Featuring more than 500 public art installations, this is the first comprehensive guidebook to explore Vancouver's urban treasures. The character of a city is revealed by the public art that neighborhoods and residents collectively place on streets and walls and in their public spaces. As a city known internationally for its breathtaking cityscapes and mountain backdrop, Vancouver has much to offer visually including the diverse and thriving public art in the city's neighborhoods. Engaging color photos and detailed descriptions that focus on the historical and cultural context of each art piece, its place in modern art and the artist who created it allow for a greater understanding of these urban treasures. Easy-to follow maps take readers to communities and destinations such as False Creek, Chinatown, the West End, Downtown, East Vancouver, VanDusen Garden, Stanley Park and the University of British Columbia. Tour the better known and the unknown art installations that are made from every possible media and include monuments, paintings, murals, tapestries, figures, First Nations art, relics, busts, fountains, gateways, mosaics, sculptures and reliefs.
This beautifully designed book is the first to explore Susan Point's publicly commissioned artworks from coast to coast Susan Point's unique artworks have been credited with almost single-handedly reviving the traditional Coast Salish art style. Once nearly lost to the effects of colonization, the crescents, wedges, and human and animal forms characteristic of the art of First Nations peoples living around the Salish Sea can now be seen around the world, reinvigorated with modern materials and techniques, in her serigraphs and public art installations - and in the works of a new generation of artists that she's inspired.People Among the People beautifully displays the breadth of Susan Point's public art, from cast-iron manhole covers to massive carved cedar spindle whorls, installed in locations from Vancouver to Zurich. Through extensive interviews and access to her archives, Robert D. Watt tells the story of each piece, whether it's the evolution from sketch to carving to casting, or the significance of the images and symbolism, which is informed by surviving traditional Salish works Point has studied and the Oral Traditions of her Musqueam family and elders. In her long quest to re-establish a Coast Salish footprint in Southwest British Columbia and the Pacific Northwest of the US, Point has received many honours, including the Order of Canada and the Audain Lifetime Achievement Award. This gorgeous and illuminating book makes it clear they are all richly deserved.
Public art is produced and ‘lived’ within multiple, interlaced and contested political, economic, social and cultural-symbolic spheres. This lively collection is a mix of academic and practice-based writings that scrutinise conventional claims on the inclusiveness of public art practice. Contributions examine how various social differences, across class, ethnicity, age, gender, religion, ability and literacy, shape encounters with public art within the ambits of the design, regeneration and everyday experiences of public spaces. The chapters richly draw on case studies from the Global North and South, providing comprehensive insights into the experiences of encountering public art via a variety of scales and realms. This book advances critical insights of how socially practised public arts articulate and cultivate geographies of social difference through the themes of power (the politics of encountering), affect (the embodied ways of encountering), and diversity (the inclusiveness of encountering). It will appeal to scholars, students and practitioners of cultural geography, the visual arts, urban studies, political studies and anthropology.
Arguably, public art is experienced daily by more people than most offerings in galleries, yet our notion of what constitutes public art is surprisingly limited. Public Art in Canada broadens the critical discussion by exploring public art's varied means of engaging with public space and the public sphere. Annie Gérin and James S. McLean have assembled contributions from new and established Canadian scholars, curators, and artists. Each contributor enlivens our understanding of public art as a practice and its place in the social and aesthetic formation of which it is a part. As a result, the book provides an overview of the current debates in the field of public art that are informed by the theories and critical literature of art history, communication studies, cultural studies, sociology, and urban studies. The rigorous essays and original works of art collected in this volume present a compelling demonstration of the strategies, aesthetic and otherwise, used by artists to elicit intellectual, sensual, or emotional responses that can only be obtained through artistic practices in public places. Public Art in Canada is a major contribution to the study of Canadian art and culture.
Tom Burrows, and the exhibition that preceded the book, presents work by the artist from his early career to the present. The book is a timely refocusing of attention on an artist who has made an immense contribution to the development of art in Vancouver, not only as an artist but as an educator and activist as well. Burrows first rose to prominence in the late-1960s and was included in several exhibitions at the UBC Fine Arts Library, an institution that was seminal in encouraging Vancouver's growing and now vibrant art community. In 1975 he received a United Nations commission to document squatters communities in Europe, Africa and Asia, a work that is now in the Belkin's collection. Burrows' work, which demonstrates an interest in process and new materials, has encompassed a number of disciplines including sculpture, early performance art, video, painting and iconic hand-built houses on the Maplewood Mudflats and Hornby Island. Currently most well known for his innovative monochromatic cast polymer resin "paintings/sculptures" produced during the last forty-five years, the book examines the full breadth of his career with works from the Belkin's permanent collection as the basis with other works from the artist, collectors and public institutions. Burrows has had solo exhibitions in London, Rome, Tokyo, Berlin, New York, Edinburgh and across Canada. His work is included in private, corporate and public collections in Europe, Asia and the Americas.
