This book elucidates the significance of glosses on Prudentius' "Psychomachia" in the German or Weitz manuscript tradition. It redirects attention away from the philological concerns of conventional scholarship toward those of mainstream Carolingian and Ottonian intellectual history.
Psychomachia reads like an NA meeting with Donna Tartt, Joan Didion, DBC Pierre, James Frey, Angela Carter, Reinaldo Arenas, Virginia Despentes and JT Leroy battling their collective consciousness. Literature like this is usually presented through the male gaze, hence the fashion and rock n roll literati naming Kirsty Allison London's finest. She's hilarious - she's fucked up. Scarlet Flagg is so wasted, she doesn't know if she killed the arch patriarch of rock n roll, Malachi Wright of Wright States International Touring after he raped her at a festival at 14. Scarlet is the kinda girl you wanna help, fuck, and leave. But is she dangerous? Did she murder Malachi or was it her boyfriend, Iggy Papershoes, frontman of Heroshima? Or perhaps her drug-dealing father? Scarlet doesn't remember - she hardly remembers her own name. This is brutal female drug-lit at its finest. The first novel of the real nineties, Scarlet is an unreliable narrator of epic fin-de-millennia proportions floating in a Shoreditch-warehouse haze. Her fast moving chronicle of the secret drug-filled, love starved, sex satiated-nightmare world of East End fashion, art and music afterparties is set in an era before MeToo, when stigmas meant keeping schtum, and getting in with the male-dominated in-crowd relied on copious amounts of class-As. Like Jean Genet in a prison cell, without camera phones, social media or mental health awareness, Scarlet searches for redemption in the pursuit of revenge through blurred lines in Ibiza, Paris, London and New York.
Prudentius' Psychomachia, written about A.D. 405, has been studied by classicists, medievalists, and general literary historians. Nevertheless, scholars have barely explored the allegory's inner workings or related it to its historical context. The present study remedies this critical neglect and its attendant misreadings. The author arrives at a coherent, unified interpretation by examining the work's major features in relation to the poet's life and times. He contends that the poet balanced an affirmation of Christian allegory with an ironic negation of pagan literary tradition. For this remarkable achievement his audience was the aristocracy, still largely pagan at a time of intense antagonism between the Church and old Roman religious institutions. Originally published in 1976. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
This new translation brings to life Prudentius' Psychomachia, one of the most widely read poems in western Europe from Late Antiquity through the Renaissance. With accompanying notes and introduction, this volume provides a fresh exploration of its themes and influence. The Psychomachia of Prudentius (348–c. 405), an allegorical epic poem of nearly 1,000 lines about the battle between the virtues and the vices for possession of the human soul, led early modern scholars to refer to the late antique poet as "the Christian Vergil." Combining depictions of violent, single combats with allusions to pagan epic poetry, biblical scenes, and Christian doctrine, the poem captures the dynamism of the later Roman Empire in which the pagan world was giving way to a new, Christian Europe. In this volume, the introduction sets the historical and literary context and illuminates the Psychomachia’s prominent role in western literary history. Mastrangelo’s translation aims to capture the rhetorical power of the author’s Roman Christian Latin for the 21st-century reader. The notes provide the reader with in-depth information on Prudentius’ Latinity, the Roman epic tradition, and Christian doctrine. This volume is directed at students and scholars across the disciplines of comparative literature, classics, religion, and ancient and medieval studies, as well as any reader interested in the history and development of literature in the West.
Prudentius (b. 348 c.e.), one of the greatest Latin poets of late antiquity, was also a devoted Christian. His allegorical masterpiece, Psychomachia, combines epic language and theological speculation to offer a powerful vision of Roman and Christian triumphalism. Yet this important work—one of the most popular and influential poems of the Middle Ages—is unfamiliar to most contemporary students of Latin. This edition, featuring the first full-length English commentary on the poem, makes Psychomachia accessible to modern learners. In his wide-ranging introduction, Aaron Pelttari examines the life of Prudentius, the world of late antiquity, and the structure of Psychomachia, along with its aims, reception, and manuscript transmission. The Latin text includes an apparatus criticus, and the corresponding commentary covers points of textual, grammatical, literary, and historical interest. Following the commentary are two appendices: an explanation of the poem’s meter, and a glossary of rhetorical and literary terms. A bibliography and a complete Latin-to-English glossary round out the volume. Ten illustrations enrich the text by showcasing medieval illuminations and early editions of the poem. Ideally suited for intermediate and advanced students of Latin, this volume is also useful for instructors and scholars, who will welcome its lucid interpretation of the poem and expert guidance on difficult passages. With its concise yet carefully considered format, The Psychomachia of Prudentius will be a welcome addition to scholarship on late antique Latin literature.
Prudentius (b. 348 c.e.), one of the greatest Latin poets of late antiquity, was also a devoted Christian. His allegorical masterpiece, Psychomachia, combines epic language and theological speculation to offer a powerful vision of Roman and Christian triumphalism. Yet this important work—one of the most popular and influential poems of the Middle Ages—is unfamiliar to most contemporary students of Latin. This edition, featuring the first full-length English commentary on the poem, makes Psychomachia accessible to modern learners. In his wide-ranging introduction, Aaron Pelttari examines the life of Prudentius, the world of late antiquity, and the structure of Psychomachia, along with its aims, reception, and manuscript transmission. The Latin text includes an apparatus criticus, and the corresponding commentary covers points of textual, grammatical, literary, and historical interest. Following the commentary are two appendices: an explanation of the poem’s meter, and a glossary of rhetorical and literary terms. A bibliography and a complete Latin-to-English glossary round out the volume. Ten illustrations enrich the text by showcasing medieval illuminations and early editions of the poem. Ideally suited for intermediate and advanced students of Latin, this volume is also useful for instructors and scholars, who will welcome its lucid interpretation of the poem and expert guidance on difficult passages. With its concise yet carefully considered format, The Psychomachia of Prudentius will be a welcome addition to scholarship on late antique Latin literature.
Is it fiction? Non-fiction? Seventeen years later and I still dont know. Psychomachia is an act of confession and penance. Jump in and discover the story of a twenty-something fundamentalist preacher with delusions of grandeur--a real misfit searching for a place to call home. Follow him into the U.S. Army where he hopes to become a well-remembered hero to folks back home. Listen in as his mind turns violently against him, and his number one enemy becomes The Brain. Observe as he is rescued from death by a hallucinatory pop singer. Sit with him in the crazy person hospital as he searches for answers to the mess that was once his life. It is a somewhat true story that is stranger than fiction. I ought to know. Its based on my life, and it is my effort to come to terms with my own walk down crazy lane.
Bryn Mawr Commentaries provide clear, concise, accurate, and consistent support for students making the transition from introductory and intermediate texts to the direct experience of ancient Greek and Latin literature. They assume that the student will know the basics of grammar and vocabulary and then provide the specific grammatical and lexical notes that a student requires to begin the task of interpretation.
Collects Infinity War #1-6, Warlock and the Infinity Watch #7-10 & Marvel Comics Presents #108-111. When evil dopplegangers of the Marvel heroes appear, it's all-out war! Why has Magus unleashed them on an unsuspecting world? And is the heroes only hope Thanos?! Plus, will the Infinity Gauntlet swing the tide of the war?