Public Culture

Public Culture

Author: Marguerite S. Shaffer

Publisher: University of Pennsylvania Press

Published: 2008-08-06

Total Pages: 404

ISBN-13: 9780812240818

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From medicine shows to the Internet, from the Los Angeles Plaza to the Las Vegas Strip, from the commemoration of the Oklahoma City bombing to television programming after 9/11, scholars examine issues of democracy, diversity, identity, community, citizenship, and belonging through the lens of American popular culture.


Dictators, Democracy, and American Public Culture

Dictators, Democracy, and American Public Culture

Author: Benjamin Leontief Alpers

Publisher: Univ of North Carolina Press

Published: 2003-01-01

Total Pages: 422

ISBN-13: 9780807854167

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Focusing on portrayals of Mussolini's Italy, Hitler's Germany, and Stalin's Russia in U.S. films, magazine and newspaper articles, books, plays, speeches, and other texts, Benjamin Alpers traces changing American understandings of dictatorship from the la


The Lyceum and Public Culture in the Nineteenth-century United States

The Lyceum and Public Culture in the Nineteenth-century United States

Author: Angela G. Ray

Publisher: MSU Press

Published: 2005

Total Pages: 392

ISBN-13:

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Angela Ray provides a refreshing new look at the lyceum lecture system as it developed in the United States from the 1820s to the 1880s. She argues that the lyceum contributed to the creation of an American "public" at a time when the country experienced a rapid change in land area, increasing immigration, and a revolution in transportation, communication technology, and social roles. The history of the lyceum in the nineteenth century illustrates a process of expansion, diffusion, and eventual commercialization. In the late 1820s, a politically and economically dominant culture--the white Protestant northeastern middle class--institutionalized the practice of public debating and public lecturing for education and moral uplift. In the 1820s and 1830s, the lyceum was characterized by organized groups in cities and towns, particularly in the Northeast and the Old Northwest (now the Midwest). These groups were established to promote debate, to create a setting for study, and to provide a forum for members' lecturing. By the 1840s and 1850s, however, most lyceums concentrated on the sponsorship of public lectures, presented for institutional profit as well as public instruction and entertainment. Eventually, lyceum lectures became a commercial enterprise and desirable platform for celebrities who wished to expand their incomes from lecturing.


Public Culture, Cultural Identity, Cultural Policy

Public Culture, Cultural Identity, Cultural Policy

Author: Kevin V. Mulcahy

Publisher: Springer

Published: 2016-11-21

Total Pages: 243

ISBN-13: 1137435437

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This book places the study of public support for the arts and culture within the prism of public policy making. It is explicitly comparative in casting cultural policy within a broad sociopolitical and historical framework. Given the complexity of national communities, there has been an absence of comparative analyses that would explain the wide variability in modes of cultural policy as reflections of public cultures and cultural identity. The discussion is internationally focused and interdisciplinary. Mulcahy contextualizes a wide variety of cultural policies and their relation to politics and identity by asking a basic question: who gets their heritage valorized and by whom is this done? The fundamental assumption is that culture is at the heart of public policy as it defines national identity and personal value.


Producing Public Television, Producing Public Culture

Producing Public Television, Producing Public Culture

Author: Barry Dornfeld

Publisher: Princeton University Press

Published: 2021-02-09

Total Pages: 250

ISBN-13: 069122532X

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From 1989 to 1991, Barry Dornfeld had an unusual double role on the crew of the major PBS documentary series Childhood. As a researcher for the series, he investigated the relationship between children and media. As an anthropologist, however, his subject was the television production process itself--examining, for example, how producers developed the series, negotiated with their academic advisors, and shaped footage shot around the world into seven programs. He presents the results of his fieldwork in this groundbreaking study--one of the first to take an ethnographic approach to the production of a television show, as opposed to its reception. Dornfeld begins with a broad discussion of public television's role in American culture and goes on to examine documentaries as a form of popular anthropology. Drawing on his observations of Childhood, he considers the documentary form as a kind of "imagining," in which both producers and viewers construct understandings of themselves and others, revealing their conceptions of culture and history and their ideologies of cultural difference and universality. He argues that producers of culture should also be understood as consumers who conduct their work through an active envisioning of the audience. Dornfeld explores as well how intellectual media professionals struggle with the institutional and cultural forces surrounding television that promote entertainment at the expense of education. The book provides a rare glimpse behind the scenes of a major documentary and demonstrates the value of an ethnographic approach to the study of media production.


