Luis de Góngora and Lope de Vega

Luis de Góngora and Lope de Vega

Author: Lindsay G. Kerr

Publisher: Boydell & Brewer

Published: 2017

Total Pages: 221

ISBN-13: 1855663171

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Traces the processes and paradoxes at work in the late parodic poetry of Luis de Góngora and Lope de Vega, illuminating correlations and connections.


Poetry as Play

Poetry as Play

Author: Maria Cristina Quintero

Publisher: John Benjamins Publishing

Published: 1991-01-01

Total Pages: 290

ISBN-13: 9789027217622

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During the Golden Age, poetry and drama entered into a dynamic intertextual and intergeneric exchange. The Comedia appropriated the different poetic currents prevalent during the Renaissance and also often enacted the controversies surrounding poetic language. Of particular interest is the influence of gongorismo on the comedia. Luis de Gongora himself experimented with dramatic form in his two little-known plays, "Las firmezas de Isabela and El doctor Carlino." In his quest for effective dramatic language, Lope de Vega dramatized Gongorine language through both parody and respectful imitation. Calderon de la Barca, whose plays represent the culmination of Gongora's influence on Golden Age theater, transformed gongorismo into a rich, performative code that functions simultaneously as poetic discourse and dramatic convention.


The Soledades, Góngora's Masque of the Imagination

The Soledades, Góngora's Masque of the Imagination

Author: Marsha Suzan Collins

Publisher: University of Missouri Press

Published: 2002

Total Pages: 286

ISBN-13: 0826262856

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Prince of Darkness or Angel of Light? The pastoral masterpiece the Soledades garnered both titles for its author, Luis de Góngora, one of Spain's premier poets. In The Soledades, Góngora's Masque of the Imagination, Marsha S. Collins focuses on the brilliant seventeenth-century Spanish poet's contentious work of art. The Soledades have sparked controversy since they were first circulated at court in 1612-1614 and continue to do so even now, as Góngora has become for some critics the poster child of postmodernism. These perplexing 2,000-plus line pastoral poems garnered endless debates over the value and meaning of the author's enigmatic, challenging poetry and gave rise to his reputation, causing his very name to become an English term for obscurity. Collins views these controversial poems in a different light, as a literary work that is a product of European court culture.


Góngora's Poetic Textual Tradition

Góngora's Poetic Textual Tradition

Author: Diane Chaffee-Sorace

Publisher: Tamesis

Published: 1988

Total Pages: 104

ISBN-13: 9780729302807

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Described as one of Spain's foremost Golden-Age poets, Luis de Gongora generated a vast and complex poetic textual tradition through the creation, revision and dissemination of his verse. In later life, he authorized his friend Antonio Chacon to compile an anthology of his poetic works which had been in disarray for many years. Gongora's assistance in identifying the genuine versions of his poems and his participation in the compiling, editing and dating of these poems make the Chacon manuscript (1620) an authoritative collection of the poet's verse. Nevertheless, it includes defective poems and, moreover, the plethora of variants, versions and imitations of his poetry raises questions of authorship and authenticity.


The Melancholy Void

The Melancholy Void

Author: Felipe Valencia (1983- author)

Publisher: U of Nebraska Press

Published: 2021-07

Total Pages: 354

ISBN-13: 1496227697

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At the turn of the seventeenth century, Spanish lyric underwent a notable development. Several Spanish poets reinvented lyric as a melancholy and masculinist discourse that sang of and perpetrated symbolic violence against the female beloved. This shift emerged in response to the rising prestige and commercial success of the epic and was enabled by the rich discourse on the link between melancholy and creativity in men. In The Melancholy Void Felipe Valencia examines this reconstruction of the lyric in key texts of Spanish poetry from 1580 to 1620. Through a study of canonical and influential texts, such as the major poems by Luis de Góngora and the epic of Alonso de Ercilla, but also lesser-known texts, such as the lyrics by Miguel de Cervantes, The Melancholy Void addresses four understudied problems in the scholarship of early modern Spanish poetry: the use of gender violence in love poetry as a way to construct the masculinity of the poetic speaker; the exploration in Spanish poetry of the link between melancholy and male creativity; the impact of epic on Spanish lyric; and the Spanish contribution to the fledgling theory of the lyric. The Melancholy Void brings poetry and lyric theory to the conversation in full force and develops a distinct argument about the integral role of gender violence in a prominent strand of early modern Spanish lyric that ran from Garcilaso to Góngora and beyond.