Liszt and the Symphonic Poem

Liszt and the Symphonic Poem

Author: Joanne Cormac

Publisher: Cambridge University Press

Published: 2017-10-26

Total Pages: 381

ISBN-13: 1107181410

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A fresh evaluation of Liszt's symphonic poems, based on contextual, philosophical and musical evidence.


Brahms in the Home and the Concert Hall

Brahms in the Home and the Concert Hall

Author: Katy Hamilton

Publisher: Cambridge University Press

Published: 2014-09-11

Total Pages: 425

ISBN-13: 1316061329

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Johannes Brahms was a consummate professional musician, and a successful pianist, conductor, music director, editor and composer. Yet he also faithfully championed the world of private music-making, creating many works and arrangements for enjoyment in the home by amateurs. This collection explores Brahms' public and private musical identities from various angles: the original works he wrote with amateurs in mind; his approach to creating piano arrangements of not only his own, but also other composers' works; his relationships with his arrangers; the deeper symbolism and lasting legacy of private music-making in his day; and a hitherto unpublished memoir which evokes his Viennese social world. Using Brahms as their focus point, the contributors trace the overlapping worlds of public and private music-making in the nineteenth century, discussing the boundaries between the composer's professional identity and his lifelong engagement with amateur music-making.


The Music of Joseph Joachim

The Music of Joseph Joachim

Author: Katharina Uhde

Publisher: Boydell & Brewer

Published: 2018

Total Pages: 534

ISBN-13: 1783272848

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Joseph Joachim (1831-1907) was arguably the greatest violinist of the nineteenth century. But Joachim was also a composer of virtuoso pieces, violin concertos, orchestral overtures and chamber music works. Uhde's book will be thestandard work on the music of Joseph Joachim for many years to come.


Medieval Illuminators and Their Methods of Work

Medieval Illuminators and Their Methods of Work

Author: Jonathan James Graham Alexander

Publisher: Yale University Press

Published: 1992-01-01

Total Pages: 230

ISBN-13: 9780300060737

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Who were the medieval illuminators? How were their hand-produced books illustrated and decorated? In this beautiful book Jonathan Alexander presents a survey of manuscript illumination throughout Europe from the fourth to the sixteenth century. He discusses the social and historical context of the illuminators' lives, considers their methods of work, and presents a series of case studies to show the range and nature of the visual sources and the ways in which they were adapted, copied, or created anew. Alexander explains that in the early period, Christian monasteries and churches were the main centers for the copying of manuscripts, and so the majority of illuminators were monks working in and for their own monasteries. From the eleventh century, lay scribes and illuminators became increasingly numerous, and by the thirteenth century, professional illuminators dominated the field. During this later period, illuminators were able to travel in search of work and to acquire new ideas, they joined guilds with scribes or with artists in the cities, and their ranks included nuns and secular women. Work was regularly collaborative, and the craft was learned through an apprenticeship system. Alexander carefully analyzes surviving manuscripts and medieval treatises in order to explain the complex and time-consuming technical processes of illumination - its materials, methods, tools, choice of illustration, and execution. From rare surviving contracts, he deduces the preoccupation of patrons with materials and schedules. Illustrating his discussion with examples chosen from religious and secular manuscripts made all over Europe, Alexander recreates the astonishing variety and creativity ofmedieval illumination. His book will be a standard reference for years to come.