Ever wonder what a man thinks when he can't provide for himself? Have you ever thought about what will happen to a man when taken out of his comfort zone? What happens when his body is incarcerated and his mind roams free. Take a journey thru the eyes of a man born and raised in Jacksonville, FL. After being a resident of the Department of Corrections only two things happen. You become better or worse because you will never be the same. Poetry became his escape from the insanity that surrounded him. The pen and paper became the release of anger and frustration. Now it's time to share it with the world.
Winner of the 2019 NAACP Image Award for Outstanding Literary Work in Poetry Finalist for the 2019 Los Angeles Times Book Prize in Poetry A searing volume by a poet whose work conveys "the visceral effect that prison has on identity" (Michiko Kakutani, New York Times). Felon tells the story of the effects of incarceration in fierce, dazzling poems—canvassing a wide range of emotions and experiences through homelessness, underemployment, love, drug abuse, domestic violence, fatherhood, and grace—and, in doing so, creates a travelogue for an imagined life. Reginald Dwayne Betts confronts the funk of postincarceration existence and examines prison not as a static space, but as a force that enacts pressure throughout a person’s life. The poems move between traditional and newfound forms with power and agility—from revolutionary found poems created by redacting court documents to the astonishing crown of sonnets that serves as the volume’s radiant conclusion. Drawing inspiration from lawsuits filed on behalf of the incarcerated, the redaction poems focus on the ways we exploit and erase the poor and imprisoned from public consciousness. Traditionally, redaction erases what is top secret; in Felon, Betts redacts what is superfluous, bringing into focus the profound failures of the criminal justice system and the inadequacy of the labels it generates. Challenging the complexities of language, Betts animates what it means to be a "felon."
Ever wonder what a man thinks when he can't provide for himself? Have you ever thought about what will happen to a man when taken out of his comfort zone? What happens when his body is incarcerated and his mind roams free. Take a journey thru the eyes of a man born and raised in Jacksonville, FL. After being a resident of the Department of Corrections only two things happen. You become better or worse because you will never be the same. Poetry became his escape from the insanity that surrounded him. The pen and paper became the release of anger and frustration. Now it's time to share it with the world.
Adapted from the Persian by Bahiyyih Nakhjavani based on translations by Violette and Ali Nakhjavani, these poems testify to the courage and the despair, the misery and the hopes of thousands of Iranians struggling to survive conditions of extreme oppression.
From his prison cell, where he awaited execution for conspiring to assassinate Adolf Hitler, Bonhoeffer wrote 10 powerful poems, charged with white-hot emotions and disarming candor of a man who lived and ultimately died by the truth.
Increase student performance, student engagement, and critical analysis skills with We the People. This program is available with GinA, an educational game in which students learn American Government by doing, as well as McGraw-Hill’s LearnSmart, an adaptive questioning tool proven to increase content comprehension and improve student results. Try our Politics in Practice which uses real-life scenarios to develop students’ critical thinking skills through activities and a written argument. Unique to this program is a balanced, well-respected author who makes complex topics easy. Tom Patterson is a recognized voice in media who teaches at Harvard’s Kennedy School of Government. We the People’s strong authorship and market-leading digital products make this an ideal solution to course goals.
This collection of poems navigates love’s place in the human experience. I place emphasis on “the place of love” because I believe that every poet is driven by a certain shade of love to birth the deepest of poetic pieces. For example, the poet, JP Clark, was driven by the “place of love” to write “Ibadan”. In this collection, the poet uses simple diction to navigate deep and complicated human emotions. We see that in the poem, “Seeds of Love”: The foundation of our love wasn’t strong; it was built on sinking sands, and as hail and sandstorms threatened, our love crashed like a sandcastle. And I think this is what makes this collection unique. Here, we see a poet who is content with the simplicity of language, the lightness of metaphors to express emotions. The poems find their relativity in the softness of their language. As expected, in exploring the “place of love”, these love poems are not just about the flowery feeling and the butterflies that love elicits; no, they mention the heartbreak, the hurt that comes along with it, for is love not about pain and betrayal too? This collection is not only about the “place of love”; as I mentioned earlier, driven by another shade of love, the poet also explores the “love of body” as seen in the poem, “My Body”: I have learnt to love my body with its scars, to treat it like a prized ornament, to worship it and give it the care it deserves. I have learnt to love myself. You will also see poems about the “love of place”, where the poet dissects the soul of his nation, where he mourns a nation that sends her children out to the harsh experience of becoming immigrants in another country. In all, this is a graceful collection of poems, thematically linked in their concerns, yet diverse in the kinds of emotions each one will provoke in the reader.
Starting in 1970, Jean Genet—petty thief, prostitute, modernist master—spent two years in the Palestinian refugee camps in Jordan. Always an outcast himself, Genet was drawn to this displaced people, an attraction that was to prove as complicated for him as it was enduring. Prisoner of Love, written some ten years later, when many of the men Genet had known had been killed, and he himself was dying, is a beautifully observed description of that time and those men as well as a reaffirmation of the author's commitment not only to the Palestinian revolution but to rebellion itself. For Genet's most overtly political book is also his most personal—the last step in the unrepentantly sacrilegious pilgrimage first recorded in The Thief's Journal, and a searching meditation, packed with visions, ruses, and contradictions, on such life-and-death issues as the politics of the image and the seductive and treacherous character of identity. Genet's final masterpiece is a lyrical and philosophical voyage to the bloody intersection of oppression, terror, and desire at the heart of the contemporary world.
