Explores the history and evolution of Navajo and Pueblo fabric arts, with 250-plus color illustrations of examples from the Southwest Museum's collection, 57 details of the works, and 49 historical photographs. Includes accounts of the early collectors and some of the colorful people who were involved in the founding of the museum and the shaping of its collection.
A lively and innovative collection of new and recent writings on the cultural contexts of textiles The study of textile culture is a dynamic field of scholarship which spans disciplines and crosses traditional academic boundaries. A Companion to Textile Culture is an expertly curated compendium of new scholarship on both the historical and contemporary cultural dimensions of textiles, bringing together the work of an interdisciplinary team of recognized experts in the field. The Companion provides an expansive examination of textiles within the broader area of visual and material culture, and addresses key issues central to the contemporary study of the subject. A wide range of methodological and theoretical approaches to the subject are explored—technological, anthropological, philosophical, and psychoanalytical, amongst others—and developments that have influenced academic writing about textiles over the past decade are discussed in detail. Uniquely, the text embraces archaeological textiles from the first millennium AD as well as contemporary art and performance work that is still ongoing. This authoritative volume: Offers a balanced presentation of writings from academics, artists, and curators Presents writings from disciplines including histories of art and design, world history, anthropology, archaeology, and literary studies Covers an exceptionally broad chronological and geographical range Provides diverse global, transnational, and narrative perspectives Included numerous images throughout the text to illustrate key concepts A Companion to Textile Culture is an essential resource for undergraduate and postgraduate students, instructors, and researchers of textile history, contemporary textiles, art and design, visual and material culture, textile crafts, and museology.
Tells of the Ohio-born trader C.N. Cotton, who went to Arizona and New Mexico to trade with the Indians in the late 19th century, eventually settling in Gallup, New Mexico, where his trading post played a leading role in promoting the sale of Navajo blankets. Includes facsimilies of three early catalogs of Navajo blankets and rugs.
Hardcover, 319 pages, 2,000 color and historic b & w illustrations; Featuring Navajo blankets & rugs, Pueblo textiles, Cherokee, Alaskan Native and other tribes, ca. 1850 to present. Dimensions (in inches): 11.50 x 1.00 x 8.75 Vol. 3 - American Indian Art Series. REVIEWS: ***** The Bible of Native Arts! Native Peoples Magazine The volume will for decades remain a primary resource. Dr. Bruce Bernstain, Smithsonian Institutiton, National Museum of the American Indian We applaud the efforts of Dr. Gregory Schaaf in his American Indian Art Series. Susan Pourian, The Indian Craft Shop, Department of Interior THE reference books for Indian art. Isa and Dick Diestler
Rio Grande Textiles celebrates the vibrant and distinctive art form present in the Spanish communities of New Mexico and southern Colorado since European importation of the loom to the Rio Grande Valley some 400 years ago. The region's weavers evolved the distinctive styles and patterns found in Saltillo and Vallero blankets, weft ikat, handspun cotton blankets, jerga floor coverings, and colcha embroidery.
A history and description of southwestern textiles along with a catalog of Pueblo, Navajo, Mexican, and Spanish American blankets, ponchos, and sarapes.
Housed in the former 16th-century convent of Santo Domingo church, now the Regional Museum of Oaxaca, Mexico, is an important collection of textiles representing the area’s indigenous cultures. The collection includes a wealth of exquisitely made traditional weavings, many that are now considered rare. The Unbroken Thread: Conserving the Textile Traditions of Oaxaca details a joint project of the Getty Conservation Institute and the National Institute of Anthropology and History (INAH) of Mexico to conserve the collection and to document current use of textile traditions in daily life and ceremony. The book contains 145 color photographs of the valuable textiles in the collection, as well as images of local weavers and project participants at work. Subjects include anthropological research, ancient and present-day weaving techniques, analyses of natural dyestuffs, and discussions of the ethical and practical considerations involved in working in Latin America to conserve the materials and practices of living cultures.