How did the earliest printers go about their work? What factors accounted for economic success or failure? How did artists collaborate with printers? Who made up the audience for new books? Were printed books read differently from manuscript books? This collection addresses such key questions relating to the development of the book in the West during the fifteenth and sixteenth centuries. Sandra Hindman brings together ten new essays representing a wide range of scholarly disciplines, including art, history, literature, history, theater, and analytic bibliography. Individual essays consider various aspects of the social and historical contexts of the early printed book in Germany, France, Italy, Belgium, and England. Rather than focusing on either the uneasy continuity or the fundamental discontinuity between scribal culture and print culture, as previous scholarship has tended to do, Printing the Written Word sheds light on the social function of the early printed book while presenting a detailed picture of its production and reception. -- Book cover.
How did the earliest printers go about their work? What factors accounted for economic success or failure? How did artists collaborate with printers? Who made up the audience for new books? Were printed books read differently from manuscript books? This collection addresses such key questions relating to the development of the book in the West during the fifteenth and sixteenth centuries. Sandra Hindman brings together ten new essays representing a wide range of scholarly disciplines, including art, history, literature, history, theater, and analytic bibliography. Individual essays consider various aspects of the social and historical contexts of the early printed book in Germany, France, Italy, Belgium, and England. Rather than focusing on either the uneasy continuity or the fundamental discontinuity between scribal culture and print culture, as previous scholarship has tended to do, Printing the Written Word sheds light on the social function of the early printed book while presenting a detailed picture of its production and reception. -- Book cover.
The "Vows of the Peacock" - written in 1312 and dedicated to Thibaut de Bar, bishop of Liège - recounts how Alexander the Great comes to the aid of a family of aristocrats threatened by Indians. The poem remained popular throughout the fourteenth century and was soon followed by two sequels. Twenty-six illuminated manuscripts constitute part of a catalogue and concordance of all Peacock manuscripts. One of the most provocative, (PML, MS G24), has twenty-two miniatures which illustrate chivalry and courtly love, as epitomized in the text. An unusually high number of scurrilous marginalia, however, surround them. An interdisciplinary exploration of iconography, reception, image-text-marginalia dynamics, and context reveals their ultimate polysemy as scatological comedians and serious harbingers of sin.
Calling all aspiring writers, speakers, coaches, experts, entrepreneurs, business professionals or anyone considering writing a book for the first time... If the thought of writing a book has been confusing for you in the past, then here's the simplest strategy for writing your first book and ensuring you're a successful author! Do you have a book idea that you've wanted to write for a while but were confused on the steps? Are you overwhelmed by all of the books on writing, publishing and marketing? With a proven formula for success How to Write Your First Book will help you to write better and to understand the fundamentals of writing your first book no matter your writing level or ability. If you are motivated to take your career to the next level or simply want to publish the fiction idea that's been floating around in your mind, the simple and easy to use formula called the W.R.I.T.E. method will help you to accomplish your goal of becoming a published author. Whether you are a new author hoping to find success with your very first book or a professional using it to brand your business, this formula works! The fact of the matter is a well-written book does not always guarantee success. With the W.R.I.T.E. method, you are given the tools you need to attract your audience and make a consistent passive income from your books so that you can write for a living. In this book, all of the questions you didn't even know you had will be answered. You'll learn: - The formula for writing a book that ensures success! - How to research your book idea to determine if it's profitable before you write the book! - How to choose between traditional or self-publishing based on your time, writing goals and budget! - How to write specifically for your target audience so that you can sell more books! - How to create a book title, cover, and book description that will garner you massive sales! - What to consider with respects to your very first book launch and while creating an author platform! - And much more! Perfect Gift Idea For Writers! It doesn't matter if you are looking to write great fiction or an inspiring non-fiction book, whether you choose to self-publish or traditionally publish, this book will be of value to you! If you've been waiting to write a bestseller because you just didn't know how to get started, look no further! This step-by-step guide places you on the path to success! Buy How to Write Your First Book today and be one step closer to becoming a published author in 2017! Stefanie is an expert in her field and that shows through in her writing. I have been writing for quite some time, but this book gave me information I didn't know anything about. This is definitely a must for anyone thinking about writing a book for publication. - Sarah S.
With extensive updates and enhancements to every chapter, the new edition of "Speech to Print" fully prepares today's literacy educators to teach students with or without disabilities.
Lost Books and Printing in London, 1557-1640 is the first attempt to analyse systematically the entries relating to lost books in the Stationers’ Company Register. Books played a fundamental role in early modern society and are key sources for our comprehension of the political, religious, economic and cultural aspects of the age. Over time, the loss of these books has presented a significant barrier to our understanding of the past. The monopoly of the Stationers’ Company centralised book production in England to London with printing jobs carried out by members documented in a Register. Using modern digital approaches to bibliography, Alexandra Hill uses the Register to reclaim knowledge of the English book trade and print culture that would otherwise be lost.
