Print Culture in Renaissance Italy
Print Culture in Renaissance Italy

Author: Brian Richardson

Publisher: Cambridge University Press

Published: 1994

Total Pages: 288

ISBN-13: 9780521893022

DOWNLOAD EBOOK

The emergence of print in late fifteenth-century Italy gave a crucial new importance to the editors of texts, who determined the form in which texts from the Middle Ages would be read, and who could strongly influence the interpretation and status of texts by adding introductory material or commentary. Brian Richardson here examines the Renaissance circulation and reception of works by earlier writers including Dante, Petrarch, Boccaccio and Ariosto, as well as popular contemporary works of entertainment. In so doing he sheds light on the impact of the new printing and editing methods on Renaissance culture, including the standardisation of vernacular Italian and its spread to new readers and writers, the establishment of new standards in textual criticism, and the increasing rivalry between the two cities on which this study is chiefly focused, Venice and Florence.

Printing, Writers and Readers in Renaissance Italy
Printing, Writers and Readers in Renaissance Italy

Author: Brian Richardson

Publisher: Cambridge University Press

Published: 1999-08-05

Total Pages: 256

ISBN-13: 9780521576932

DOWNLOAD EBOOK

The spread of printing to Renaissance Italy had a dramatic impact on all users of books. As works came to be diffused more widely and cheaply, so authors had to adapt their writing and their methods of publishing to the demands and opportunities of the new medium, and reading became a more frequent and user-friendly activity. Printing, Writers and Readers in Renaissance Italy focuses on this interaction between the book industry and written culture. After describing the new technology and the contexts of publishing and bookselling, it examines the continuities and changes faced by writers in the shift from manuscript to print, the extent to which they benefited from print in their careers, and the greater accessibility of books to a broader spectrum of readers, including women and the less well educated. This is the first integrated study of a topic of central importance in Italian and European culture.

Manuscript Culture in Renaissance Italy
Manuscript Culture in Renaissance Italy

Author: Brian Richardson

Publisher: Cambridge University Press

Published: 2014-07-10

Total Pages: 0

ISBN-13: 9781107425521

DOWNLOAD EBOOK

Even after the arrival of printing in the fifteenth century, texts continued to be circulated within Italian society by means of manuscript. Scribal culture offered rapidity, flexibility and a sense of private, privileged communication. This book is a detailed treatment of the continuing use of scribal transmission in Renaissance Italy. Brian Richardson explores the uses of scribal culture within specific literary genres, its methods and its audiences. He also places it within the wider system of textual communication and of self-presentation, examining the relationships between manuscript and print and between manuscript and the spoken or sung performance of verse. An important contribution to a lively area of the history of the book, this study will be of interest both for the abundance of new material on the circulation of texts in Italy and as a model for how to study the cultures of manuscript and print in early modern Europe.

The Culture of Profession in Late Renaissance Italy
The Culture of Profession in Late Renaissance Italy

Author: George W. McClure

Publisher: University of Toronto Press

Published: 2004-01-01

Total Pages: 404

ISBN-13: 9780802089700

DOWNLOAD EBOOK

From Latin humanists to popular writers, Italian Renaissance culture spawned a lively debate on vocational choice and the nature of profession. In The Culture of Profession in Late Renaissance Italy, George W. McClure examines the turn this debate took in the second half of the Renaissance, when the learned 'praise and rebuke' of profession began to be complemented with more popular forms of discourse, and when less learned vocations made their voice heard. Focusing primarily on sources assembled and published in the sixteenth century, McClure's study explores professional themes in comic, festive, and popular print culture. A pivotal figure is Tomaso Garzoni, a monk whose popular encyclopedia, Universal Piazza of all the Professions of the World, was published in 1585. A funnel for earlier traditions and an influence on later ones, this massive compendium treated over 150 categories of profession - juxtaposing the world of philosophers and poets, lawyers and physicians, merchants and artisans, teachers and printers, cooks and chimneysweeps, prostitutes and procurers. If the conventional view is that Italian Renaissance society generally grew more aristocratic in the later period, this and other sources reveal a professional ethos more democratic in nature and bespeak the full cultural discovery of the middling and lowly professions in the late Renaissance.

Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540)
Printing and Reading Italian Latin Humanism in Renaissance Europe (ca. 1470-ca. 1540)

Author: Alejandro Coroleu

Publisher: Cambridge Scholars Publishing

Published: 2014-06-02

Total Pages: 230

ISBN-13: 1443861057

DOWNLOAD EBOOK

With the advent of the printing press throughout Europe in the last quarter of the fifteenth century, the key Latin texts of Italian humanism began to be published outside Italy, most of them by a small group of printers who, in most cases, worked in close collaboration with lecturers and teachers. This study provides the first comprehensive account of the dissemination of this important literary corpus in Spain, France, the Low Countries and the German-speaking world between ca. 1470 and ca. 1540. By combining an examination of book production and consumption with attention to the educational system of Renaissance Europe, this book highlights both the historical significance of the Latin literature of Italian humanism within the school and university curriculum of the time, and the impact of such a body of texts on the rising national literary traditions, in Latin and in the vernacular, of the period. Printing and Reading Italian Latin Humanism in Renaissance Europe will appeal to scholars of classical and Renaissance literature, and to anyone interested in intellectual history and in the history of education in the Renaissance. It will be of particular interest to scholars in Hispanic studies.