Vancouver and Victoria are among Canada's most appealing cities: this guide will help you discover the best of both. Local writers offer their inside knowledge of what to see, where to stay, eat, and shop. Chapters on top attractions, entertainment, art galleries, parks and gardens, annual events and "kids' stuff" provide an informed, accessible overview. There are chapters devoted to each of Vancouver's distinctive neighbourhoods, and sections outlining excursions to Whistler, the Gulf Islands and the Sunshine Coast. Extensive listings detail the sites covered by the authors, and maps of neighbourhoods, attractions, restaurants and hotels will help you find your way. With hundreds of original colour photographs this guide is both a keepsake and an indispensable companion to your stay in British Columbia.
The 2010 Winter Olympics are giving Vancouver and Whistler great new and exciting facilities, venues and attractions. Local authors highlight the new transportation, museums and galleries, as well as what is best and new in shopping, dining and entertainment. Knowledgeable contributors explore Vancouver's distinctive neighborhoods including the downtown, Gastown, Chinatown, Granville Island, Kitsilano, the North Shore, Commercial Drive, and the up-and-coming Yaletown area. This edition features the world-renowned Canadian resort municipality of Whistler, cohost of the 2010 Winter Olympics and the site for most of the alpine, Nordic and sliding events. The edition also provides updated information on the major tourist destinations of Victoria, the Gulf Islands, and the Sunshine Coast. An up-to-date listing section gives essential contact information for the best in nightlife, theater, museums, attractions, recommended dining, as well as accommodation and tips on how to get around. New full-color photography complements the text.
Whether you want to eat the finest Pacific Rim cuisine, explore Stanley Park from top to bottom, or ski on British Columbia's best slopes, the local Fodor’s travel experts in Vancouver and Victoria are here to help! Fodor’s Vancouver & Victoria guidebook is packed with maps, carefully curated recommendations, and everything else you need to simplify your trip-planning process and make the most of your time. This new edition has been fully-redesigned with an easy-to-read layout, fresh information, and beautiful color photos. Fodor’s Vancouver includes: AN ILLUSTRATED ULTIMATE EXPERIENCES GUIDE to the top things to see and do MULTIPLE ITINERARIES to effectively organize your days and maximize your time MORE THAN 15 DETAILED MAPS to help you navigate confidently COLOR PHOTOS throughout to spark your wanderlust! UP-TO-DATE and HONEST RECOMMENDATIONS for the best sights, restaurants, hotels, nightlife, shopping, performing arts, activities, side-trips, and more PHOTO-FILLED “BEST OF” FEATURES on “Vancouver's Best Outdoor Adventures,” “Vancouver's Best Restaurants,” and “Vancouver Under the Radar” TRIP-PLANNING TOOLS AND PRACTICAL TIPS including when to go, getting around, beating the crowds, and saving time and money SPECIAL FEATURES on “First National Culture,” “How to Eat Like a Local,” and “Okanagan Wines” HISTORICAL AND CULTURAL INSIGHTS providing rich context on the local people, politics, art, architecture, cuisine, music, geography and more LOCAL WRITERS to help you find the under-the-radar gems COVERS: Vancouver, Granville Island, Stanley Park, Butchart Gardens, Victoria, Vancouver Island, Tofino, Ucluelet, Pacific Rim National Park Preserve, Whistler, the Okanagan Valley, Summerland, Peachland, Penticton, Oliver, Osoyoos, and more Planning on visiting other destinations in the Pacific Northwest? Check out Fodor’s Pacific Northwest, Fodor's Oregon, Fodor's Seattle, and Fodor's Inside Portland. ABOUT FODOR'S AUTHORS: Each Fodor's Travel Guide is researched and written by local experts. Fodor’s has been offering expert advice for all tastes and budgets for over 80 years. For more travel inspiration, you can sign up for our travel newsletter at fodors.com/newsletter/signup, or follow us @FodorsTravel on Facebook, Instagram, and Twitter. We invite you to join our friendly community of travel experts at fodors.com/community to ask any other questions and share your experience with us! *Important note for digital editions: The digital edition of this guide does not contain all the images or text included in the physical edition.
Stanley Park, Vancouver, September 2014. A fourteen-foot bronze-cast cedar sculpture is being erected. Dignitaries from all levels of government are present, including leaders of the Coast Salish First Nations and representatives from Portugal’s Azores Islands. Luke Marston, carver/artist, supervises as his three-year project is revealed to the world. The sculpture—titled Shore to Shore—depicts Luke’s great-great-grandparents, Portuguese Joe Silvey, one of BC’s most colourful pioneers, and Kwatleematt (Lucy), a Sechelt First Nation matriarch and Silvey’s second wife. Silvey and Kwatleematt are flanked by Khaltinaht, Silvey’s first wife, a noblewoman from the Musqueam and Squamish First Nations. The trio are surrounded by the tools of Silvey’s trade: seine nets, whaling harpoons, and the Pacific coast salmon that helped the family thrive in the early industries of BC. The sculpture references the multicultural relationships that are at the foundation of BC, while also showcasing the talents of one of Canada’s finest contemporary First Nations carvers. Combining interviews, research and creative non-fiction narration, author Suzanne Fournier recounts Marston’s career, from his early beginnings carving totems for the public at the Royal BC Museum, to his study under Haida artist Robert Davidson and jewellery master Valentin Yotkov, to his visits to both his ancestral homes: Reid Island and the Portuguese Azores island of Pico—journeys which provided inspiration for the Shore to Shore statue.
