Proceedings of the Society for Psychical Research
Author: Society for Psychical Research (Great Britain)
Publisher:
Published: 1910
Total Pages: 772
ISBN-13:
DOWNLOAD EBOOKList of members in v.1-19, 21, 24-
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Author: Society for Psychical Research (Great Britain)
Publisher:
Published: 1910
Total Pages: 772
ISBN-13:
DOWNLOAD EBOOKList of members in v.1-19, 21, 24-
Author: Edmund Richardson
Publisher: Bloomsbury Publishing
Published: 2018-12-13
Total Pages: 422
ISBN-13: 1350017264
DOWNLOAD EBOOKClassics in Extremis reimagines classical reception. Its contributors explore some of the most remarkable, hard-fought and unsettling claims ever made on the ancient world: from the coal-mines of England to the paradoxes of Borges, from Victorian sexuality to the trenches of the First World War, from American public-school classrooms to contemporary right-wing politics. How does the reception of the ancient world change under impossible strain? Its protagonists are 'marginal' figures who resisted that definition in the strongest terms. Contributors argue for a decentered model of classical reception: where the 'marginal' shapes the 'central' as much as vice versa – and where the most unlikely appropriations of antiquity often have the greatest impact. What kind of distortions does the model of 'centre' and 'margins' produce? How can 'marginal' receptions be recovered most effectively? Bringing together some of the leading scholars in the field, Classics in Extremis moves beyond individual case studies to develop fresh methodologies and perspectives on the study of classical reception.
Author:
Publisher:
Published: 1920
Total Pages: 738
ISBN-13:
DOWNLOAD EBOOKAuthor: Sampson Low
Publisher:
Published: 1911
Total Pages: 344
ISBN-13:
DOWNLOAD EBOOKVols. for 1898-1968 include a directory of publishers.
Author: Beth A. Robertson
Publisher: UBC Press
Published: 2016-11-28
Total Pages: 253
ISBN-13: 0774833521
DOWNLOAD EBOOKIn the 1920s and ’30s, people gathered in darkened rooms to explore the paranormal through seances. They were motivated by grief, spiritual devotion, or a desire to be entertained. Beth A. Robertson resurrects the story of a small transnational group and their quest for objective knowledge of the supernatural, casting new light on how science, metaphysics, and the senses collided to inform gendered norms in this era. Robertson draws back the curtain to reveal a world inhabited by researchers, spirits, and spiritual mediums. Representing themselves as masters of the senses, untainted by the effeminized subjectivity of the body, psychical researchers in Canada, the UK, and the US believed that they could use machines and empirical methods to transform the seance into a laboratory of the spirits and a transnational empirical project. However, mediums and ghostly subjects could and did challenge their claims to scientific expertise and authority.
Author: Society for Psychical Research
Publisher:
Published: 1910
Total Pages: 770
ISBN-13:
DOWNLOAD EBOOKAuthor: Andromache Karanika
Publisher: Oxford University Press
Published: 2024-09-17
Total Pages: 304
ISBN-13: 0198884591
DOWNLOAD EBOOKWedding, Gender, and Performance in Ancient Greece traces the wedding song tradition, its imagery, and its tropes as a genre that became crystallized throughout the ages. It explores how wedding poetics permeates ancient Greek literature. It first analyzes how explicit or implicit matrimonial references shape archaic epic diction and become an integral part of epic discourse; orally circulating texts, such as wedding songs, could have a life of their own but, beyond their original context, could also become an integral part of a different genre, especially epic and drama. This author discusses the multiple platforms that enrich the wedding song tradition, including children's songs, hymns, paeans, and ululations, arguing for a combination of ritualized discourse with ludic childhood poetics. With an approach from cognitive and trauma studies, such references can be more revealing of the female experience than previously acknowledged. This book resists the idea that a wedding constitutes an initiation ritual, arguing that what on the surface may seem like a transition to a new phase reveals other underlying trends that work against the concept of a passage. It further considers how emotion is staged and revisits the poetics of return by looking at patterns such as the eloping, returning, failed, and dead bride. Finally, the theme of separation and return as an exemplification of a distinct female nostos is revisited in female-authored poetry, which helps us decode the complex interweaving of wedding performances and lamentation, among other types of performance.