Niccol˜ Di Lorenzo Della Magna and the Social World of Florentine Printing, Ca. 1470Ð1493
Niccol˜ Di Lorenzo Della Magna and the Social World of Florentine Printing, Ca. 1470Ð1493

Author: Lorenz Bšninger

Publisher: Harvard University Press

Published: 2021-04-06

Total Pages: 225

ISBN-13: 067425113X

DOWNLOAD EBOOK

A new history of one of the foremost printers of the Renaissance explores how the Age of Print came to Italy. Lorenz Bšninger offers a fresh history of the birth of print in Italy through the story of one of its most important figures, Niccol˜ di Lorenzo della Magna. After having worked for several years for a judicial court in Florence, Niccol˜ established his business there and published a number of influential books. Among these were Marsilio FicinoÕs De christiana religione, Leon Battista AlbertiÕs De re aedificatoria, Cristoforo LandinoÕs commentaries on DanteÕs Commedia, and Francesco BerlinghieriÕs Septe giornate della geographia. Many of these books were printed in vernacular Italian. Despite his prominence, Niccol˜ has remained an enigma. A meticulous historical detective, Bšninger pieces together the thorough portrait that scholars have been missing. In doing so, he illuminates not only Niccol˜Õs life but also the Italian printing revolution generally. Combining Renaissance studiesÕ traditional attention to bibliographic and textual concerns with a broader social and economic history of printing in Renaissance Italy, Bšninger provides an unparalleled view of the business of printing in its earliest years. The story of Niccol˜ di Lorenzo furnishes a host of new insights into the legal issues that printers confronted, the working conditions in printshops, and the political forces that both encouraged and constrained the publication and dissemination of texts.

Music and Culture in Late Renaissance Italy
Music and Culture in Late Renaissance Italy

Author: Iain Fenlon

Publisher: Oxford University Press

Published: 2002-12-05

Total Pages: 300

ISBN-13: 9780198164449

DOWNLOAD EBOOK

Explores the role of music in the cultural, religious, and political upheavals of late Renaissance Italy, revealing how musical activity of all kinds was instrumentalized by those in power. Italian culture did not lose its vigour after 1530, but underwent a transformation.

Print Culture and Peripheries in Early Modern Europe
Print Culture and Peripheries in Early Modern Europe

Author: Benito Rial Costas

Publisher: BRILL

Published: 2012-11-09

Total Pages: 445

ISBN-13: 9004235752

DOWNLOAD EBOOK

Despite the fact that, if only by number, small and peripheral cities played an important role in fifteenth and sixteenth-century European print culture, book history has mainly been dominated by monographs on individual big book centres. Through a number of specific case studies, which deploy a variety of methods and a wide range of sources, this volume seeks to enhance our understanding of printing and the book trade in small and peripheral European cities in the fifteenth and sixteenth centuries, and to emphasize the necessity of new research for the study of print culture in such cities.

Women in Italian Renaissance Culture and Society
Women in Italian Renaissance Culture and Society

Author: Letizia Panizza

Publisher: Routledge

Published: 2017-12-02

Total Pages: 441

ISBN-13: 1351199056

DOWNLOAD EBOOK

"An impressive collection of 29 essays by British, American and Italian scholars on important historical, artistic, cultural, social, legal, literary and theatrical aspects of women's contributions to the Italian Renaissance, in its broadest sense. Many contributions are the result of first-hand archival research and are illustrated with numerous unpublished or little-known reproductions or original material. The subjects include: women and the court ( Dilwyn Knox, Evelyn S Welch, Francine Daenens and Diego Zancani ); women and the church ( Gabriella Zarri, Victoria Primhak, Kate Lowe, Francesca Medioli and Ruth Chavasse ); legal constraints and ethical precepts ( Marina Graziosi, Christine Meek, Brian Richardson, Jane Bridgeman and Daniela De Bellis ); female models of comportment ( Marta Ajmarm Paola Tinagli and Sara F Matthews Grieco ); women and the stage ( Richard Andrews, Maggie Guensbergberg, Rosemary E Bancroft-Marcus ); women and letters ( Diana Robin, Virginia Cox, Pamela J Benson, Judy Rawson, Conor Fahy, Giovanni Aquilecchia, Adriana Chemello, Giovanna Rabitti and Nadia Cannata Salamone )."

The Culture of Cleanliness in Renaissance Italy
The Culture of Cleanliness in Renaissance Italy

Author: Douglas Biow

Publisher: Cornell University Press

Published: 2006

Total Pages: 284

ISBN-13: 9780801444814

DOWNLOAD EBOOK

Concerned about sanitation during a severe bout of plague in Milan, Leonardo da Vinci designed an ideal, clean city. Leonardo was far from alone among his contemporaries in thinking about personal and public hygiene, as Douglas Biow shows in The Culture of Cleanliness in Renaissance Italy. A concern for cleanliness, he argues, was everywhere in the Renaissance.Anxieties about cleanliness were expressed in literature from humanist panegyrics to bawdy carnival songs, as well as in the visual arts. Biow surveys them all to explain why the topic so permeated Renaissance culture. At one level, cleanliness, he documents, was a matter of real concern in the Renaissance. At another, he finds, issues such as human dignity, self-respect, self-discipline, social distinction, and originality were rethought as a matter of artistic concern.The Culture of Cleanliness in Renaissance Italy moves from the clean to the unclean, from the lofty to the base. Biow first examines the socially elevated, who defined and distinguished themselves as clean, pure, and polite. He then turns to soap, an increasingly common commodity in this period, and the figure of the washerwoman. Finally he focuses on latrines, which were universally scorned yet functioned artistically as figures of baseness, creativity, and fun in the works of Dante and Boccaccio. Paralleling this social stratification is a hierarchy of literary and visual artifacts, from the discourse of high humanism to filthy curses and scatological songs. Deftly bringing together high and low-as well as literary and visual-cultures, this book provides a fresh perspective on the Italian Renaissance and its artistic legacy.