In St. Petersburg there is the famous prison Kresty. The main character spends almost exactly a year there. How to get to the Crosses, how they live, what they feed, where they sleep, how they wash themselves, this book tells. In the end, the author gives advice on how to behave in Prison. How to stay alive. How to maximize your health. How to bring freedom closer.
American Mass Murderers collects nearly 700 pages of information about the most notorious killers in America, as well as some of the lesser-known murderers.
This text brings together studies in various aspects of the theory of the capitalist economy. It focuses on major themes of the Marxist tradition that postulate the existence and importance of social relations and structures underlying the esoteric realm of prices, profits, wages, etc.
With its fiery crosses and nightriders in pointed hoods and flowing robes, the Ku Klux Klan remains a recurring nightmare in American life. What began in the earliest post-Civil War days as a social group engaging in drunken hijinks at the expense of perceived inferiors soon turned into a murderous paramilitary organization determined to resist the "evils" of radical Reconstruction. For six generations and counting, the Klan has inflicted misery and death on countless victims nationwide and since the early 1920s, has expanded into distant corners of the globe. From the Klan's post-Civil War lynchings in support of Jim Crow laws, to its bloody stand against desegregation during the 1960s, to its continued violence in the militia movement at the turn of the 21st century, this revealing volume chronicles the complete history of the world's oldest surviving terrorist organization from 1866 to the present. The story is told without embellishment because, as this work demonstrates, the truth about the Ku Klux Klan is grim enough.
Essays “capturing media ecologies as varied as museum installations, film festival showings, photography, and multiple varieties of internet sharing.” —Jump Cut In Documentary Across Platforms, noted scholar of film and experimental media Patricia R. Zimmermann offers a glimpse into the ever-evolving constellation of practices known as “documentary” and the way in which they investigate, engage with, and interrogate the world. Collected here for the first time are her celebrated essays and speculations about documentary, experimental, and new media published outside of traditional scholarly venues. These essays envision documentary as a complex ecology composed of different technologies, sets of practices, and specific relationships to communities, engagement, politics, and social struggles. Through the lens of reverse engineering—the concept that ideas, just like objects, can be disassembled to learn how they work and then rebuilt into something new and better—Zimmermann explores how numerous small-scale documentary works present strategies of intervention into existing power structures. Adaptive to their context, modular, and unfixed, the documentary practices she explores exploit both sophisticated high-end professional and consumer-grade amateur technologies, moving through different political terrains, different platforms, and different exhibition contexts. Together these essays demonstrate documentary’s role as a conceptual practice to think through how the world is organized and to imagine ways that it might be reorganized with actions, communities, and ideas.
In the second volume of his beloved Connemara trilogy, cartographer Tim Robinson continues to unearth the stories of this rich landscape—weaving placelore, etymology, geology, and the meeting of sea and shore into the region’s mythologies. From the northern fiord waters of Killary Harbour to the southern sea-washed islands of Slyne Head, western Connemara awes with a rugged landscape: sloping cliffs, towering mountains, and the ever-present thudding of the Atlantic. And here, within the earth, resides the record of the past; stones with ash-grey centers reveal volcanic episodes, a series of mysteriously arranged quartz boulders reminds us of the ancient secrets held in the soil, and a long-disappeared lake filled in by sand lies beneath a golf course, waiting to be rediscovered. Mapping more than geography, Tim Robinson charts Connemara’s deep relationship to those who have inhabited its surface. The Last Pool of Darkness brims with tales of ghosts, centuries-old land disputes, periods of religious and political upheavals, philosophers entranced by the isolating landscape, poets, mathematicians, artists, fantastical smugglers, the discovery of botanical rarities, trickster fairies, and the delicate balance between humans and nature. Not merely a “certain tract of the Earth’s surface” but “an accumulation of connotations,” Robinson’s Connemara offers readers an opportunity to travel across space and time. A work of great precision and tenderness, The Last Pool of Darkness is an enchanting addition to the Seedbank series and next chapter in “one of the most remarkable non-fiction projects undertaken in English” (Robert Macfarlane).
