Carceral Fantasies

Carceral Fantasies

Author: Alison Griffiths

Publisher: Columbia University Press

Published: 2016-08-23

Total Pages: 467

ISBN-13: 0231541562

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A groundbreaking contribution to the study of nontheatrical film exhibition, Carceral Fantasies tells the little-known story of how cinema found a home in the U.S. penitentiary system and how the prison emerged as a setting and narrative trope in modern cinema. Focusing on films shown in prisons before 1935, Alison Griffiths explores the unique experience of viewing cinema while incarcerated and the complex cultural roots of cinematic renderings of prison life. Griffiths considers a diverse mix of cinematic genres, from early actualities and reenactments of notorious executions to reformist exposés of the 1920s. She connects an early fascination with cinematic images of punishment and execution, especially electrocutions, to the attractions of the nineteenth-century carnival electrical wonder show and Phantasmagoria (a ghost show using magic lantern projections and special effects). Griffiths draws upon convict writing, prison annual reports, and the popular press obsession with prison-house cinema to document the integration of film into existing reformist and educational activities and film's psychic extension of flights of fancy undertaken by inmates in their cells. Combining penal history with visual and film studies and theories surrounding media's sensual effects, Carceral Fantasies illuminates how filmic representations of the penal system enacted ideas about modernity, gender, the body, and the public, shaping both the social experience of cinema and the public's understanding of the modern prison.


Captured on Film

Captured on Film

Author: Bruce Crowther

Publisher: B. T. Batsford Limited

Published: 1989

Total Pages: 200

ISBN-13:

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Prison has long fascinated film makers and audiences alike. The author explores the dark enclosed world of prisons on film from light-hearted comedies to the deeper implications of people imprisoned for their political and religious beliefs.


Prison Movies

Prison Movies

Author: Kevin Kehrwald

Publisher: Columbia University Press

Published: 2017-02-14

Total Pages: 130

ISBN-13: 0231851049

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Prison Movies: Cinema Behind Bars traces the public fascination with incarceration from the silent era to the present. Often considered an offshoot of the gangster film, the prison film precedes the gangster film and is in many ways its opposite. Rather than focusing on tragic figures heading for a fall, the prison film focuses on fallen characters seeking redemption. The gangster's perverse pursuit of the American dream is irrelevant to the prisoner for whom that dream has already failed. At their core, prison films are about self-preservation at the hands of oppressive authority. Like history itself, prison films display long stretches of idleness punctuated by eruptions of violence, dangerous moments that signify liberation and the potential for change. The enclosed world of the prison is a highly effective microcosm, one that forces characters and audiences alike to confront vexing issues of race, class, gender, and sexuality. These portrayals of men and women behind bars have thrived because they deal with such fundamental human themes as freedom, individuality, power, justice, and mercy. Films examined include The Big House (1930), I Want to Live! (1958), The Defiant Ones (1958), Cool Hand Luke (1967), Midnight Express (1978), Escape from Alcatraz (1979), The Shawshank Redemption (1994), and Starred Up (2013).


The Palgrave Handbook of Incarceration in Popular Culture

The Palgrave Handbook of Incarceration in Popular Culture

Author: Marcus Harmes

Publisher: Springer Nature

Published: 2020-02-03

Total Pages: 785

ISBN-13: 3030360598

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The Handbook of Incarceration in Popular Culture will be an essential reference point, providing international coverage and thematic richness. The chapters examine the real and imagined spaces of the prison and, perhaps more importantly, dwell in the uncertain space between them. The modern fixation with ‘seeing inside’ prison from the outside has prompted a proliferation of media visions of incarceration, from high-minded and worthy to voyeuristic and unrealistic. In this handbook, the editors bring together a huge breadth of disparate issues including women in prison, the view from ‘inside’, prisons as a source of entertainment, the real worlds of prison, and issues of race and gender. The handbook will inform students and lecturers of media, film, popular culture, gender, and cultural studies, as well as scholars of criminology and justice.