Dictators, Democracy, and American Public Culture

Dictators, Democracy, and American Public Culture

Author: Benjamin L. Alpers

Publisher: Univ of North Carolina Press

Published: 2003-10-16

Total Pages: 418

ISBN-13: 0807861227

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Focusing on portrayals of Mussolini's Italy, Hitler's Germany, and Stalin's Russia in U.S. films, magazine and newspaper articles, books, plays, speeches, and other texts, Benjamin Alpers traces changing American understandings of dictatorship from the late 1920s through the early years of the Cold War. During the early 1930s, most Americans' conception of dictatorship focused on the dictator. Whether viewed as heroic or horrific, the dictator was represented as a figure of great, masculine power and effectiveness. As the Great Depression gripped the United States, a few people--including conservative members of the press and some Hollywood filmmakers--even dared to suggest that dictatorship might be the answer to America's social problems. In the late 1930s, American explanations of dictatorship shifted focus from individual leaders to the movements that empowered them. Totalitarianism became the image against which a view of democracy emphasizing tolerance and pluralism and disparaging mass movements developed. First used to describe dictatorships of both right and left, the term "totalitarianism" fell out of use upon the U.S. entry into World War II. With the war's end and the collapse of the U.S.-Soviet alliance, however, concerns about totalitarianism lay the foundation for the emerging Cold War.


Christianity and Public Culture in Africa

Christianity and Public Culture in Africa

Author: Harri Englund

Publisher: Ohio University Press

Published: 2011-04-26

Total Pages: 249

ISBN-13: 0821419455

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Christianity and Public Culture in Africa takes the reader beyond Africa’s apparent exceptionalism. African Christians have created new publics, often in ways that offer fresh insights into the symbolic and practical boundaries separating the secular and the sacred, the private and the public, and the liberal and the illiberal. Critical reason and Christian convictions have combined in surprising ways when African Christians have engaged with vital public issues such as national constitutions and gender relations, and with literary imaginings and controversies over tradition and HIV/AIDS. The contributors demonstrate how the public significance of Christianity varies across time and place. They explore rural Africa and the continent’s major cities, and colonial and missionary situations, as well as mass-mediated ideas and images in the twenty-first century. They also reveal the plurality of Pentecostalism in Africa and keep in view the continent’s continuing denominational diversity. Students and scholars will find these topical studies to be impressive in scope. Contributors: Barbara M. Cooper, Harri Englund, Marja Hinfelaar, Nicholas Kamau-Goro, Birgit Meyer, Michael Perry, Kweku Okyerefo, Damaris Parsitau, Ruth Prince, James A. Pritchett, Ilana van Wyk


Queering Normativity and South Asian Public Culture

Queering Normativity and South Asian Public Culture

Author: J. Daniel Luther

Publisher: Springer Nature

Published: 2023-11-01

Total Pages: 266

ISBN-13: 3031412982

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This book develops a queer methodology to analyse a queer archive for the impact of normativity on subjecthood and the ways in which it shapes and curtails gender and sexuality. Chapters demonstrate how normativity functions to mask its own operation, is internalised by subjects, and is continually reproduced through discourse and in material ways. In seeking to make visible the functioning of normativity, the book performs a task of queering normativity by querying that which appears as natural in South Asian public culture. The book engages with both the consolidation and the unsettling of normativity through artefacts of South Asian public culture including canonical figures such as Rabindranath Tagore, literary and cinematic texts, Bollywood films, advertisements, social media posts, and ubiquitous ephemera in South Asia and beyond. Through these texts, the author unpacks the construct of canon, the nation, woman as a post-colonial subject, the home and the child, marriage, same-sex sexuality and identity. This book will be of interest to scholars and students studying and researching Queer Studies, Gender and Sexuality Studies, South Asian Studies, Cultural Studies, Literary Studies, Film Studies, and Media Studies.