams, and letters to understand their audiences. Mining this rich archive, historian Elena Razlogova meticulously recreates the world of fans who undermined centralized broadcasting at each creative turn in radio history. Radio outlaws, from the earliest squatter stations and radio tube bootleggers to postwar "payola-hungry" rhythm and blues DJs, provided a crucial source of innovation for the medium. Engineers bent patent regulations. Network writers negotiated with devotees. Program managers invited high school students to spin records. Taken together, these and other practices embodied a participatory ethic that listeners articulated when they confronted national corporate networks and the formulaic ratings system that developed. Using radio as a lens to examine a moral economy that Americans have imagined for their nation, The Listener's Voice demonstrates that tenets of cooperation and reciprocity embedded in today's free software, open access, and filesharing activities apply to earlier instances of cultural production in American history, especially at times when new media have emerged.
Author: R. Reginald
Publisher: Wildside Press LLC
Published: 1996-01-01
Total Pages: 250
ISBN-13: 0809512068
DOWNLOAD EBOOKAn Annotated Bibliography of the First 300 Publications of the Borgo Press, 1975-1998
Author: Thomas D. Clareson
Publisher: Popular Press
Published: 1976
Total Pages: 300
ISBN-13: 9780879721206
DOWNLOAD EBOOKBringing together a group of original essays concerning major writers of science fiction whose careers had begun by the end of World War II, this volume covers Isaac Asimov, Ray Bradbury, Arthur C. Clarke, C. L. Moore, Clifford D. Simak, Olaf Stapledon, Kurt Vonnegut, and Jack Williamson.
Author: Captain A. E. Dingle
Publisher: Wildside Press LLC
Published: 2004-07-01
Total Pages: 162
ISBN-13: 0809511134
DOWNLOAD EBOOKCaptain A.E. Dingle published sea stories in the pulp magazines for decades, and the volume, quality and variety of his tales is nothing short of astonishing. This collection assembles eight of his finest, from the Sherlock Holmes pastiche "Watson!" to the short novel "The Coolie Ship," from the misadventures of "Skimps, Ship's Boy" to the lives of "Hard-Shell Clammers" -- nautical stories all, told by a master craftsman. A Wildside Press Pulp Classic.
Author: Michael Burgess
Publisher: Wildside Press LLC
Published: 1992-01-01
Total Pages: 180
ISBN-13: 0809515059
DOWNLOAD EBOOKA bibliography of science fiction and fantasy writer, editor, and publisher Robert Reginald, with an introduction by William F. Nolan and an Afterword by Jack Dann.
Author:
Publisher:
Published: 2002-09-23
Total Pages: 60
ISBN-13:
DOWNLOAD EBOOKCMJ New Music Report is the primary source for exclusive charts of non-commercial and college radio airplay and independent and trend-forward retail sales. CMJ's trade publication, compiles playlists for college and non-commercial stations; often a prelude to larger success.
Author: Tim DeForest
Publisher: McFarland
Published: 2004-05-20
Total Pages: 236
ISBN-13: 0786419024
DOWNLOAD EBOOKThe first half of the twentieth century was a golden age of American storytelling. Mailboxes burgeoned with pulp magazines, conveying an endless variety of fiction. Comic strips, with their ongoing dramatic storylines, were a staple of the papers, eagerly followed by millions of readers. Families gathered around the radio, anxious to hear the exploits of their favorite heroes and villains. Before the emergence of television as a dominant--and stifling--cultural force, storytelling blossomed in America as audiences and artists alike embraced new mediums of expression. This examination of storytelling in America during the first half of the twentieth century covers comics, radio, and pulp magazines. Each was bolstered by new or improved technologies and used unique attributes to tell dramatic stories. Sections of the book cover each medium. One appendix gives a timeline for developments relative to the subject, and another highlights particular episodes and story arcs that typify radio drama. Illustrations and a bibliography are included.
