Forbes Watson
Forbes Watson

Author: Lenore Clark

Publisher: Kent State University Press

Published: 2001

Total Pages: 286

ISBN-13: 9780873387101

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This is a biography of Forbes Watson, art commentator for the New York Evening Post and New York World but probably best known as the editor of The Arts, an influential art magazine of the 1920s.

Ontario Since Confederation
Ontario Since Confederation

Author: Edgar-Andre Montigny

Publisher: University of Toronto Press

Published: 2000-12-15

Total Pages: 476

ISBN-13: 1442658940

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Ontario Since Confederation contains some of the most recent scholarship in the field of post-Confederation Ontario history. This comprehensive collection, the first of its kind to be published in almost a decade, is intended primarily to introduce students to new areas of debate and new methodologies in Ontario history. The articles range widely over the political, economic, and social history of the province, encompassing both traditional and newly emerging topics. They focus on the theme of 'state and society,' describing and articulating the interactions between social values and ideals, political action, and government bureaucracies from diverse perspectives. The collection raises fundamental questions about the role, nature, and development of the modern bureaucratic state. How pervasive was the influence of the state? Does the state determine or reflect social values? To what degree, and in what manner, could the powers of the state successfully be resisted? Focusing specifically on Ontario history, contributors address the paradoxical relationship between provincial and national history. Some essays explore the influence of the federal government on the province in areas such as pollution management, native rights, and welfare. Other chapters discuss issues of interracial relationships, the family, and unwed motherhood. The variety of topics and approaches represented in this collection attests to the diversity of Ontario and the rich social fabric of its history.

Independence Hall in American Memory
Independence Hall in American Memory

Author: Charlene Mires

Publisher: University of Pennsylvania Press

Published: 2015-11-04

Total Pages: 369

ISBN-13: 0812204239

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Independence Hall is a place Americans think they know well. Within its walls the Continental Congress declared independence in 1776, and in 1787 the Founding Fathers drafted the U.S. Constitution there. Painstakingly restored to evoke these momentous events, the building appears to have passed through time unscathed, from the heady days of the American Revolution to today. But Independence Hall is more than a symbol of the young nation. Beyond this, according to Charlene Mires, it has a long and varied history of changing uses in an urban environment, almost all of which have been forgotten. In Independence Hall, Mires rediscovers and chronicles the lost history of Independence Hall, in the process exploring the shifting perceptions of this most important building in America's popular imagination. According to Mires, the significance of Independence Hall cannot be fully appreciated without assessing the full range of political, cultural, and social history that has swirled about it for nearly three centuries. During its existence, it has functioned as a civic and cultural center, a political arena and courtroom, and a magnet for public celebrations and demonstrations. Artists such as Thomas Sully frequented Independence Square when Philadelphia served as the nation's capital during the 1790s, and portraitist Charles Willson Peale merged the arts, sciences, and public interest when he transformed a portion of the hall into a center for natural science in 1802. In the 1850s, hearings for accused fugitive slaves who faced the loss of freedom were held, ironically, in this famous birthplace of American independence. Over the years Philadelphians have used the old state house and its public square in a multitude of ways that have transformed it into an arena of conflict: labor grievances have echoed regularly in Independence Square since the 1830s, while civil rights protesters exercised their right to free speech in the turbulent 1960s. As much as the Founding Fathers, these people and events illuminate the building's significance as a cultural symbol.