Cultural revolution: the making of a plebeian intelligentsia -- Knowledges of self -- The proletarian "I" -- The moral landscape of the modern city -- Revolutionary modernity and its discontents -- Feelings of the sacred -- Sacred vision in the revolution.
The Radical Novel and the Classless Society analyzes utopian and proletarian novels as a single socialist tradition in U.S. literature. Utopian novels by such writers as Edward Bellamy, William Dean Howells, Charlotte Perkins Gilman, and Sutton E. Griggs and proletarian novels by such writers as Robert Cantwell, John Steinbeck, Richard Wright, Meridel Le Sueur, Claude McKay, and Ralph Ellison can help us conceive of a unity of utopian and Marxist socialisms. We can combine the imagination of the future classless society with present-day socialist strategy. Utopian and proletarian novels help us to imagine—and realize—the classless society as achieving the utopian goal of recognizing race and gender and the Marxist goal of overcoming social class.
Russomania is the first comprehensive account of the breadth and depth of the modernist fascination with Russian and early Soviet culture. It traces Russia's transformative effect on literary and intellectual life in Britain between 1881 and 1922, from the assassination of Alexander II to the formation of the Soviet Union. Studying canonical writers alongside a host of less well known authors and translators, it provides an archive-rich study of institutions, disciplines, and networks. Book jacket.
By the turn of the twentieth century, Japan’s military and economic successes made it the dominant power in East Asia, drawing hundreds of thousands of Chinese, Korean, and Taiwanese students to the metropole and sending thousands of Japanese to other parts of East Asia. The constant movement of peoples, ideas, and texts in the Japanese empire created numerous literary contact nebulae, fluid spaces of diminished hierarchies where writers grapple with and transculturate one another’s creative output. Drawing extensively on vernacular sources in Japanese, Chinese, and Korean, this book analyzes the most active of these contact nebulae: semicolonial Chinese, occupied Manchurian, and colonial Korean and Taiwanese transculturations of Japanese literature. It explores how colonial and semicolonial writers discussed, adapted, translated, and recast thousands of Japanese creative works, both affirming and challenging Japan’s cultural authority. Such efforts not only blurred distinctions among resistance, acquiescence, and collaboration but also shattered cultural and national barriers central to the discourse of empire. In this context, twentieth-century East Asian literatures can no longer be understood in isolation from one another, linked only by their encounters with the West, but instead must be seen in constant interaction throughout the Japanese empire and beyond.
Sacred Stories brings together the work of leading scholars writing on the history of religion and religiosity in late imperial Russia during the critical decades preceding the 1917 revolutions. Embodying new research and new methodologies, this book reshapes our understanding of the place of religion in modern Russian history. Topics examined include miraculous icons and healing, pilgrim narratives, confessions, women and Orthodox domesticity, marriage and divorce, conversion and tolerance, Jewish folk beliefs, mysticism in Russian art, and philosophical aspects of Orthodox religious thought. Sacred Stories demonstrates that belief, spirituality, and the sacred were powerful and complex cultural expressions central to Russian political, social, economic, and cultural life. Contributors are Nicholas B. Breyfogle, Heather J. Coleman, Gregory L. Freeze, Nadieszda Kizenko, Alexei A. Kurbanovsky, Roy R. Robson, Bernice Glatzer Rosenthal, Gabriella Safran, Vera Shevzov, Sarah Abrevaya Stein, Mark Steinberg, Paul Valliere, William G. Wagner, Paul W. Werth, and Christine D. Worobec.
Bringing together important new work by an international and interdisciplinary group of leading scholars, Interpreting Emotions in Russia and Eastern Europe approaches emotions as a phenomenon complexly intertwined with society, culture, politics, and history. The stories in this book involve sensitive aristocrats, committed revolutionaries, aggressive nationalists, political leaders, female victims of sexual violence, perpetrators and victims of Stalinist terror, citizens in the former Yugoslavia in the wake of war, workers in post-socialist Romania, Balkan Romani "Gypsy" musicians, and veterans of the Afghan and Chechen wars. These essays explore emotional perception and expression not only as private, inward feeling but also as a way of interpreting and judging a troubled world, acting in it, and perhaps changing it. Essential reading for those interested in new perspectives on the study of Russia and Eastern Europe, past and present, this volume will appeal to scholars across the social sciences and humanities who are seeking new and deeper approaches to understanding human experience, thought, and feeling.
This comparative historical sociology of the Bolshevik revolutionaries offers a reinterpretation of political radicalization in the last years of the Russian Empire. Finding that two-thirds of the Bolshevik leadership were ethnic minorities - Ukrainians, Latvians, Georgians, Jews and others - this book examines the shared experiences of assimilation and socioethnic exclusion that underlay their class universalism. It suggests that imperial policies toward the Empire's diversity radicalized class and ethnicity as intersectional experiences, creating an assimilated but excluded elite: lower-class Russians and middle-class minorities universalized particular exclusions as they disproportionately sustained the economic and political burdens of maintaining the multiethnic Russian Empire. The Bolsheviks' social identities and routes to revolutionary radicalism show especially how a class-universalist politics was appealing to those seeking secularism in response to religious tensions, a universalist politics where ethnic and geopolitical insecurities were exclusionary, and a tolerant 'imperial' imaginary where Russification and illiberal repressions were most keenly felt.
Covering everything from Hollywood films to Soviet cinema, London's queer spaces to spaceships, horror architecture and action scenes, Screen Interiors presents an array of innovative perspectives on film design. Essays address questions related to interiors and objects in film and television from the early 1900s up until the present day. Authors explore how interior film design can facilitate action and amplify tensions, how rooms are employed as structural devices and how designed spaces can contribute to the construction of identities. Case studies look at disjunctions between interior and exterior design and the inter-relationship of production design and narrative. With a lens on class, sexuality and identity across a range of films including Twilight of a Woman's Soul (1913), The Servant (1963), Caravaggio (1986), and Passengers (2016), and illustrated with film stills throughout, Screen Interiors showcases an array of methodological approaches for the study of film and design history.
Although much has been written about the political history of the Russian revolution, the human story of what the revolution meant to ordinary people has rarely been told. This book gives voice to the experiences, thoughts, and feelings of the Russian people--workers, peasants, soldiers--as expressed in their own words during the vast political, social, and economic upheavals of 1917. The documents in the volume include letters from individuals to newspapers, institutions, or leaders; collective resolutions and appeals; and even poetry. Selected from the State Archive of the Russian Federation in Moscow, nearly all the texts are published here for the first time. In these writings we hear the voices of ordinary Russians seeking to understand the revolution and make sense of the values, ideals, and discontents of their turbulent times. Not only do they speak of their particular needs and desires--for solutions to the economic crisis or an end to the war, for example--they also reveal how relatively unprivileged Russians thought about such questions as political power, freedom, justice, democracy, social class, nationhood, and civic morality. Mark Steinberg provides introductions to the documents, explaining the language of popular revolution in Russia and setting the writings in the context of the history of the time.