Hidden Symbolism of Alchemy and the Occult Arts

Hidden Symbolism of Alchemy and the Occult Arts

Author: Herbert Silberer

Publisher: Courier Corporation

Published: 1971-01-01

Total Pages: 482

ISBN-13: 0486209725

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This thoughtful study, which antedates the work of Jung by a generation, represents the first serious attempt to correlate the methods of psychoanalysis with the literature of alchemy and of other great Western mystical and occult traditions. Dr. Silberer was a prominent member of the Vienna School whose untimely death prevented this, his major published work, from receiving the attention it clearly merited. Included is a wealth of material taken directly from alchemical and Rosicrucian sources. Symbolisms of salt, sulphur and mercury; of the prison, the abyss and the grave; of putrefaction and procreation; and of the sun, moon, and planets are carefully analyzed and explained. Passages from the works of Hermes Trismegistus, Flamel, Lacinius, Michael Meier, Paracelsus, and Boehme are cited both as important sources of alchemical doctrine and to substantiate the thesis that alchemy was a spiritual discipline of the highest order, comparable to the Yoga of the East. The entire inquiry is based on a parable from the pages of "Geheime Figuren der Rosenkreuzer," an l8th-century alchemical text. After a general exposition of dream and myth interpretation, Dr. Silberer proceeds to a psychoanalytic interpretation of the parable and then gives a detailed account of the traditions and practices of the alchemists, Rosicrucians, and Freemasons. Returning to the parable, he introduces the problem of dual interpretations; for while the psychoanalytic approach focuses on the depths of the impulsive life, the hermetic and mystical leads to the heights of spirituality. The heart of the book is an attempt to reconcile these divergent philosophies and a meditation on the relationship of introversion to mysticism.


Mysticism and Alchemy through the Ages

Mysticism and Alchemy through the Ages

Author: Gary Edson

Publisher: McFarland

Published: 2012-09-14

Total Pages: 307

ISBN-13: 078646531X

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An in-depth look into the foundations of mysticism and alchemy, this book describes both physical and spiritual aspects of the various theories and practices of transformation, with attention to the beliefs of Buddhism, Christianity, Hinduism, Islam, Judaism, Sufism, Tantrism, Taoism and Yoga. The connection between early mystical pursuits and the development of alchemy from ancient China, India, and Egypt through Moorish Spain and into Latin Europe are illuminated, along with the activities of early alchemists. The book, which is heavily illustrated, describes the beliefs, experiments, and secret messages that drew the believers and dreamers of the world together in search of wealth and immortality.


The Big Book of Christian Mysticism

The Big Book of Christian Mysticism

Author: Carl McColman

Publisher: Broadleaf Books

Published: 2021-11-16

Total Pages: 322

ISBN-13: 1506485766

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In popular usage, "mysticism" typically refers to New Age or Eastern forms of spirituality. However, the mystical tradition is also an important component of the Christian tradition. At its heart--and much like its expression in other faith traditions--Christian mysticism is an ancient practice that incorporates meditation, contemplation, worship, philosophy, the quest for personal enlightenment, and the experience of Divine presence. This volume is a comprehensive introduction and guide to Christian mysticism. It is a big book about a big possibility: the hope of achieving real, blissful, experiential unison with God. Among the topics covered here are a general introduction to mysticism, the Bible and mysticism, the history and types of Christian mysticism, biographical sketches of leading Christian mystics, and practical instructions about practicing mysticism today. This is a breathtaking work that explores a form of spirituality that has changed lives over the course of 2,000 years. Learning about Christian mysticism and how it has been articulated through the centuries will prove inspirational for today's seekers, regardless of the faith tradition. "The mystic is not a special kind of person; every person is a special kind of mytic." --William McNamara


Collected Works of C. G. Jung, Volume 12

Collected Works of C. G. Jung, Volume 12

Author: C. G. Jung

Publisher: Princeton University Press

Published: 2014-03-01

Total Pages: 618

ISBN-13: 1400850878

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A study of the analogies between alchemy, Christian dogma, and psychological symbolism. Revised translation, with new bibliography and index.


Gothic Metaphysics

Gothic Metaphysics

Author: Jodey Castricano

Publisher: University of Wales Press

Published: 2021-11-15

Total Pages: 248

ISBN-13: 178683796X

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We live in the time of the Anthropocene, which calls for a paradigm shift in our relation to this planet. One of the themes of this book is to call attention to the shift. This book is a challenge to Literary/Gothic and Cultural Studies: The case for rethinking approaches to gothic fiction is built on an extended critique of Freudian assumptions and antinomies of the occult (associated with mechanism, materialism and classical physics), a critique informed by Jung and an engaging re-evaluation of mystical, animist and alchemical modes of thought (linked to quantum physics, new materialism along with, curiously but effectively, Derridean deconstruction and cryptonomy). Readers will benefit from the depth and breadth of the research in this book that draws upon philosophical, anthropological, psychoanalytic and scientific thought to engage with a literary genre in a way that changes how we think about Gothic Studies.


The Pre-history of ‘The Midsummer Marriage’

The Pre-history of ‘The Midsummer Marriage’

Author: Roger Savage

Publisher: Routledge

Published: 2019-08-13

Total Pages: 194

ISBN-13: 1000527352

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The Pre-history of ‘The Midsummer Marriage’ examines the early collaborative phase (1943 to 1946) in the making of Michael Tippett’s first mature opera and charts the developments that grew out of that phase. Drawing on a fascinating group of Tippett’s sketchbooks and a lengthy sequence of his letters to Douglas Newton, it helps construct a narrative of the Tippett-Newton collaboration and provides insights into the devising of the opera’s plot, both in that early phase and in the phase from 1946 onwards when Tippett went on with the project alone. The book asks: who was Newton, and what kind of collaboration did he have—then cease to have— with Tippett? What were the origins of and shaping factors behind the original scenario and libretto-drafts? How far did the narrative and controlling concepts of Midsummer Marriage in its final form tally with—and how far did they move away from—those that had been set up in the years of the two men’s collaboration, the ‘pre-historic’ years? The book will be of particular interest to scholars and researchers in opera studies and twentieth-century music.