Present Imperfect

Present Imperfect

Author: Andrew van der Vlies

Publisher: Oxford University Press

Published: 2017-05-19

Total Pages: 264

ISBN-13: 0192512536

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Present Imperfect asks how South African writers have responded to the end of apartheid, to the hopes that attended the birth of the 'new' nation in 1994, and to the inevitable disappointments that have followed. The first full-length study of affect in South Africa's literature, it understands 'disappointment' both as a description of bad feeling and as naming a missed appointment with all that was promised by the anti-colonial and anti-apartheid Struggle (a dis-appointment). Attending to contemporary writers' treatment of temporality, genre, and form, it considers a range of negative feelings that are also experiences of temporal disjuncture-including stasis, impasse, boredom, disaffection, and nostalgia. Present Imperfect offers close readings of work by a range of writers - some known to international Anglophone readers including J.M. Coetzee, Nadine Gordimer, Ivan Vladislavic, and Zoë Wicomb, some slightly less well-known including Afrikaans-language novelists Marlene van Niekerk and Ingrid Winterbach, and others from a new generation including Songeziwe Mahlangu and Masande Ntshanga. It addresses key questions in South African studies about the evolving character of the historical period in which the country now finds itself. It is also alert to wider critical and theoretical conversations, looking outward to make a case for the place of South African writing in global conversations, and mobilizing readings of writing marked in various ways as 'South African' in order to complicate the contours of World Literature as category, discipline, and pedagogy. It is thus also a book about the discontents of neoliberalism, the political energies of reading, and the fates of literature in our troubled present.


The Columbia Guide to South African Literature in English Since 1945

The Columbia Guide to South African Literature in English Since 1945

Author: Gareth Cornwell

Publisher: Columbia University Press

Published: 2010

Total Pages: 270

ISBN-13: 0231130465

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From the outset, South Africa's history has been marked by division and conflict along racial and ethnic lines. From 1948 until 1994, this division was formalized in the National Party's policy of apartheid. Because apartheid intruded on every aspect of private and public life, South African literature was preoccupied with the politics of race and social engineering. Since the release from prison of Nelson Mandela in 1990, South Africa has been a new nation-in-the-making, inspired by a nonracial idealism yet beset by poverty and violence. South African writers have responded in various ways to Njabulo Ndebele's call to "rediscover the ordinary." The result has been a kaleidoscope of texts in which evolving cultural forms and modes of identity are rearticulated and explored. An invaluable guide for general readers as well as scholars of African literary history, this comprehensive text celebrates the multiple traditions and exciting future of the South African voice. Although the South African Constitution of 1994 recognizes no fewer than eleven official languages, English has remained the country's literary lingua franca. This book offers a narrative overview of South African literary production in English from 1945 to the postapartheid present. An introduction identifies the most interesting and noteworthy writing from the period. Alphabetical entries provide accurate and objective information on genres and writers. An appendix lists essential authors published before 1945.


Voices of Justice and Reason

Voices of Justice and Reason

Author: Geoffrey V. Davis

Publisher: Rodopi

Published: 2003

Total Pages: 414

ISBN-13: 9789042008267

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Over the past fifty years transformations of great moment have taken place in South Africa. Apartheid and the subsequent transition to a democratic, non-racial society in particular have exercised a profound effect on the practice of literature. This study traces the development of literature under apartheid, then seeks to identify the ways in which writers and theatre practitioners are now facing the challenges of a new social order. The main focus is on the work of black writers, prime among them Matsemela Manaka, Mtutuzeli Matshoba and Richard Rive, who, as politically committed members of the oppressed majority, bore witness to the "black experience" through their writing. Despite the draconian censorship system they were able to address the social problems caused by racial discrimination in all areas of life, particularly through forced removals, the migrant labour system, and the creation of the homelands. Their writing may be read both as a comprehensive record of everyday life under apartheid and as an alternative cultural history of South Africa. Particular attention is paid to theatre as a barometer of social change in South Africa. The concluding chapters consider how in the current period of transition writers and arts institutions have set about reassessing their priorities, redefining their function and seeking new aesthetic directions in taking up the challenge of imagining a new society.


Like Family

Like Family

Author: Ena Jansen

Publisher: NYU Press

Published: 2019-04-01

Total Pages: 455

ISBN-13: 1776143531

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An analytic and historical perspective of literary texts to understand the position of domestic workers in South Africa More than a million black South African women are domestic workers. Precariously situated between urban and rural areas, rich and poor, white and black, these women are at once intimately connected and at a distant remove from the families they serve. Ena Jansen shows that domestic worker relations in South Africa were shaped by the institution of slavery, establishing social hierarchies and patterns of behavior that persist today. To support her argument, Jansen examines the representation of domestic workers in a diverse range of texts in English and Afrikaans. Authors include André Brink, JM Coetzee, Imraan Coovadia, Nadine Gordimer, Elsa Joubert, Antjie Krog, Sindiwe Magona, Kopano Matlwa, Es'kia Mphahlele, Sisonke Msimang, Zukiswa Wanner and Zoë Wicomb. Like Family is an updated version of the award-winning Soos familie (2015) and the highly-acclaimed 2016 Dutch translation, Bijna familie.