Prisons, Race, and Masculinity in Twentieth-Century U.S. Literature and Film

Prisons, Race, and Masculinity in Twentieth-Century U.S. Literature and Film

Author: Peter Caster

Publisher:

Published: 2008

Total Pages: 279

ISBN-13: 9780814271902

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In Prisons, Race, and Masculinity, Peter Caster demonstrates the centrality of imprisonment in American culture, illustrating how incarceration, an institution inseparable from race, has shaped and continues to shape U.S. history and literature in the starkest expression of what W.E.B. DuBois famously termed "the problem of the color line." A prison official in 1888 declared that it was the freeing of slaves that actually created prisons: "we had to establish means for their control. Hence came the penitentiary." Such rampant racism contributed to the criminalization of black masculinity in the cultural imagination, shaping not only the identity of prisoners (collectively and individually) but also America's national character. Caster analyzes the representations of imprisonment in books, films, and performances, alternating between history and fiction to describe how racism influenced imprisonment during the decline of lynching in the 1930s, the political radicalism in the late 1960s, and the unprecedented prison expansion through the 1980s and 1990s. Offering new interpretations of familiar works by William Faulkner, Eldridge Cleaver, and Norman Mailer, Caster also engages recent films such as American History X, The Hurricane, and The Farm: Life Inside Angola Prison alongside prison history chronicled in the transcripts of the American Correctional Association. This book offers a compelling account of how imprisonment has functioned as racial containment, a matter critical to U.S. history and literary study.


The Weight

The Weight

Author: Andrew Vachss

Publisher: Vintage Crime/Black Lizard

Published: 2011-11-01

Total Pages: 274

ISBN-13: 0307741311

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Andrew Vachss returns with a mesmerizing novel about a hard-core thief who's about to embark on a job that will alter his life forever. Sugar’s a pure professional, “time tested” and packing 255 pounds of muscle. Accused of a rape he couldn’t have done because he was robbing a jewelry store at the time, the DA offers him two options: give up his partners in the heist and walk, or go back to prison alone. For Sugar, there isn’t a choice; he takes the weight. When he gets out, his money is there, but so is another job. One of the heist crew has fallen off the radar, and the mastermind behind the jewelry job asks Sugar to find him and make sure their secrets are safe. Sugar suspects that there’s more to this gig than what he is being told. But nothing he suspects can prepare him for what he finds.


Behind the Walls

Behind the Walls

Author: Jorge Antonio Renaud

Publisher: University of North Texas Press

Published: 2002

Total Pages: 241

ISBN-13: 1574411527

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Written by a Texas inmate trained as a reporter, this book gives practical advice on how inmates live, eat, play, work, and die in the Texas prison system. It spotlights the day-to-day workings of the Texas Department of Criminal Justice--what's good, what's bad, which programs work and which ones do not, and examines if practice really follows official policy. "While the book is meant to be a primer for those with loved ones in prison, it should be required reading for any attorney involved in criminal law."--Texas Lawyer de Novo Magazine


The Working Lives of Prison Managers

The Working Lives of Prison Managers

Author: Jamie Bennett

Publisher: Springer

Published: 2016-02-09

Total Pages: 287

ISBN-13: 1137498951

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This book offers the first ethnographic account of prison managers in England. It explores how globalised changes, in particular managerialism, have intersected with local occupational cultures, positioning managers as micro-agents in the relationship between the global and local that characterises late modernity. The Working Lives of Prison Managers addresses key aspects of prison management, including how individuals become prison managers, their engagement with elements of traditional occupational culture, and the impact of the 'age of austerity'. It offers a particular focus on performance monitoring mechanisms such as indicators, audits and inspections, and how these intersect with local culture and individual identity. The book also examines important aspects of individual agency, including values, discretion, resistance and the use of power. It also reveals the 'hidden injuries' of contemporary prison managerialism, especially the distinctive effects experienced by women and members of minority ethnic groups.


Criminal Visions

Criminal Visions

Author: Paul Mason

Publisher: Routledge

Published: 2012-12-06

Total Pages: 323

ISBN-13: 1135990832

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Despite being an increasingly high profile subject, few publications address media representations of law and order head on. This book aims to meet this need by bringing together an important range of papers from leading researchers in the field, addressing issues of fictional, factual and hybrid representations of crime in the media.