Transforming Author Museums

Transforming Author Museums

Author: Ulrike Spring

Publisher: Berghahn Books

Published: 2021-10-15

Total Pages: 521

ISBN-13: 1805394282

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Literary museums today must respond to new challenges; the traditional image of the author’s home museum as a sacred place of literary pilgrimage centered around a national hero has been questioned, and literary museums have begun to develop new strategies centered not only on biography, but also literary texts, imagined spaces, different readers, historical contexts, architectural concepts, and artistic interventions. As this volume shows, the changing of spaces asks how literary museums create new ways of interlinking real and literary spaces, texts, objects, readers, and tourists.


South African Literature After the Truth Commission

South African Literature After the Truth Commission

Author: Shane Graham

Publisher: Macmillan

Published: 2009-04-15

Total Pages: 256

ISBN-13: 9780230615373

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In the wake of apartheid, South African culture conveys the sense of being lost in time and space. The Truth Commission provided an opportunity for South Africans to find their bearings in a nation changing at a bewildering pace; the TRC also marked the beginning of a long process of remapping space, place, and memory. In this groundbreaking book, Shane Graham investigates how post-apartheid theatre-makers and writers of fiction, poetry, and memoir have taken this project forward, using their art to come to terms with South Africa’s violent past and rapidly changing present.


Handbook of Anglophone World Literatures

Handbook of Anglophone World Literatures

Author: Stefan Helgesson

Publisher: Walter de Gruyter GmbH & Co KG

Published: 2020-09-07

Total Pages: 631

ISBN-13: 3110580942

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The Handbook of Anglophone World Literatures is the first globally comprehensive attempt to chart the rich field of world literatures in English. Part I navigates different usages of the term ‘world literature’ from an historical point of view. Part II discusses a range of theoretical and methodological approaches to world literature. This is also where the handbook’s conceptualisation of ‘Anglophone world literatures’ – in the plural – is developed and interrogated in juxtaposition with proximate fields of inquiry such as postcolonialism, translation studies, memory studies and environmental humanities. Part III charts sociological approaches to Anglophone world literatures, considering their commodification, distribution, translation and canonisation on the international book market. Part IV, finally, is dedicated to the geographies of Anglophone world literatures and provides sample interpretations of literary texts written in English.


African City Textualities

African City Textualities

Author: Ranka Primorac

Publisher: Routledge

Published: 2013-09-13

Total Pages: 193

ISBN-13: 1317990323

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The stereotype of Africa as a predominantly 'natural' space ignores the existence of vibrant and cosmopolitan urban environments on the continent. Far from merely embodying backwardness and lack, African cities are sites of complex and diverse cultural productions which participate in modernity and its dynamics of global flows and exchanges. This volume merges the concerns of urban, literary and cultural studies by focusing on the flows and exchanges of texts and textual elements. By analysing how texts such as popular and canonical fiction, popular music, self-help pamphlets, graffiti, films, journalistic writing, rumours and urban legends engage with the problems of citizenship, self-organisation and survival, the collection shows that despite all the problems of Africa, its cities continue to engender forward-looking creativity and hope. The texts collected here belong to several different genres themselves, and they are authored by both distinguished and younger scholars, based in and outside of Africa. The volume explores the textualities emerging from the cities of Senegal, Nigeria, Ghana, Uganda, Kenya, Zambia, Zimbabwe and South Africa. Above all, it calls for an end to disabling hierarchical categorisations of both texts and cities. This book was published as a special issue of the Journal of Postcolonial Writing.


Gods and Soldiers

Gods and Soldiers

Author: Rob Spillman

Publisher: Penguin

Published: 2009-04-01

Total Pages: 372

ISBN-13: 9780143114734

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A one-of-a-kind collection showcasing the energy of new African literature Coming at a time when Africa and African writers are in the midst of a remarkable renaissance, Gods and Soldiers captures the vitality and urgency of African writing today. With stories from northern Arabic-speaking to southern Zulu-speaking writers, this collection conveys thirty different ways of approaching what it means to be African. Whether about life in the new urban melting pots of Cape Town and Luanda, or amid the battlefield chaos of Zimbabwe and Somalia, or set in the imaginary surreal landscapes born out of the oral storytelling tradition, these stories represent a striking cross section of extraordinary writing. Including works by J. M. Coetzee, Chimamanda Adichie, Nuruddin Farah, Binyavanga Wainaina, and Chinua Achebe, and edited by Rob Spillman of Tin House magazine, Gods and Soldiers features many pieces never before published, making it a vibrant and essential glimpse of Africa as it enters the twenty-first century.